Monster in the Middle: A Novel

by Tiphanie Yanique Narrated by Tiphanie Yanique, Oceana James, George Silcott Jr., Karen Murray, Ronald Peet

Overview

“Reveals on every page how love can persevere and take shape over time and space.”-Boston Globe

"Transporting and deeply emotional.”-Glamour

“One of the most inventive and talented stylists of her generation.” -Vulture

From the award-winning author of Land of Love and Drowning, an electric new novel that maps the emotional inheritance of one couple newly in love.

When Fly and Stela meet in 21st Century New York City, it seems like fate. He's a Black American musician from a mixed-religious background who knows all about heartbreak. She's a Catholic science teacher from the Caribbean, looking for lasting love. But are they meant to be? The answer goes back decades-all the way to their parents' earliest loves.

Vibrant and emotionally riveting, Monster in the Middle moves across decades, from the U.S. to the Virgin Islands to Ghana and back again, to show how one couple's romance is intrinsically influenced by the family lore and love stories that preceded their own pairing. What challenges and traumas must this new couple inherit, what hopes and ambitions will keep them moving forward? Exploring desire and identity, religion and class, passion and obligation, the novel posits that in order to answer the question “who are we meant to be with?” we must first understand who we are and how we came to be.

Editorial Reviews

Publishers Weekly

08/09/2021

Yanique (How to Escape from a Leper Colony) inventively juxtaposes the start of a new relationship with family histories in this sumptuous saga. Fly Lovett meets Stela Jones in early 2020 during the lockdown in New York City, while he’s enrolled in grad school for music theory and she’s doing teacher training for high school biology. Yanique builds up to their meeting by recounting their parents’ failed relationships, as well as their own. Fly’s father, Gary, a Black man who deploys an idiosyncratic range of religious practices to cope with his mental illness, holds a flame for a white girlfriend well into his marriage with Ellenora and past the birth of their son, Earl, in 1991. Earl, rechristened Fly by a scamming preacher, later has his heart broken in college by a woman who uses sex as a missionizing tool. Meanwhile, Stela’s mother, an orphan from Saint Thomas, Virgin Islands, raises Stela with her second husband. Stela breaks off an engagement to her first love, a South African–born white American, after a traumatic experience on her semester abroad in Ghana. Each arc reads as an evocative short story and an episode in the two protagonists’ complex set of unraveled connections. This introspective exploration of first and lasting loves will hit the spot with fans of character-driven family dramas. Agent: Elise Capron, Sandra Dijkstra Literary. (Oct.)

From the Publisher

Praise for Monster In The Middle:

“Back and forth, through time and space, we examine the human propensity to love, to fail at loving, to love again…. On this tumultuous mapping of American magic, we find ourselves at the center. [Monster in the Middle] boldly tells us: You are here.” —The New York Times Book Review

“Yanique brilliantly unifies the novel through her scintillating, consistently lyrical language, whether using lampoon, introspection, or tense social drama.” – LA Review of Books

“A genre-defying multigenerational love story that moves fluidly across time and geography. . . Yanique narratively excavates how our family origins influence our aptitude for intimacy.”—O, The Oprah Magazine

“Yanique is a writer’s writer, one of the most inventive and talented stylists of her generation… [She] explores the way love can echo along the corridors of history, through police brutality and a pandemic, deftly weaving and juxtaposing the trajectories that make love possible.”—Vulture
 
“The story of one couple is magnified and layered through the histories of the generations of lovers that preceded them. Spanning decades and geographies, this novel reveals on every page how love can persevere and take shape over time and space.”—Boston Globe

“Themes of race, religion, class, and education appear throughout this ambitious novel, but its abiding focus is on the intimate, and the way broader social forces can impinge upon it… Reality assumes a surreal tinge, and the fluidity of narration, across time, space, and character, imparts an epic register to the intimate encounter between Stela and Fly." —Harper's Magazine

“Monster in the Middle manages something extraordinary—it’s a truly unique story about love, specifically Black love. In Yanique’s telling, it’s not 'boy meets girl,' but 'two people meet, and thousands of years of family trees, values, and experiences converge.' . . .transporting and deeply emotional.”—Glamour

“Each of Fly and Stela’s stories could stand on their own, but when the two finally meet, it’s simply perfection. The novel brings us through 2020 — and the ending left me truly speechless. So can you all read it so we can discuss? (Seriously, read this.)” —Hey Alma
 
