Mrs. Miniver

by Jan Struther

Overview

The beloved classic novel of an English housewife bravely enduring WWII—the basis for the Academy Award–winning film starring Greer Garson.

Winston Churchill once remarked that Mrs. Miniver, the fictional British housewife featured in Jan Struther’s newspaper columns about quotidian English life, did more for the Allied cause than a flotilla of battleships. As tensions rose across Europe, Mrs. Miniver’s domestic concerns expanded from automobiles and Christmas shopping to include gas masks, keeping calm, and carrying on.
 
An international sensation when it was first published, this novelized collection of those columns won America’s heart—and broad public support for entering WWII. Mrs. Miniver’s story was so essential to Allied morale that when William Wyler’s film adaption was made, President Roosevelt ordered it rushed to theaters.
 

Product Details

ISBN-13:	9781504058087
Publisher:	Open Road Media
Publication date:	05/21/2019
Sold by:	Barnes & Noble
Format:	eBook
Pages:	153
Sales rank:	132,482
File size:	2 MB

About the Author

Jan Struther was the pen name of Joyce Anstruther, later Joyce Maxtone Graham, and finally Joyce Placzek, a writer remembered for her character Mrs. Miniver and a number of hymns, including “Lord of All Hopefulness.” During the 1930s, Struther became known as the author of stylish poems and essays for Punch, and Peter Fleming of the Times asked her to create a character whose doings would enliven the Court Page of the paper: “an ordinary sort of woman who leads an ordinary sort of life—rather like yourself.” In fact, Struther was very far from ordinary: She was tiny, very pretty, and bursting with unconventional zest and enthusiasm (two of her favorite words). The collected articles, which had become enormously popular, were published as Mrs. Miniver in 1939, shortly after the outbreak of World War II. Soon afterward, Struther went to lecture in America, where Mrs. Miniver became a much-loved Hollywood film starring Greer Garson. President Roosevelt told Struther that the book had hastened America’s entry into the war, and Churchill was to declare that it had done more for the Allies than a flotilla of battleships.
 

Read an Excerpt

CHAPTER 1

Mrs. Miniver Comes Home

It was lovely, thought Mrs. Miniver, nodding goodbye to the flower-woman and carrying her big sheaf of chrysanthemums down the street with a kind of ceremonious joy, as though it were a cornucopia; it was lovely, this settling down again, this tidying away of the summer into its box, this taking up of the thread of one's life where the holidays (irrelevant interlude) had made one drop it. Not that she didn't enjoy the holidays: but she always felt — and it was, perhaps, the measure of her peculiar happiness — a little relieved when they were over. Her normal life pleased her so well that she was half afraid to step out of its frame in case one day she should find herself unable to get back. The spell might break, the atmosphere be impossible to recapture.

But this time, at any rate, she was safe. There was the house, as neat and friendly as ever, facing her as she turned the corner of the square; its small stucco face as indistinguishable from the others, to a stranger, as a single sheep in a flock, but to her apart, individual, a shade lighter than the house on the left, a shade darker than the house on the right, with one plaster rosette missing from the lintel of the front door and the first-floor balcony almost imperceptibly crooked. And there was the square itself, with the leaves still as thick on the trees as they had been when she left in August; but in August they had hung heavily, a uniform dull green, whereas now, crisped and brindled by the first few nights of frost, they had taken on a new, various beauty. Stepping lightly and quickly down the square, Mrs. Miniver suddenly understood why she was enjoying the forties so much better than she had enjoyed the thirties: it was the difference between August and October, between the heaviness of late summer and the sparkle of early autumn, between the ending of an old phase and the beginning of a fresh one.

She reached her doorstep. The key turned sweetly in the lock. That was the kind of thing one remembered about a house: not the size of the rooms or the colour of the walls, but the feel of door-handles and light-switches, the shape and texture of the banister-rail under one's palm; minute tactual intimacies, whose resumption was the essence of coming home.

