In 1945 the researcher
Henrietta Yurchenko traveled to Central America in order to record the indigenous music of Guatemala. The 23 diversely fascinating cuts on this
Folkways release reflect the success of
Yurchenko's trip and -- more importantly -- the bounteous cultural legacies that make Guatemala what it is. Free jazzish trumpet and idiophone trios shuffling it out, torrential 6/8 percussionists interacting with squealing chirimia players, and intriguingly dissonant marimba ensembles that are redolent of
Harry Partch's maniacal music can all be heard here. The particular foci of this recording, as can be discerned from the album's title, are the sounds associated with two dramatic performances that delve into such issues as Spanish domination and Mayan spirituality. Liner notes, written by
Yurchenko, describe both performances in detail. All in all, this is a terrific album that captures both provocative sonic passages and complex ritualistic displays. ~ John Vallier