“At a recent book event Tiphanie said this book is kind of an embodiment of the phrase, ‘when you marry someone, you marry their whole family.’ At its core, this book is about belonging, and the tension between being held and being kept. Delectable.”—Magic

"Unique and memorable . . .A rich and honest examination of family histories, cultural disconnection, and the way people fall in love."—Kirkus

“Soft and intricate with no detail wasted. Readers are lured into the themes of self-discovery, acceptance, and trauma, with an ending well worth the investment.” – Booklist

"Yanique (How to Escape from a Leper Colony) inventively juxtaposes the start of a new relationship with family histories in this sumptuous saga. . . . Each arc reads as an evocative short story and an episode in the two protagonists’ complex set of unraveled connections. This introspective exploration of first and lasting loves will hit the spot with fans of character-driven family dramas." —Publishers Weekly

“Tiphanie Yanique’s Monster in the Middle is a compelling exploration of how we become who we are and how we manage to find our way to love. In her lyrical prose, the myriad possibilities of being—the accidents of birth, of sex, of race and geography, the choices we make, our compulsions—coalesce into something that feels, gloriously, like destiny.” —Natasha Trethewey, Pulitzer Prize-winning author of Memorial Drive
 
“Monster in the Middle is as boundless as it is affecting. Yanique’s prose leaps with possibility, as her characters live and laugh and fight and love. Yanique captures romance from its peaks to its craters, deftly weaving whole worlds from everything in between.”—Bryan Washington, author of Memorial
 
“A total wonder. Utterly original and structurally thrilling. I am in awe of this novel and Tiphanie Yanique’s masterful storytelling. This feels like a modern fable, a contemporary folk ballad full of unforgettable characters who, by the end, felt as familiar to me as family. What a gorgeous ode to love and its power.” —Brandon Taylor, author of Filthy Animals and Real Life
 
“Tiphanie Yanique is one of our very best writers. This book is another marvel, expertly mixing voices and styles, even structures and traditions, to capture the way lives naturally flow together and apart over time. . .Monster in the Middle is a book to study and savor.” —Matthew Salesses, author of Craft in the Real World

Kirkus Reviews

2021-08-04
A young couple falls in love in 21st-century New York City: Is it fate, or was their connection foretold by their ancestors?

We are the sum of the people who made us, Caribbean American writer Yanique tells us in her new novel. Their hopes and dreams may bear no resemblance to our own, may in fact be directly opposed to what we want and need, but their stories are the foundations from which we blossom. The idea isn’t new, but the gifted Yanique, author of Land of Love and Drowning (2014), shapes it into something unique and memorable as she considers the effects of cultural disconnection on desire and love. At the heart of her story are Fly and Stela, who will meet in New York City on the cusp of a pandemic. He’s a Black American, raised on religion and weed, with a mentally ill father and an ear for music; she’s half an orphan from the Virgin Islands with an artist’s eye who loves the colors of the sea and dreams of landing in the belly of a whale. A long and compelling road leads to their love story, one lined with mistakes, regrets, and other emotional flotsam. Potential menace lies everywhere, in a preacher who peddles a peculiar brand of salvation from a parking lot; a predator who slyly hides bad intentions; police officers whose racism and careless sense of justice are tangible dangers. What, then, is Yanique’s “monster in the middle”? She scatters clues with allusions to myth and magic, but interpretation lies with the reader. This author understands how we come to be who we are. “We all know it takes a village to raise a child. But I can tell you honestly that it takes an ancestry to make a man or woman,” says Stela’s stepfather. Look to your roots, Yanique urges us, and maybe you’ll see the outline of your future.

A rich and honest examination of family histories, cultural disconnection, and the way people fall in love.

Product Details

BN ID:	2940172934421
Publisher:	Penguin Random House
Publication date:	10/19/2021
Edition description:	Unabridged

Read an Excerpt

The story of Fly's father

San Francisco, California-Memphis, Tennessee

 

1989

 

1.

