Table of Contents
Chapter 1: Musical Gentrification and Socio-Cultural Diversities: An Analytical Approach Towards Popular Music Expansion in Egalitarian Societies
Petter Dyndahl, Sidsel Karlsen and Ruth Wright
Chapter 2: Musical Gentrification: Strategy for Social Positioning in Late Modern Culture
Petter Dyndahl
Chapter 3: Exploring the Phenomenon of Musical Gentrification: Methods and Methodologies
Sidsel Karlsen, Mariko Hara, Stian Vestby, Petter Dyndahl, Siw Graabræk Nielsen and Odd Skårberg
Chapter 4: Musical Gentrification and the (Un)Democratisation of Culture: Symbolic Violence in Country Music Discourse
Stian Vestby
Chapter 5: Musical Gentrification, Parenting and Children’s Media Music
Ingeborg Lunde Vestad and Petter Dyndahl
Chapter 6: Gentrification, Hegemony, Activism and Anarchy: How These Concepts May Inform the Field of Higher Popular Music Education
Ruth Wright
Chapter 7: Changing Rhythms, Ideas and Status in Jazz: The Case of the Norwegian Jazz Forum in the 1960s
Odd Skårberg and Sidsel Karlsen
Chapter 8: Musical Gentrification and ‘Genderfication’ in Higher Music Education
Siw Graabræk Nielsen
Chapter 9: Musical Agency Meets Musical Gentrification: Exploring the Workings of Hegemonic Power in (Popular) Music Academisation
Sidsel Karlsen
Chapter 10: Enclosure and Abjection in American School Music
Vincent C. Bates
Chapter 11: Musical Pathways: Connecting, Re-Connecting and Dis-Connecting
Mariko Hara
Afterword: Taste and Distinction After Bourdieu
Nick Prior