Upstairs in the drawing-room there was a small bright fire of logs, yet the sunshine that flooded in through the open windows had real warmth in it. It was perfect: she felt suspended between summer and winter, savouring the best of them both. She unwrapped the chrysanthemums and arranged them in a square glass jar, between herself and the light, so that the sun shone through them. They were the big mop-headed kind, burgundy-coloured, with curled petals; their beauty was noble, architectural; and as for their scent, she thought as she buried her nose in the nearest of them, it was a pure distillation of her mood, a quintessence of all that she found gay and intoxicating and astringent about the weather, the circumstances, her own age and the season of the year. Oh, yes, October certainly suited her best. For the ancients, as she had inescapably learnt at school, it had been the eighth month; nowadays, officially, it was the tenth: but for her it was always the first, the real New Year. That laborious affair in January was nothing but a name.

She turned away from the window at last. On her writing-table lay the letters which had come for her that morning. A card for a dress-show; a shooting invitation for Clem; two dinner-parties; three sherry-parties; a highly aperitive notice of some chamber-music concerts; and a letter from Vin at school — would she please send on his umbrella, his camera, and his fountain-pen, which leaked rather? (But even that could not daunt her today.)

She rearranged the fire a little, mostly for the pleasure of handling the fluted steel poker, and then sat down by it. Tea was already laid: there were honey sandwiches, brandy-snaps, and small ratafia biscuits; and there would, she knew, be crumpets. Three new library books lay virginally on the fender-stool, their bright paper wrappers unsullied by subscriber's hand. The clock on the mantelpiece chimed, very softly and precisely, five times. A tug hooted from the river. A sudden breeze brought the sharp tang of a bonfire in at the window. The jigsaw was almost complete, but there was still one piece missing. And then, from the other end of the square, came the familiar sound of the Wednesday barrel-organ, playing, with a hundred apocryphal trills and arpeggios, the "Blue Danube" waltz. And Mrs. Miniver, with a little sigh of contentment, rang for tea.

CHAPTER 2

The New Car

Mrs. Miniver woke up one morning with a sense of doom, a knowledge that the day contained something to be dreaded. It was not a crushing weight, such as an operation, or seeing one's best friend off to live in Tasmania; nor was it anything so light as a committee meeting, or a deaf uncle to tea: it was a kind of welter-weight doom.

At first it puzzled her. So far as she knew, she had no appointments that day, either pleasant or unpleasant, and that in itself was good. To be entirely at leisure for one day is to be for one day an immortal: according to the Chinese proverb she ought to have been feeling god-like. But the small, dull weight continued to drag and nag.

Clem put his head in, dishevelled from a bath. Not for the first time, she felt thankful that she had married a man whose face in the ensuing sixteen years had tended to become sardonic rather than sleek. It was difficult to tell, when people were young and their cheek-lines were still pencilled and delible. Those beautiful long lean young men so often filled out into stage churchwardens at forty-five. But she had been lucky, or had a flair; Clem's good looks were wearing well. The great thing, perhaps, was not to be too successful too young.

At the moment his expression was anything but sardonic.

"She ought to be here by nine," he said eagerly, and vanished.

Mrs. Miniver remembered with a bump, felt dismayed, knew that her dismay was unreasonable, and tried to argue it out of existence. A new car was a thing to be pleased over; it was high time they had one. The old Leadbetter had got to the stage when nothing less than an expensive overhaul would do any good; it had developed sinister fumes, elusive noises, incurable draughts; it was tiring for Clem on his long drives. And a week ago, when Clem, straight from the Motor Show, had spent the whole evening musing happily over catalogues, she had realized that the game was up. Her usual attitude — that they didn't really need a new car — was plainly untenable, and this time she could not even fall back upon a plea for economy. They could perfectly well afford it now. Clem's plans for the new building estate had gone through; and there was the Vanderhoops' country house as well — a plum. Besides, this scene had been replayed, with variations, many times, and they both knew that the basis of her invariable reluctance about new cars was not thrift but sentiment. She simply could not endure the moment when the old one was driven away.

