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Overview

This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and simultaneously honors Maryellen Bieder’s invaluable scholarly contribution to the field. The essays are innovative in their consideration of lesser-known women writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II. The contributors study women as agents and representations of social change in a variety of genres, including short stories, novels, plays, personal letters, and journalistic pieces. Canonical authors such as Emilia Pardo Bazán, Leopoldo Alas “Clarín,” and Carmen de Burgos are considered alongside lesser known writers and activists such as María Rosa Gálvez, Sofía Tartilán, and Caterina Albert i Paradís. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 

Product Details

ISBN-13: 9781684480326
Publisher: Bucknell University Press
Publication date: 12/14/2018
Pages: 248
Product dimensions: 6.00(w) x 9.00(h) x 0.70(d)
Age Range: 16 Years

About the Author

JENNIFER SMITH is an Associate Professor of Spanish and Interim Chair of the Department of Languages, Cultures, and International Trade at Southern Illinois University in Carbondale. She is the coeditor of Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture.

Table of Contents

A Note on Translations … v
Introduction ... 1
            Jennifer Smith
Part I: Modern Spanish Women Writers as Activists ... 26
One           Gender, Race, and Subalternity in the Antislavery Plays of  María Rosa Gálvez and Faustina Sáez de Melgar ... 27
Akiko Tsuchiya
Two           Forging Progressive Futures for Spain’s Women and People: Sofía Tartilán (Palencia 1829-Madrid 1888) ... 55
Christine Arkinstall
Three         Fashion as Feminism: Carmen de Burgos’s Ideas on Fashion in Context ... 94
Roberta Johnson
Part II: Emilia Pardo Bazán as Literary Theorist and Cultural Critic ... 119
Four           Pardo Bazán’s “Apuntes autobiográficos”and “El baile del Querubín”: A Theoretical Reexamination ... 120
Susan M. McKenna
Five           The Twice-Told and the Unsaid in Pardo Bazán’s “Presentido,” “En coche-cama,” “Confidencia,” and “Madre” ... 147
Linda M. Willem
Six             Emilia Pardo Bazán, Joris-Karl Huysmans, and Stories of Conversion ... 175
Denise DuPont
Seven        “A Most Promising Girl”: Gender and Artistic Future in Emilia Pardo Bazán’s “La dama joven” ... 205
Margot Versteeg
Part III:Representations of Female Deviance ... 237
Eight        A Woman’s Search for a Space of Her Own in Gertrudis Gómez de Avellaneda's Dos mujeres ... 238
Rogelia Lily Ibarra
Nine         Caterina Albert i Paradís: Writing, Solitude, and Woman’s Jouissance, translated by Lourdes Albuixech... 261
Neus Carbonell
Ten            The Obstinate Negativity of Ana Ozores ... 289
Jo Labanyi
Eleven Female Masculinity in La Regenta ... 307
Jennifer Smith
Afterword ... 333
Acknowledgments... 337
Bibliography ... 338
Index ... 373
About the Contributors ... 374
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