"The book is a joy to read, borne of raw curiosity and intelligence, nurtured into the world to fill a gap in understanding . . . [an] excellent tribute to the past, complete with dispatches from her very raw, real postpartum present." —The New York Times Book Review
"By starting with the link between mother and baby, and crawling outward into the link between so many mothers, [Knott] shows that while infancy is a time when life is measured in days, in its curves are centuries." —Time
“Heartfelt and original . . . Intensely written . . . Every mother-to-be should read it.” —Sunday Times (London)
“An exploration of mothering, a capacious, complex, and creative experience. Historian and mother of two, Knott grounds her illuminating investigation in her own experience of pregnancy . . . A fresh, lively narrative of personal and historical memory.” —Kirkus
“The last book of similar intellectual heft to make me cry toppled from a bookshelf on to my foot.” —The Spectator (UK)
“Knott's novel approach, companionable tone, and sidesteps into memoir of mothering her own babies give the book a sense of freedom; sharing her joy or delirium, she shifts naturally into intimate, poet's prose . . . Hers is a deliberate and altogether radical effort in making the unseen sensational, and the mundane anything but.” —Booklist
“Original and important . . . Powerfully conveys the thrilling, bewildering, and fuzzy-headed atmosphere that surrounds pregnancy and childbirth.” —The Herald (Scotland)
“The last couple of years have been marked by an explosion of writing about motherhood in memoir and fiction. The early moments recorded by Knott can be found in Jessie Greengrass, in Rivka Galchen; going further back, there’s Maggie Nelson, further still, Rachel Cusk. What Knott adds to this is less her own experience, though it’s beautifully recorded, than the wider perspective that allows her to say with authority that mothering has always been intimately connected with other aspects of our economic and social lives.” —The Guardian; A Guardian Book of the Day
“This lyrical book—one-third memoir, two-thirds history—guides us through centuries of pregnancy, childbirth, and infant care. Sarah Knott stitches her personal story to vignettes from the past and shows us how everyday mothering differed in time and place. With stunning prose, she gives us the sensory shorn of the sentimental. A riveting read.” —Joanne Meyerowitz, Yale University
“In this innovative, grippingly readable history, Sarah Knott has woven a scintillating tapestry of ideas and experiences across time. Mother Is a Verb is a moving and enlightening meditation on the most elemental, yet ceaselessly varied, of all human bonds.” —Faramerz Dabhoiwala, author of The Origins of Sex
“The union of memoir and history comes of age. Sarah Knott weaves an intimate account of becoming a mother into a richly documented history of maternity. This is a book to savor and share with anyone who loves great history writing.” —Barbara Taylor, Professor of Humanities at the University of London and author of Eve and the New Jerusalem and The Last Asylum
“In this beautifully written book, Sarah Knott speaks from the vantage point of a mother and a historian. Full of stories ranging across time, space, and ethnicity, with imagery that touches all our senses, Mother Is a Verb captures the physicality and emotions of motherhood so that even those of us who have never experienced it ourselves feel what it is like to get pregnant, give birth, and raise a child.” —Nancy Shoemaker, Professor of History at the University of Connecticut and author of A Strange Likeness
“This fabulous book manages both to re-create what those extraordinary early months of motherhood are like and to make sense of them by placing them in history. Sarah Knott’s diary of motherhood is poetic: she conveys the sense that time has stopped, that only the baby’s reflux matters, the heightened power of smell, the loss of self. The historical anecdotes Knott provides are riveting, and open up new ways of understanding what motherhood can be. This is a new kind of history writing. A truly original, inspiring book.” —Lyndal Roper, Regius Professor of History at the University of Oxford and author of Martin Luther
02/25/2019
Historian Knott (Sensibility and the American Revolution) explores the concept of mothering throughout history in this intricate and complex narrative. Knott views the practices of mothering through the lens of such actions as conceiving, birthing, cleaning, feeding, sleeping, and being interrupted. The latter, she notes, is a constant condition of motherhood (“Before the baby,” she writes of her own experience, “my daily routine had been coordinated with the rhythms of working life—teaching, meeting, writing deadlines”). Knott has scoured the historical research on mothering, coming up with “shards” gleaned from journals, diaries, letters, court records, and anthropological fieldwork. She writes of the 17th-century English medical practitioner Sarah Jinner, who referred to late pregnancy euphemistically as “the rising of the apron”; of 18th-century Cherokee women who “removed themselves to special cabins for menstruating and birthing”; and an Alaskan Inupiaq mother living in the 1940s who ran out of breast milk and offered her infant fish roe and broth. Knott’s own exhaustion in the chapter on sleep (and sleeplessness) is palpable, as is the fatigue of a Kentucky mother in 1937 Knott writes about, who nurses her baby through the night and wakes when the rooster crows. This painstakingly researched work will be of most interest to social historians. (Apr.)