Mrs. Miniver was a fool about inanimate objects. She had once bid furiously at an auction for a lot described as "Twelve kitchen chairs; also a small wicker knife-basket." Clem, knowing the size of their kitchen, made urgent signals to her across the room. She stopped bidding, and the lot was knocked down to someone else for more than its value by a grateful but mystified auctioneer.

"You got mixed up in the lot numbers, didn't you?" Clem said afterwards.

"No," she said, guiltily. "I'm awfully sorry. It was that knife-basket. I suddenly thought — so wretched not to be grand enough to be in a lot by itself. Just tagged on to kitchen chairs like that Clem — a small wicker knife-basket...."

As for cars, they were in a class apart, somewhere between furniture and dogs. It wasn't, with her, a question of the pathetic fallacy. She did not pretend to herself that cars had souls or even minds (though anybody, seeing the difference that can exist between one mass-produced car and another, might be excused for believing that they have at least some embryonic form of temperament). No, it was simply a matter of mise en scène. A car, nowadays, was such an integral part of one's life, provided the aural and visual accompaniment to so many of one's thoughts, feelings, conversations, decisions, that it had acquired at least the status of a room in one's house. To part from it, whatever its faults, was to lose a familiar piece of background.

She got up and turned on her bath. Even through the rushing of the water she could hear the old Leadbetter coming down the square: a garage-hand brought it round every morning just before nine. She listened for the gear-change as it picked up speed after the corner, then for the squeal of the brake, the stopping of the engine, the slamming of the door, the man's footsteps receding up the square. It was really ridiculous, she thought, to mind so much; and gave herself an extra handful of bath-salts as a futile antidote to woe. Almost at once there was the sound of another car drawing up, a smooth virile purring, the discreet opening and closing of a solid well-fitting door. Then Clem's voice in the square and Judy's feet jigging on the pavement. It was intolerable. Old horses one pensioned off in a paddock, where one could go and see them occasionally. Or one even allowed them to pull the mowing-machine in round leather boots. But this part-exchange business —

Judy came racing upstairs and hammered on the door, shrill with excitement.

"Mummy! The new car's come!"

"Lovely," called Mrs. Miniver.

"And I've been helping Daddy clear the maps and things out of the old one before they drive it away."

Heavens, how relentlessly children dotted the i's!

"Run along," called Mrs. Miniver. "I'll be down quite soon."

She turned both the taps full on again, put a thick lather of soap over her ears, and began to sing, noisily.

CHAPTER 3

Guy Fawkes' Day

They didn't take the children down to Starlings much in the winter, until the Christmas holidays. When the days were short a week-end was scarcely worth while. They made an exception, however, for Guy Fawkes' Day, that kindly and prescient spirit having planned his crime to coincide — or as nearly as makes no difference — with the autumn half-term.

The Miniver family had a passion for fireworks; and a fireworks display in a small London garden is an emasculate thing, hampered at every turn by such considerations as the neighbours, the police, and the fragility of glass and slate. So on Saturday morning they picked up Vin at Eton and drove across country to Starlings. Mrs. Miniver was relieved to find that public school had not made him too grand to enjoy playing road competitions with the two younger children. He was, like his father, a timeless person, uninfluenced by his own age and unconscious of other people's. Judy was quite different. She was as typically nine now as she had been typically six, and three. Age, to her, was an important and exciting quality: she was never quite at ease with other children until she had asked them how old they were. As for Toby, he remained, in this as in most other matters, unfathomable.

In childhood the daylight always fails too soon — except when there are going to be fireworks; and then the sun dawdles intolerably on the threshold like a tedious guest. There were no clouds that day, and even after sunset the western sky remained obstinately full of pearl-grey light. It was not so bad for Vin, who was helping his father to pin Catherine-wheels on to the fence and to prop up rocket-sticks in bottles on the lawn; but Judy and Toby, their noses pressed against the inside of the window-panes, were rampant with impatience long before Clem decided that darkness had officially fallen and the show could begin.

