Reaction
"Hook is adept at writing about the many ‘isms’ of this period. From the boldness of Fauvism to the proto-fascism of Futurism, in his hands, these movements are less the theoretical contents of a dry art history lecture than a truly interesting framework through which to view his period of history."
Rupert Christiansen
"Erudite and amusing . . . unfailingly enjoyable. Rich in anecdote and candid in opinion, it has a panache free of sanctimonious claptrap that makes it an invigorating introduction to the subject."
The Times
"A vivid survey of art, at once safe and extreme, in the decade before the Great War. This is a spirited history told with the rush and hustle of a true enthusiast. . . . Hook pulls his material together with verve and élan."
Literary Review
"The author writes knowledgeably and from a position of privileged intimacy with the works he discusses. . . . Hook tells with zest and wit the story of this birth of modernism."
Stephen Bayley
"Praise from the UK
A Sunday Times (UK) Book of the Year
"A mesmerizing pleasure . . . consummately well-informed and readable, replete with shameless gossip and memorable anecdote. The illustrations are well chosen and interestingly eclectic."
Mail on Sunday
"Hook’s wonderful book captures a window of time when artistic ideals were shattered and reassembled in dynamic ways."
From the Publisher
Art dealer and auctioneer Hook delves into modern art and its explosion onto the scene… Those interested in art history, art collecting, and the lives of artists will not be able to put this down.”—Library Journal “An art auctioneer and dealer looks at the birth of fauvism, expressionism, cubism, futurism, and abstract art in the years leading up to WWI.”—Publishers Weekly, Top 10 Art Book Spring 2022Praise from the UK for ModernA Sunday Times (UK) Book of the Year “A mesmerizing pleasure . . . consummately well-informed and readable, replete with shameless gossip and memorable anecdote. The illustrations are well chosen and interestingly eclectic.”—Stephen Bayley, The Spectator Books of the Year “Hook’s wonderful book captures a window of time when artistic ideals were shattered and reassembled in dynamic ways.”—Mail on Sunday “The author writes knowledgeably and from a position of privileged intimacy with the works he discusses. . . . Hook tells with zest and wit the story of this birth of modernism.”—Literary Review “A vivid survey of art, at once safe and extreme, in the decade before the Great War. This is a spirited history told with the rush and hustle of a true enthusiast. . . . Hook pulls his material together with verve and élan.”—The Times “Erudite and amusing . . . unfailingly enjoyable. Rich in anecdote and candid in opinion, it has a panache free of sanctimonious claptrap that makes it an invigorating introduction to the subject.”—Rupert Christiansen, The Spectator “Hook is adept at writing about the many ‘isms’ of this period. From the boldness of Fauvism to the proto-fascism of Futurism, in his hands, these movements are less the theoretical contents of a dry art history lecture than a truly interesting framework through which to view his period of history.”—Reaction
Library Journal
05/01/2022
Art dealer and auctioneer Hook (Popular Nineteenth Century Painting) delves into modern art and its explosion onto the scene. It began at the turn of the 20th century, when new movements such as fauvism, expressionism, symbolism, abstraction, and more sprang up. As the pace of life quickened, avant-garde artists rose to the occasion. They were happy to shock people with their "selfish art," created more to please themselves rather than society. Hook describes each movement and follows the flow of modern art from Paris outward. Gauguin, Cézanne, and Van Gogh, who did most of his work in France, were the forerunners of this new movement. Everything that happened in France rippled outward to inspire artists like Klimt, Munch, and Modigliani, among many others. Not all major cities were receptive to this change. We also learn that this selfish art was not without consequence. Following your instinct above all else rarely ends well. Unfortunately, this decade was brought to an abrupt end with the start of World War I, when attention shifted and many artists were the perfect age to be drafted. Even with this sad end it is impossible to imagine art as we know it without this great influence. VERDICT Those interested in art history, art collecting, and the lives of artists will not be able to put this down.—Rebecca Kluberdanz Honsinger