Music and Humanism: An Essay in the Aesthetics of Music
Robert Sharpe examines the humanist conception of music as a language—as expressive and intelligible—which has been a dominant theory in Western culture. He argues against the view that music is expressive by causing certain states in us. Rather, he contends that our beliefs about music are integral to our appreciation of it. Differences in musical taste are then not just irresolvable differences in sensitivity, but the result of variations in circumstance and upbringing, of associations and ideology.
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Music and Humanism: An Essay in the Aesthetics of Music
Robert Sharpe examines the humanist conception of music as a language—as expressive and intelligible—which has been a dominant theory in Western culture. He argues against the view that music is expressive by causing certain states in us. Rather, he contends that our beliefs about music are integral to our appreciation of it. Differences in musical taste are then not just irresolvable differences in sensitivity, but the result of variations in circumstance and upbringing, of associations and ideology.
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Music and Humanism: An Essay in the Aesthetics of Music

Music and Humanism: An Essay in the Aesthetics of Music

by R. A. Sharpe
Music and Humanism: An Essay in the Aesthetics of Music

Music and Humanism: An Essay in the Aesthetics of Music

by R. A. Sharpe

Hardcover

$56.00 
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Overview

Robert Sharpe examines the humanist conception of music as a language—as expressive and intelligible—which has been a dominant theory in Western culture. He argues against the view that music is expressive by causing certain states in us. Rather, he contends that our beliefs about music are integral to our appreciation of it. Differences in musical taste are then not just irresolvable differences in sensitivity, but the result of variations in circumstance and upbringing, of associations and ideology.

Product Details

ISBN-13: 9780198238850
Publisher: Oxford University Press
Publication date: 08/10/2000
Pages: 236
Product dimensions: 5.70(w) x 8.60(h) x 0.80(d)

About the Author

University of Wales, Lampeter (Emeritus)

Table of Contents

PART I: NATURALIZING MUSIC; 1. Naturalizing Music; 2. Language and metaphor, emotions and mood; 3. Music, rhetoric, and oratory; PART II: PLAYING OFF OLD SCORES; 4. The motivations for musical ontology: a German ideology; 5. Performance; 6. Music's ruling myths; PART III: HUMANISM FOUNDERS; 7. Humanism founders? Bibliography; Index.
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