Morning Glories Deluxe Edition Volume 1

by Nick Spencer, Joe Eisma (Artist)

Overview

• Morning Glory Academy is one of the most prestigious prep schools in the country... but something sinister and deadly lurks behind its walls. When six gifted, but troubled, students arrive, they find themselves trapped and fighting for their lives as the secrets of the academy reveal themselves!
• This oversized hardcover collects everything to date of the YALSA-winning series from issues #1-12, plus many behind-the-scenes bonuses and other features.

Product Details

ISBN-13:	9781607064305
Publisher:	Image Comics
Publication date:	12/13/2011
Pages:	352
Product dimensions:	7.60(w) x 11.10(h) x 1.10(d)
Age Range:	13 - 16 Years

About the Author

Nick Spencer is a London-based comics writer, best known for his creator-owned Image titles like the genre-bending mystery series MORNING GLORIES, the gory & gritty crime procedural BEDLAM, and the high concept sci-fi thriller THE INFINITE VACATION— as well as his work at Marvel and DC Comics on Secret Avengers, Superior Foes Of Spider-Man, Cloak & Dagger, Thunder Agents, Jimmy Olsen, and Avengers World.

He also collaborated with Robert Kirkman on the inaugural arc of THIEF OF THIEVES at Image, and with Jonathan Hickman on Avengers.

Editorial Reviews

Owing debts to television shows like Lost and The Prisoner, as well as The X-Men, this tale is much more than the sum of its parts. The list of influences hints at what’s to come, but Spencer manages to put it together in unexpected ways. A group of teens are hand-picked for an elite private boarding school that turns out to be more of a nightmare, with a mysterious agenda, a sinister faculty, unexplained deaths, and other scattered weirdness. Each character is fleshed out through flashbacks—the Lost influence is strong here—that also examine motivations and mysteries. The one challenge to enjoyment is the constant stream of crass sexual barbs spewing out of Ike, the sociopathic rich brat. Disruptive to the flow and tone of the story, this onslaught of sexual harassment feels overdone and eventually becomes a burden. If its point is to provide female characters with an object of retaliation to prove their strengths, it’s unnecessary given events in the actual plot that are more than suited for the purpose. Eisma’s art functions mainly as a stand-in for television cameras and living actors. (Dec.)

Publishers Weekly