Table of Contents
Anthology Repertoire x
Series Editor's Preface xiii
Author's Preface xv
Chapter 1 The Encyclopedic Century 1
The Grand Tour 4
The "Fish-Tail" 5
Demographics and Religion 6
A Musicological Grand Tour 10
For Further Reading 14
Chapter 2 Learned and Galant 16
Old and New Musical Styles 19
Binary and Da Capo Form: Musical Common Ground 22
Coexistence and Interaction of Styles 23
Teaching and Learning 27
For Further Reading 29
Chapter 3 Naples 30
Musical Education 32
The Musico and Vocal Improvisation 35
Theaters 37
The Austrians in Naples, Vinci, and the Emergence of the Galant Style 38
Pergolesi and the Comic Intermezzo 41
For Further Reading 43
Chapter 4 Carnival Opera in Rome and Venice 44
Metastasio and Opera Seria 43
Theatrical Transvestism and the Roman Carnival: Latilla's Lafinta cameriera 49
Venetian Ospedali 54
"I Boast of My Strength": The Life and Music of Caterina Gabrielli 55
For Further Reading 58
Chapter 5 Instrumental Music in Italy and Spain 59
The Operatic Sinfonia, the Symphony, and the Orchestra 60
The Piano 62
Domenico Scarlatti 66
Boccherini and the Music Publishing Business 69
For Further Reading 72
Chapter 6 Paris of the Aacien Régime 73
Tragédie Lyrique at the Opéra 75
Opera Comique 76
Instrumental Music in Parisian Salons 82
Public Concerts and the Chevalier de Saint-Georges 84
For Further Reading 87
Chapter 7 Georgian London 88
Metropolis on the Thames 88
Ballad Opera 90
Italian Opera 93
Public Concerts 99
"Ancient" and Modern Instrumental Music 101
For Further Reading 105
CHAPTER 8 Vienna under Empress Maria Theresa 106
The Court Theater and the Theater at the Kärntnertor 108
Crisis, Reform, and a New Court Theater 108
Maria Theresa as Musician and Patron 110
Gluck and Viennese Opéra Comique 113
Operatic Reform and Orfeo ed Euridice 114
Church Music: Vanhal's Missa Pastoralis 116
Women at the Keyboard 118
For Further Reading 121
Chapter 9 Leipzig and Berlin 122
Leipzig in 1750122
Hiller as Organizer of Concerts and Composer of Singspiele 124
A Musician-King's Violent Coming of Age 126
Frederick's Opera Company and Graun's Montezuma 130
Carl Philipp Emanuel Bach 134
For Further Reading 138
Chapter 10 Courts of Central Europe: Mannheim, Bayreuth, and Eisenstadt/Eszterháza 139
Carl Theodor and Stamitz at Mannheim 140
Margravine Wimelmina and Anna Bon at Bayreuth 143
Joseph Haydn in Vienna and Eisenstadt 146
Haydn at Eszterháza and the Farewell Symphony 149
For Further Reading 152
Chapter 11 Galant Music in the New World 153
The Gold Cities of Minas Gerais 156
An Italian Musician in Mexico City 162
The Slave Colony of Jamaica and Samuel Felsted's Jonah 163
Music for the Moravian Lovefeast 166
For Further Reading 169
Chapter 12 St. Petersburg under Catherine the Great 171
Catherine the Great as Operatic Patron 174
Music and the Nobility: Nicholas and Prascovia 178
Giuseppe Sarti, Dmitry Bortniansky, and Russian Church Music 180
The Russian Horn Band 182
John Field's Forward-Looking Piano Music 183
For Further Reading 185
Chapter 13 Foreigners in Paris: Gluck, Mozart Salieri, Cherubini 186
Gluck at the Opéra 186
Mozart in Paris's Salons and Concert Rooms 190
Antonio Salieri and Les Danaïdes 193
Luigi Cherubini and the French Revolution 194
For Further Reading 199
Chapter 14 Mozart's Vienna 200
Joseph as Enlightened Monarch 201
New Patterns of Patronage 205
Public Concerts 206
Music in the Home 210
Opera Buffa 216
For Further Reading 220
Chapter 15 Prague 222
In the Shadow of White Mountain 222
Italian Opera 225
Mozart in Prague 226
Don Giovanni 228
A Coronation Opera for the "German Titus" 233
For Further Reading 236
Chapter 16 London in the 1790s 237
Rival Concert Series 237
Haydn's First Visit to England 239
Haydn's Second Visit 246
For Further Reading 253
Chapter 17 Vienna in the Napoleonic Era 254
Beethoven in Vienna: The 1790s 256
Gottfried van Swieten and Haydn's The Seasons 259
The Triumph of Cherubini's Les Deux Journées 260
Church Music as Counter-Revolutionary Symbol 261
Beethoven's Heroic Style 264
The Pastoral Symphony as Celebration of the Enlightenment 270
For Further Reading 274
Glossary A1
Endnotes A9
Credits A17
Index A19