10/06/2014
Anthony Horowitz throws down the gauntlet in his infernally clever Sherlock Holmes pastiche.” — Marilyn Stasio, New York Times Book Review
“Ultimately, the dastardly deeds, the cleverness behind the crimes and the detailed narrative spark multiple echoes of Holmesian elements while producing something new: a pleasurably imaginative theory of what might happened immediately following the showdown at the Falls.” — Boston Globe
“A tour de force quite unlike any other fruit from these densely plowed fields… canny Sherlock-ian Horowitz still has more tricks up his sleeve.… A rare treat, a mystery as original as it is enthralling.” — Kirkus Reviews (starred review)
“Though Horowitz dishes up the gore and violence with relish, he also offers all the tropes one might expect from a Holmes yarn, including baffling coded messages, impossible murders and clever red herrings... its plotting just as brilliantly gnarly but its tone more self-aware and laced with in-jokes.” — Financial Times
“The author turns up the suspense, the sleuths turn up the clues, and crooks end up dead all while Moriarty’s specter hovers. Anything but elementary, this clever thriller is sure to please Sherlock fans.” — People Magazine, Book of the Week Review
“A stunning riff on the Holmes-Moriarty clash. It’s full of allusions to the Holmes cannon that Sherlockians will congratulate themselves for spotting, then wince moments later when Horowitz gently reveals the prank.... Horowitz spins his tale in pitch-perfect Watsonian prose…setting readers up for a finale that is truly jaw-dropping.” — Booklist , (starred)
“Prolific thriller writer Horowitz, whose last Holmes book The House of Silk was backed by the Conan Doyle estate, returns to the famous Reichenbach Falls scene, where Holmes and his arch-nemesis fall to their apparent deaths. But if you’re expecting a return of the great detective, you’ll be disappointed. This one is squarely about the bad guys. The death of Professor Moriarty leaves a power vacuum in London’s underworld that only detectives Athelney Jones (a Holmes obsessive) and his partner Frederick Case can solve.” — New York Post
“[Horowitz’s] new novel, Moriarty , begins with a bravura dissection of Doyle’s story “The Final Problem” in which he points out all the discrepancies, loose ends and improbabilities of behaviour. The remainder of the book is partly an ingenious exercise in explaining them away. ...An often excruciatingly exciting pursuit, and there is much casual slaughter, with hints of torture; nothing gratuitous but, as in The House of Silk , Horowitz’s Victorian London is a much darker place than Doyle’s.” — Daily Telegraph (London)
“Is there nothing Anthony Horowitz touches that doesn’t turn to gold? ...He captures Conan Doyle’s narrative technique to perfection. Gory murders, honest thieves, brilliant disguises, breathless chases and red herrings abound.” — Daily Express (London)
“In this skilfully executed follow on, Horowitz takes up the Conan Doyle baton and creates a suitably stylish and twisty detective story.” — Sunday Mirror (UK)
“Thrilling and compelling, with a stunning twist, this is written as if Conan Doyle were at Horowitz’s shoulder, and is—in my view—the finest crime novel of the year.” — Daily Mail (London)
“An unpredictable and twist-filled mystery from start to finish. But what do you expect from the man penning the next James Bond novel?” — Shortlist (UK)
Praise for The House of Silk : “Horowitz unfolds an intricate and rewarding mystery in the finest Victorian tradition. Admirers of [his] TV series, Foyle’s War, and Sherlockians will delight in equal measure.” — Vanity Fair
“A book firmly rooted in the style of Doyle, faithful to the character as created and with just enough wiggle room to allow the author to say all the things he’s been longing to say about the world of 221B Baker Street...THE HOUSE OF SILK will satisfy.” — Huffington Post
“Nicely captures the storytelling tone of Holmes’ inventor in a galloping adventure that boasts enough twists, ominous turns and urgent nocturnal escapades to make modern moviemakers salivate ... Author Horowitz delivers some dramatic tableaux in these pages, including a railway robbery, a prison escape and a horse-drawn carriage chase ... the Holmes we see here is just as cryptic and clever as we’ve come to expect.” — Kirkus Reviews
“The hype surrounding what’s being billed as the first pastiche ever officially approved by the Conan Doyle estate is amply justified ... authentic. Horowitz gets everything right-the familiar narrative voice, brilliant deductions, a very active role for Watson, and a perplexing and disturbing series of puzzles to unravel-and the legion of fans of the originals will surely be begging for Horowitz to again dip into Watson’s trove of untold tales.” — Publishers Weekly (starred review)
“[In The House of Silk,] Watson’s elegiac voice should silence the objections of even the most persnickety Sherlock scholar.” — NPR
“Horowitz seems to have mastered that tricky balance between respecting the original and keeping things fresh. Disguises, fakes, twists, red herrings and violence—the game is afoot!” — Bookpage
“…deliciously twisty new novel…” — Columbus Dispatch
[Horowitz’s] new novel, Moriarty , begins with a bravura dissection of Doyle’s story “The Final Problem” in which he points out all the discrepancies, loose ends and improbabilities of behaviour. The remainder of the book is partly an ingenious exercise in explaining them away. ...An often excruciatingly exciting pursuit, and there is much casual slaughter, with hints of torture; nothing gratuitous but, as in The House of Silk , Horowitz’s Victorian London is a much darker place than Doyle’s.