The lights said motel. And there wasn't a bulb missing. Not that it would have mattered if it said otel. Or mote. Not in all that rain. Not after all they had been through. The earthquake, the road, each other. They had avoided crossing the bay altogether. The Bay Bridge had collapsed, but they didn't know that for sure then. They drove south, down into the righteous belly, the holy thighs. Saint Mateo, Saint JosŽ, Saint Luis, Saint Maria, Saint Barbara, Saint Clarita. All the good men and women giving their names to those sad cities. They stopped in the City of Angels. They took the 10 through San Bernardino. Drove through Cathedral City just for the name. Stopped outside Phoenix, where he dipped a wrench into the engine and made the car purr. A day later in Las Cruces. The crosses. There they held each other in the car while Soul II Soul streamed in through the car's CD player. They stayed on the 10. Ten became a holy number. They drove across Texas almost without stopping. But then they stopped. In Saint Antonio. Drove that city until they found the Black people. Slept on a grocer's floor. Bags of rice, their pillows. Then they started back north. "We got to avoid Louisiana," Gary said to her. "And Mississippi." It had been a mission until Texas. A sacred thing, a quest.

After Saint Antonio, the road was all Eloise dreamed. The long road unstopping. They were driving into hell, it felt like. It was getting closer to winter. And yet, they were getting hotter. They abandoned the 10, took I-35 to meet Saint Marcos. Avoided Dallas. Followed an off-road just to sight some water called Palestine. Then up and up, into Arkansas. The sign to a city read Hope. Eloise held on to that image. The next stop was supposed to be Charlotte. Then they would decide. North to New York or south to Miami. Either way, a boat ride to paradise. But then the rain.

 

2.

Back on that first night in Los Angeles they had stayed on the couch of a dark-skinned pastor. A Baptist, Eloise supposed, though it was never said.

"An orphan like me," Gary told her. "But found his way through God. Missioned on me when the voices got nasty."

The two of them slept on the pastor's couch together, like children, brother and sister. Only they weren't brother and sister. Could never pass for that. And they weren't children. Why people opened their doors to them, perfect strangers, was strange to Eloise. Perhaps they could see her special gift. Perhaps it was as Gary said-that Black people wanted to watch out for them: a white woman and a Black man in love. But she didn't love him. Not then.

"We can stay here," she'd whispered that night. His body was clothed but still she could feel the all of him. "I don't mind waiting here until the dust clears. A week or two. I can work, even. I can type, you know." Her father had bought her the instruction manuals and the word processor. "And then we can find my parents. Get back to the church." She'd looked at his eyes, sealed taut in the darkness. Was he hearing the voices now? He did that, forced the light from his eyes when the voices became too bright.

"Ellie," Gary said, his lids softening and then opening. Now looking right at her and so close. "The dust is never going to clear. Isn't that what you said? We stay in the ark until the dove flies away."

It was true. She herself had indeed said that. That night among the angels he covered his ears with the palms of his hands and whispered to himself. She was pressed against his body and heard every word. "Leave me. Leave me go." And she knew better than to say anything. Sometimes just her voice made it worse for him.

In the morning, the pastor woke them with fried ham sandwiches, and smiled at them both as though they were his generous hosts and not the other way around. The radio was on. The pastor turned the sound up. And that's when they heard it. San Francisco had been spared. His infinite mercy. The deaths were in Oakland. Eloise's parents could still be in Oakland.

 

3.

 

In San Francisco, Eloise had been a child. Her parents were in the church but she hadn't been baptized as yet. Still, at the morning services they prayed for the saving of San Francisco and Oakland, because of her, because of her vision. They prayed that the cities would move away from sin, because of what she had revealed.

Her parents went to Oakland weekly. Oakland was their special obligation. Their missionary work. There was a time when Eloise had wanted to go with them, but her mother said no. Eloise was not yet a woman then. After Eloise graduated from high school her mother had offered, requested, even beseeched. But no, Eloise didn't want to go anymore. Her parents had revealed the kind of women they missioned to. Eloise would rather work on her word processing than pray with prostitutes. But here she was on the road with a man not her kin. She was the same kind of woman as the rest. Still, she had the good gift. Hers was from God. She believed that. Gary's was not. She believed that, too.

 

4.

 

When they'd left San Francisco, she hadn't thought they would keep going. On the road still a day later, he'd reached his right hand out, to touch her, she thought. But no. He'd fiddled with the car controls and then slid a circular disc into the mouth of the dashboard. It was a smooth, slippery motion. She didn't know cars came with CD players. "I modified it myself," he said. The secular music came on. And then she knew that they were not just fleeing desecration, they were fleeing their lives. In San Bernardino, Gary explained to her why they weren't heathens despite their abandon.

"You are Noah," he said with his soft big voice. "I am the animals you saved."