Swathed in coats and scarves, they went out and sat in a row on the little flagged terrace. The evening might have been ordered with the fireworks; it was cold, still, and starry, with a commendable absence of moon. And when the first rocket went up Mrs. Miniver felt the customary pricking in her throat and knew that once again the enchantment was going to work. Some things — conjurers, ventriloquists, pantomimes — she enjoyed vicariously, by watching the children's enjoyment; but fireworks had for her a direct and magical appeal. Their attraction was more complex than that of any other form of art. They had pattern and sequence, colour and sound, brilliance and mobility; they had suspense, surprise, and a faint hint of danger; above all, they had the supreme quality of transience, which puts the keenest edge on beauty and makes it touch some spring in the heart which more enduring excellences cannot reach.

It was certainly the best display they had ever had. Mrs. Miniver herself, when buying fireworks, was apt to be led away by fantastic titles; she would order Humming Spiders, Witches' Cauldrons, Mines with Serpents, Bouquets of Gerbes, and Devils among the Tailors, largely in order to see what they were like. But Clem knew that with fireworks, as with cocktails, the sober, familiar names usually produced the most interesting results. He laid out a certain amount on Roman Candles, Catherine-wheels, and Tour-billions, but for the most part he rightly concentrated on rockets.

There was one bursting now, a delicate constellation of many-coloured stars which drifted down and lingered in the still air. Watching it, she thought that of all the arts this was the one which showed the greatest contrast between the raw materials and the finished work. Words, pigments, notes of music — all of these, unmarshalled, possessed a certain beauty of their own; a block of marble had at least an imaginable relationship with the statue which it was to become; stone, brick, and concrete, Clem's materials, did not seem impossibly remote from the houses which he would make of them. But this fiery architecture, these fragments of luminous music, these bright, dreamlike, and impermanent pictures in the sky — what had they to do with nitre, sulphur and charcoal, with gummed paper, cotton-wick, and a handful of mineral salts?

The show was nearly over. Vin and his father were letting off the last few rockets. Their faces, occasionally lit up, were absorbed, triumphant, serene. Judy was shivering with cold and excitement. Toby, his feet sticking out over the edge of the seat, was completely immobile, but whether from profound emotion or too many coats it was impossible to tell. As for Mrs. Miniver, she was having a race with time. Some half-remembered words had been haunting her all the evening, a line of poetry, perhaps, or an old saying, something about brightness, something exquisitely appropriate. "Brightness ..." What was it? The rest of the phrase eluded her, though she felt the rhythm of it; and she knew that she must remember it before the fireworks were finished, or it would be no use.

The final rocket went up, a really large one, a piece of reckless extravagance. Its sibilant uprush was impressive, dragonlike; it soared twice as high as any they had had before; and the moment it had burst, Mrs. Miniver remembered. "Brightness falls from the air" — that was it! The sparks from the rocket came pouring down the sky in a slow golden cascade, vanishing one by one into a lake of darkness.

Beauty is but a flower Which wrinkles will devour;
Brightness falls from the air;
Queens have died young and fair;
Dust hath closed Helen's eye —

It was quite irrelevant, really, a lament by Nashe in time of pestilence, nothing to do with fireworks at all. But she knew that it was just what she had needed to round off the scene for her and to make its memory enduring. Words were the only net to catch a mood, the only sure weapon against oblivion.

The Eve of the Shoot

Every year without fail Mrs. Miniver received an invitation written in a sloping Victorian hand on lavishly stout cream-laid. The right-hand top corner was embossed in heavy black Gothic with the address "Chervil Court, Crampton." On the left were three tiny formalized sketches — a telegraph-pole, an upright telephone, and a railway engine of the Stephenson period, stocky and high-funnelled — followed respectively by the words, "Great Yettingford," "Buntisley 3," and "Slape Junction." The letter began with old Lady Chervil's unvarying formula:

My dear Mrs. Miniver,

Chervil and I shall be delighted if you and your Husband will stay with us from Friday 19th to Monday 22nd November.

(She would have gone to the guillotine sooner than use the expression "week-end.")

(Continues…)

---

Excerpted from "Mrs. Miniver"
by .
Copyright © 1969 Estate of Jan Struther.
Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

---