In this skilfully executed follow on, Horowitz takes up the Conan Doyle baton and creates a suitably stylish and twisty detective story.
A stunning riff on the Holmes-Moriarty clash. It’s full of allusions to the Holmes cannon that Sherlockians will congratulate themselves for spotting, then wince moments later when Horowitz gently reveals the prank.... Horowitz spins his tale in pitch-perfect Watsonian prose…setting readers up for a finale that is truly jaw-dropping.
Prolific thriller writer Horowitz, whose last Holmes book The House of Silk was backed by the Conan Doyle estate, returns to the famous Reichenbach Falls scene, where Holmes and his arch-nemesis fall to their apparent deaths. But if you’re expecting a return of the great detective, you’ll be disappointed. This one is squarely about the bad guys. The death of Professor Moriarty leaves a power vacuum in London’s underworld that only detectives Athelney Jones (a Holmes obsessive) and his partner Frederick Case can solve.
Though Horowitz dishes up the gore and violence with relish, he also offers all the tropes one might expect from a Holmes yarn, including baffling coded messages, impossible murders and clever red herrings... its plotting just as brilliantly gnarly but its tone more self-aware and laced with in-jokes.
Ultimately, the dastardly deeds, the cleverness behind the crimes and the detailed narrative spark multiple echoes of Holmesian elements while producing something new: a pleasurably imaginative theory of what might happened immediately following the showdown at the Falls.
The author turns up the suspense, the sleuths turn up the clues, and crooks end up dead all while Moriarty’s specter hovers. Anything but elementary, this clever thriller is sure to please Sherlock fans.
Anthony Horowitz throws down the gauntlet in his infernally clever Sherlock Holmes pastiche.
Is there nothing Anthony Horowitz touches that doesn’t turn to gold? ...He captures Conan Doyle’s narrative technique to perfection. Gory murders, honest thieves, brilliant disguises, breathless chases and red herrings abound.
An often excruciatingly exciting pursuit, and there is much casual slaughter, with hints of torture; nothing gratuitous but, as in The House of Silk, Horowitz’s Victorian London is a much darker place than Doyle’s.
Thrilling and compelling, with a stunning twist, this is written as if Conan Doyle were at Horowitz’s shoulder, and is-in my view-the finest crime novel of the year.
A no-nonsense writer Horowitz proceeds briskly and ladles out spills and thrills with aplomb.
The plot is gripping and the writing most readable. In fact, I must make a confession: I would rather read Horowitz than his model, Arthur Conan Doyle.
The House of Silk was very popular and a solid piece of work—well constructed, skilfully executed and persuasively tinged with that alluring sooty flavour of 1890s London. His second, Moriarty, is much the same, but bolder in its ambitions.
Though Horowitz dishes up the gore and violence with relish, he also offers all the tropes one might expect from a Holmes yarn, including baffling coded messages, impossible murders and clever red herrings.
In this skilfully executed follow on, Horowitz takes up the Conan Doyle baton and creates a suitably stylish and twisty detective story.
Anything but elementary, this clever thriller is sure to please.
Anthony Horowitz may not be the most reverential of the many writers who have attempted to breathe new life into the legacy of Sherlock Holmes, but Moriarty proves that he is certainly one of the most entertaining.
An altogether terrific period thriller and one of the best Sherlockian pastiches of our time.