"You're not an animal," she said gently, to reassure him. He wasn't an animal to her. Despite his wool hair, dark skin. She and he were at an outdoor restaurant on the outside of the city. In a tiny Black part, which was also the big Mexican part, though still different parts. She couldn't tell, exactly, how it all was laid out.

She watched him tear the fried chicken with his teeth. She would have preferred they go to the diner they'd passed miles before, but he'd told her he didn't want white people to see them together. She tried to cut the chicken with a plastic fork and knife, but she only managed to discard the skin. Gary was looking at her as though he might bite into her. It was the same look he'd given when he first told her to get in the car, right now, Ellie. Get in, he'd said.

"I'm a tiger," he said now. "I'm a lion, a jaguar. A . . ." But he couldn't think of any other cats and he laughed at himself.

"A leopard," she said. "A puma."

"All that. Now, eat this chicken. You'll be hungry later."

She ate the chicken. She was like Noah. A believer.

 

5.

 

Her visions were not a curse. But her asthma was. You get a gift, you get a curse for balance. The sickness was the sign of Satan on her body. In the Frisco public library she'd looked up great people who had been asthmatic. She wanted to be great, to spite the devil. The librarian directed her to a book about Che Guevara. He'd had asthma, too, but he'd managed to become a doctor and a revolutionary. A nonbeliever, but still a healer and a leader. What greatness, then, could Eloise not accomplish with God in her heart? Perhaps the sickness signaled something prophetic about her.

She believed it was her asthma that had driven her out of the burning city. Driven her out to the shaking ground, out of her parents' holy home. Driven her into Gary's animal arms. When he'd pulled his car up to her, like a saving grace, and said get in, she had. She could barely breathe for the buildings burning, for the smoke and the screaming.

They'd first met because he'd come to her church. He'd gone to all the churches. Catholic, Seventh-day Adventist, Jehovah's Witness, Latter-day Saints. He heard voices. From God or a demon, he didn't know. Demon, he'd been mostly told. Exorcism had been suggested; Freudian analysis, too. At Eloise's family church, he'd just walked in and stood among them. The elders bade everyone in the chapel to introduce themselves, which was done whenever someone new wandered in. Eloise had been surprised at Gary's voice, a soothing bass. At the fellowship after, everyone flocked around him-a blackbird in a pitying of doves.

"The boy has voices," her father reported during dinner one night. A night when it was just Mother, Father, and Eloise. "The elders thought it best that I counsel him, given that Eloise has the visions." Eloise had pretended she wasn't curious. Had taken over the dishes from her mother, so that the parents could talk this through.

Gary came the next evening. Drove his own car up to their house. A car he claimed to have built, even the engine, with his own hands. Parked expertly in their narrow driveway, without fretting like her father always did.

"Where are you from, son?" This was a careful thing for her father to call him.

"Paradise," Gary had responded.

"Then you're like the rest of us. Cast out."

"Yes," Gary said. "Except I plan on getting back before I die."

 

After that Gary came once a week. On a day when her parents didn't mission in Oakland. He came, and when he did Eloise went to bed early. Her room just up the hallway. For a month just listening to his voice through her bedroom door caused the asthma to tighten around her chest. Until she finally realized it wasn't her asthma at all. Just herself. Until he came one night when the parents were in Oakland.

"They say you have voices, too," he spoke from the threshold.

"Visions," she corrected. And opened the door wide to let him in.

What they did that night, and for nights after, was read Proverbs. It was a perfect courtship. So perfect that she could forget he was Black. Just remember that he was a Christian. Until he told her one night that he wasn't a Christian.

"Of course you are," she said, to reassure him.

"I go to Buddhist prayers," he said.

"That doesn't seem un-Christian."

"I answer the call to prayer on Fridays."

"Prayer is Christian. Do not fear." She rested her hand on his.

"You're not listening, Ellie." His voice was firm. "I need help with my voices. I need divine help. I take it from wherever it comes."

"I can help," she said, because she was listening.

"I need paradise," he whispered. "And this is not paradise."

"No, this is Sodom."

He looked at her and then gave a trumpet of laughter.

"But I've seen it," she said evenly. "The destruction. I see things. God is going to destroy this place because of its wickedness."

"What you plan on doing when the destruction comes?"

"Pray. I will pray. As should you."

"I'll get out of here," Gary said. "Why stay in Sodom? I'll take you with me, if you want."

"You would save me?"

"If you wanted."

"Yes," she said. "I would like to be saved."

Could he see that she would be so happy without her burden of belief?

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