As Clarissa Dalloway prepares to host a party in 1920s London, she is unexpectedly reunited with her old friend Peter Walsh in a novel that shifts among the inner monologues of its many characters and is darkened by the terrors and hallucinations of parallel protagonist Septimus Smith. Juliet Stevenson’s performance--with its lyricism and lilt--is perfectly matched to Woolf’s text and transports the listener. Stevenson produces a delightful range of distinct voices--her introspective, fragile Clarissa and stormy Peter are particularly strong. (May)
Set on one day in April in three different years, Day by Michael Cunningham is an intimate analysis of family love and connection. Cunningham joins us to talk about translating his writing from thoughts to words, writing a pandemic novel that isn’t really a pandemic novel, using literature as a connection to the world and […]
The Refugee Ocean by Pauls Toutonghi, features musical prose and interwoven stories that cross generations and countries to explore what it means to be an immigrant and the resiliency of the human spirit. Toutonghi joins us to talk about his family connection to the novel, using fiction to connect to the human experience, the long […]
Wellness by Nathan Hill follows a marriage over decades through a variety of successes, challenges and surprises. Hill joins us to talk about how long it took him to write his novel, describing a realistic marriage, the power of algorithms and more. Ben Fountain’s Devil Make Three brings readers to Haiti in 1991 with a […]
“There’s no higher version of historical fiction to me than that, the feeling of being transported.” Zadie Smith’s The Fraud brings all the excitement of a Victorian novel with a cast of characters that will be familiar (Charles Dickens, anyone?) and a wild web of plots that combine the best of historical fiction with themes […]
The author of “Today Will Be Different” on five books so good it’s scary.