Is there nothing Anthony Horowitz touches that doesn’t turn to gold? . . . . He captures Conan Doyle’s narrative technique to perfection. Gory murders, honest thieves, brilliant disguises, breathless chases and red herrings abound.
A page-turner that is exhilarating and infuriating in equal measure.
Horowitz weaves this mystery together perfectly and his plot twists are unpredictable until the last.
A relentlessly fast-paced and entertaining read.
An exhilarating page-turner.
Is there nothing Anthony Horowitz touches that doesn’t turn to gold? . . . . He captures Conan Doyle’s narrative technique to perfection. Gory murders, honest thieves, brilliant disguises, breathless chases and red herrings abound.
An altogether terrific period thriller and one of the best Sherlockian pastiches of our time.
Thrilling and compelling, with a stunning twist, this is written as if Conan Doyle were at Horowitz’s shoulder, and is-in my view-the finest crime novel of the year.
An unpredictable and twist-filled mystery from start to finish. But what do you expect from the man penning the next James Bond novel?
Thrilling and compelling, with a stunning twist, this is written as if Conan Doyle were at Horowitz’s shoulder, and is—in my view—the finest crime novel of the year.
[In The House of Silk,] Watson’s elegiac voice should silence the objections of even the most persnickety Sherlock scholar.
…deliciously twisty new novel…
A book firmly rooted in the style of Doyle, faithful to the character as created and with just enough wiggle room to allow the author to say all the things he’s been longing to say about the world of 221B Baker Street...THE HOUSE OF SILK will satisfy.
Horowitz seems to have mastered that tricky balance between respecting the original and keeping things fresh. Disguises, fakes, twists, red herrings and violence—the game is afoot!
Praise for The House of Silk : “Horowitz unfolds an intricate and rewarding mystery in the finest Victorian tradition. Admirers of [his] TV series, Foyle’s War, and Sherlockians will delight in equal measure.
Prolific thriller writer Horowitz, whose last Holmes book The House of Silk was backed by the Conan Doyle estate, returns to the famous Reichenbach Falls scene, where Holmes and his arch-nemesis fall to their apparent deaths. But if you’re expecting a return of the great detective, you’ll be disappointed. This one is squarely about the bad guys. The death of Professor Moriarty leaves a power vacuum in London’s underworld that only detectives Athelney Jones (a Holmes obsessive) and his partner Frederick Case can solve.
A page-turning novel for all ages that continues the story of Sherlock Holmes’s greatest enemy…crammed with references to some of [Doyle’s] best-loved stories.
meticulously researched and skillfully executed…. A fiendishly plotted exploit.
A stunning riff on the Holmes-Moriarty clash. It’s full of allusions to the Holmes cannon that Sherlockians will congratulate themselves for spotting, then wince moments later when Horowitz gently reveals the prank.... Horowitz spins his tale in pitch-perfect Watsonian prose…setting readers up for a finale that is truly jaw-dropping.
This devious Sherlockian tale by English novelist and screenwriter Anthony Horowitz requires narrator Julian Rhind-Tutt to play a range of English and American characters. He generally excels, although the voice he uses for the story’s American protagonist has a flat, nasal rasp that may put off some listeners. That aside, he does an admirable job of using intonation and accent to portray personality. His pacing enhances the plethora of action in this fiendish reconsideration of what happened after Sherlock Holmes and Moriarty’s death-fight at Reichenbach Falls. The result involves an American Pinkerton agent, a Scotland Yard detective, and an assortment of villains from both sides of the Pond. Have fun! A.C.S. © AudioFile 2014, Portland, Maine
DECEMBER 2014 - AudioFile
This devious Sherlockian tale by English novelist and screenwriter Anthony Horowitz requires narrator Julian Rhind-Tutt to play a range of English and American characters. He generally excels, although the voice he uses for the story’s American protagonist has a flat, nasal rasp that may put off some listeners. That aside, he does an admirable job of using intonation and accent to portray personality. His pacing enhances the plethora of action in this fiendish reconsideration of what happened after Sherlock Holmes and Moriarty’s death-fight at Reichenbach Falls. The result involves an American Pinkerton agent, a Scotland Yard detective, and an assortment of villains from both sides of the Pond. Have fun! A.C.S. © AudioFile 2014, Portland, Maine
DECEMBER 2014 - AudioFile
★ 2014-10-23