Narrator Rachel Bavidge takes listeners through a deep meditation on the world's oldest profession: motherhood. She aptly delivers the history, anecdotes, and reflections that comprise this exploration of what it means to be a mother, both in the past as well as the present. Bavidge takes on the various personas of the women who were interviewed on these very personal subjects, including their attitudes towards sex. Her British accent captures the personalities of the British participants. She takes listeners through the author’s findings on changes in attitude toward women's roles, relationships with their partners, and childbearing and child-rearing experiences. While some may find her deliberate pace to be unvaried, this audiobook will engage those interested in gender studies. M.R. © AudioFile 2019, Portland, Maine
Narrator Rachel Bavidge takes listeners through a deep meditation on the world's oldest profession: motherhood. She aptly delivers the history, anecdotes, and reflections that comprise this exploration of what it means to be a mother, both in the past as well as the present. Bavidge takes on the various personas of the women who were interviewed on these very personal subjects, including their attitudes towards sex. Her British accent captures the personalities of the British participants. She takes listeners through the author’s findings on changes in attitude toward women's roles, relationships with their partners, and childbearing and child-rearing experiences. While some may find her deliberate pace to be unvaried, this audiobook will engage those interested in gender studies. M.R. © AudioFile 2019, Portland, Maine
2019-01-06
An exploration of mothering, a capacious, complex, and creative experience.
Historian and mother of two, Knott (History/Indiana Univ.; Sensibility and the American Revolution, 2009) grounds her illuminating investigation in her own experience of pregnancy, delivery, and infant care. Drawing on a prodigious number of histories and archival sources, she teases out anecdotes and testimony from "slim shards of evidence," sometimes "a single remark in a published diary, a stray sentence or two in government-sponsored interviews with formerly enslaved men and women, a handful of letters in manuscript, a seventeenth-century church court record." Evidence is especially slim for enslaved or working-class mothers who were illiterate or those, such as Native Americans, who conveyed their experiences orally, but Knott has managed to include their voices—along with gay and trans parents—as much as possible as she examines assumptions about conception, how and when pregnancy was determined, and responses to miscarriage, such as hers, which left her fearful of infertility. Pregnant again, perceiving her baby's "inner touch" inspired her search for historical mentions of quickening among 17th-century noblewomen and contemporaneous field slaves on Southern plantations. As her pregnancy progressed, she thought about terms for heavily pregnant women, ranging from "great-bellied" in the 16th and 17th centuries to "sticky-sweet euphemisms" of 19th-century working-class slang: "in the pudding club" or having "a bun in the oven." After her son was born, Knott faced the "humiliation and excess" of nursing. From the mid-18th century and throughout the 19th, she discovered, "whose breast? remained the central concern about holding and feeding" until "sentimentalism" ushered in "a new way of venerating motherhood in popular culture" and made wet nurses obsolete. Interrupted sleep, caring for a colicky infant, and weighing advice from friends, grandmothers, and child raising manuals all propelled Knott into libraries. She wonders about who wrote and actually read how-to books. "Mothering," she realizes, "is tangible, sensory, and material"; "it unfolds at first hand. Babies are never pure thought experiments."
A fresh, lively narrative of personal and historical memory.
