"A welcome reminder that the universe reflected in Mozart’s operas, symphonies, concertos, and chamber works was very much shaped by political and social currents—some of which reflect the anxieties and hopes of our own time as well . . . Mozart’s music continues to inspire love because it holds space for sensual delight and evinces a knowing, generous view of humanity. It 'can relay pleasure while analyzing it,' as Mackie puts it. For ardent Mozarteans and classical-curious streamers, [Mozart in Motion] will do the same.”
—Corinna da Fonseca-Wollheim, The Atlantic
“[Mackie] demonstrates persuasively—and passionately—how the nuances of a Mozart score don’t merely reflect but embody the central concerns of biography and history . . . Fresh, revealing, and poetic perceptions . . . Such resonant understanding of the deep implications of Mozart’s music is the main reason to read yet another book on Mozart, though I don’t want to minimize Mr. Mackie’s excellence as a traditional biographer.”
—Lloyd Schwartz, The Wall Street Journal
“Mackie’s extraordinary knowledge, thoughtful insights, and exemplary prose make the book insightful, thought provoking, and enjoyable. Reading the essays is like attending a concert with a friend who is exceptionally well-read and articulate. Rare is the reader who will digest these essays without immediately wanting to listen to whatever piece of music has just been examined.”
—Terry W. Hartle, Christian Science Monitor
“Erudite, ambitious and elegantly written . . . Mackie’s assertions about the ways Mozart’s identification with his era come through in the music are intriguing and insightful . . . His writing is fresh and imaginative, showing feeling for the musical character and dramatic narrative of a piece.”
—Anthony Tommasini, The New York Times Book Review
“A book that will unquestionably stand among the more poignant investigations of Mozart and his genius, Mozart in Motion . . . is a serious study of the composer’s character and music as it first within the context of European manners and mores in the second half of the eighteenth century.”
—Ryan Asmussen, Chicago Review of Books
“Mackie’s approach is to situate the composer as an avatar of modernism, facing a fragmented high culture—caught between dry, ritualized forms of courtly music and the ‘hedonistic levity’ betokened by Enlightenment individualism. By laying such tensions bare, Mackie achieves for Mozart what Mozart himself did for music, time and time again: to make the old new, and intelligible as such.”
—Robert Erickson, The New Criterion
“The author is a careful listener to the music on its own terms and in its own time . . . Mackie also emphasizes Mozart’s utterly groundbreaking blend of seriousness and giddiness . . . Ambitious and brilliant: a book that rethinks Mozart’s place in history and one that should win him new fans along the way.”
—Kirkus Reviews (starred)
“Writing a biography of Wolfgang Amadeus Mozart nowadays is no easy task . . . But Patrick Mackie exploits his background in both poetry and academia in an effort to bring Mozart to life in new ways . . . The result is still a familiar portrait of Mozart, but one that is painted in new colors.”
—Krysta Fauria, Associated Press
"An exemplary intervention in this kind of cultural critique . . . Mackie is a sensitive and highly intelligent appraiser of musical form, with a gift for analyzing Mozart’s music as the dynamic enactment—rather than the simple expression—of larger cultural and biographical energies.”
—James Wood, The New Yorker
“Patrick Mackie’s vibrant biography has something of the 18th-century dash and panache that he evokes in Mozart . . . Mr. Mackie is a soloist who writes on a world stage with a sententiousness that made 18th-century biography seem not merely the story of another’s life, but a story that could only emanate from a singular voice that had something unique to tell us.”
—Carl Rollyson, New York Sun
“Mackie’s prose gathers momentum by tackling the music’s rich contradictions . . . If Mackie’s voice flirts with pretense, a close reading reveals keen ears and a lively imagination, especially for opera fans . . . Mackie challenges received ideas and offers descriptions that may yet prove worthy of his subject.”
—Tim Riley, Truthdig
“In an intriguing blend of biography and deft musical analysis, poet Mackie creates a gallery of the composer’s masterpieces expertly framed in the cultural setting of eighteenth-century Europe . . . After perusing the pages of this thoughtful and beautifully written book, readers will want to discover, or rediscover, the timeless music of this beloved composer.”
—Carolyn Mulac, Booklist
A serious study of the composer’s character and music as it first within the context of European manners and mores in the second half of the eighteenth century.”
Mackie achieves for Mozart what Mozart himself did for music, time and time again: to make the old new, and intelligible as such.”
A serious study of the composer’s character and music as it first within the context of European manners and mores in the second half of the eighteenth century.”
★ 2023-05-23
A unique, wide-ranging study of the canonical composer.
Wolfgang Amadeus Mozart (1756-1791) lived “in a blur of needs and actions,” writes poet Mackie. He was a whirlwind of a man who was always on the move and whose music moved with him. Because our own time is as turbulent as Mozart’s—the latter poised on the brink between classicism and romanticism and, beyond that, a politically and culturally revolutionary era—“we listen in inexorable motion, too.” Indeed, Mozart’s heady blend of the serious and the sarcastic is a soundtrack for our time. “New sorts of dynamism and restlessness were the motors of Mozart’s style,” writes Mackie, perfect for the “ceaseless volatilization [that] has turned out to be the heart of modern living.” The author is a careful listener to the music on its own terms and in its own time, noting how challenging Mozart’s operas were when they found their first audiences, then how Mozart pivoted to write three symphonies that have “qualities of urgency, colour and imaginative extremity that traverse and test innumerable flickering ideas about the world, and they grab hold of their listeners with veering aplomb.” If nothing else, Mackie’s absorbing book, with its large dramatis personae, makes it clear that Tom Hulce’s performance as Mozart in the film Amadeus was an understatement: The man himself was a bundle of ADHD tics, constantly drumming his fingers and humming, frequently picking up and moving from city to city. Mackie also emphasizes Mozart’s utterly groundbreaking blend of seriousness and giddiness, the sense that if apocalypse is around the corner, we might as well have fun with it. Throughout his short life, for all its tumult and the turbulence of the Europe around him, Mozart “kept creating.”
Ambitious and brilliant: a book that rethinks Mozart’s place in history and one that should win him new fans along the way.
