Modern Sounds In Country And Western Music [Clear Red Smoke Vinyl] [Barnes & Noble Exclusive]

by Ray Charles

Overview

When Ray Charles made Modern Sounds in Country and Western Music in 1962, he was operating from a position of power. Two years into his contract with ABC-Paramount, he had already become a fixture in the Top Ten with both his singles and his albums, winning a Grammy for his 1960 single "Georgia on My Mind." Charles had freedom to do whatever he wanted, and he chose to record interpretations of 12 country songs, drawing almost equally from recent hits and older standards. The sly virtuosity within Charles' approach was to treat these tunes as a a songbook to be reinvented, not as songs that were tied to their rural roots. Later, Charles explained that he saw little difference between a country tune and a blues song -- they draw from the same emotions and musical traditions -- but the striking thing about his interpretations on Modern Sounds in Country and Western is that he's not concentrating on the earthier elements of either genre. He's fully focused on playing these songs as he'd play any other, grounding them in jazz and soul, then dressing them in arrangements designed to snag a crossover audience. To latter-day generations, those arrangements -- thick with strings and backing vocals -- may sound slightly schlocky, yet even in 1962 they were a sign of how Charles was as intent on appealing to a mainstream easy listening demographic as he was to his soul and jazz audience. That's the brilliance of the project: it is thoroughly American pop music, blending seemingly disparate elements in a fashion that seems simultaneously universal and idiosyncratic. Audiences quickly embraced Modern Sounds in Country Music, which lead Charles and producer Sid Feller to record a sequel immediately, rushing it onto the marketplace of October 1962, just six months after the first hit the stars. Time has eroded the differences between the two LPs, and perhaps inevitably so: the two share the same sensibility and arrangers, with the difference being the second volume separates the big band tunes on one side, with the strings and choirs on the other. It's a notable distinction, but the main difference between the two albums is that the first volume retains a sense of discovery, whereas the second is made with the confidence that this particular formula works. In either case, the two albums -- whether heard individually or as a pair, as they so often are -- aren't so much complements but of a piece, music that changed the course of popular music and remains a testament to the genius of Ray Charles. ~ Stephen Thomas Erlewine

Product Details

Release Date:	09/27/2024
Label:	Tangerine Records
UPC:	0708857204618

Tracks

1. Bye Bye, Love
2. You Don't Know Me
3. Half As Much
4. I Love You So Much It Hurts
5. Just A Little Lovin'
6. Born To Lose
7. Worried Mind
8. It Makes No Difference Now
9. You Win Again
10. Careless Love
11. I Can't Stop Loving You
12. Hey, Good Lookin'

Album Credits

Performance Credits

Ray Charles   Primary Artist,Vocals,Keyboards
David "Fathead" Newman   Guest Artist

Technical Credits

Joe Adams   Producer
Sid Feller   Producer
Harry Beasley Smith   Composer
Don Lanier   Composer
Frankie Mann   Composer
Martha E. Koenig   Composer
Buddy Guy   Composer
Floyd Tillman   Composer
Don Gibson   Composer
Frankie Brown   Composer
Red Steagall   Composer
Hank Williams   Composer
Haven Gillespie   Composer
Zeke Clements   Composer
Jimmie Davis   Composer
Barry Mann   Composer
Felice Bryant   Composer
Eddy Arnold   Composer
Spencer Williams   Composer
W.C. Handy   Composer
Ted Daffan   Composer
Beasley Smith   Composer
Percy Mayfield   Composer
Charles Mitchell   Composer
Boudleaux Bryant   Composer
Curley Williams   Composer
Cindy Walker   Composer
Cynthia Weil   Composer