A New York Times Book Review Editors' Choice
A Washington Post Staff Pick
A March Indie Next Pick
A USA Today Must-Read Book
Named a Best Book of 2023 by Shondaland
Named a Most Anticipated Book of 2023 by Zibby Owens and LitHub
Named a Most Anticipated Debut Book of 2023 by Debutiful
Named a Must-Read Book of Winter by Entertainment Weekly and Town & Country
“Lands like a refreshing, deep breath... My Last Innocent Year is a heartfelt chronicle of a writer who realizes that her stories about girls with feelings matter every bit as much as the ones written by the guy who annotates The New Yorker.”
—Elisabeth Egan, The New York Times Book Review
"The premise of a student getting involved with a professor might be (pleasantly, IMHO) familiar, but Florin's particular take on this narrative of power and self-discovery is insightful, specific, and enlivened by secondary characters who play genuinely meaningful roles. I devoured the whole thing in two nights." —Maggie Shipstead, Conde Nast Traveler
“This evocative, eloquent campus confidential lays out the complications of the Clinton-Lewinsky era just as you might remember them.”
—People Magazine
“Florin deftly captures the interior voice of a young woman in her early 20s, as Isabel sifts through thorny issues of consent and power. Writing about this tender period in life can often veer into maudlin territory; Florin not only avoids that type of sentimentality, she gives us a heroine to root for at every turn.”
—The Washington Post
“There have always been impressionable young people who fall for older men — teachers and other mentors — and there have always been older men who have taken advantage of these crushes. But rarely has their story been told as thoughtfully as in Daisy Alpert Florin's intelligent and sensuous debut novel, My Last Innocent Year, a remarkable coming-of-age story that examines sexual politics, power and lust and the sometimes murky nature of romantic encounters.”
—Minneapolis Star Tribune
“A deftly written campus coming-of-age debut narrative, My Last Innocent Year is one of those stories that stays with you.”
—Zibby Owens, GMA
“A college senior reckons with the aftermath of what might have been sexual assault by a fellow student — and tumbles into a love affair with her married professor — against the backdrop of Clinton-Lewinsky-era America in Florin's resonant, coolly composed debut.”
—Entertainment Weekly
“A deeply timely and relevant campus novel.”
—Town & Country
“The clarity of this narration—the razor-sharp hindsight, the searing self-examination—creates a kind of portal into the mind of a girl on the cusp of change...This wonderful novel is a must-read.”
—Seattle Book Review
“A poignant tale that doesn’t shy from sharp edges, a universal story both timeless and timely. . . An intimate, insightful novel.”
—New York Journal of Books
“By the end of Florin’s masterful bildungsroman, our narrator is not somebody’s daughter, she is not someone’s victim, she is not someone’s lover. She is Isabel, and she defines her own story.”
—Chicago Review of Books
“A quiet meditation on life and the moments that have shaped us, My Last Innocent Year is a dreamy debut, experienced like a memory unfolding on the page...Effortlessly told, this striking narrative pushes all of us to consider what it is that truly makes us an Adult and, in the face of that, what kind of adult we want to become.”
—The Michigan Daily
“What was it like to be graduating college and stepping out into the real world when the Clinton/Lewinsky scandal broke? This is a riveting coming-of-age novel about a young woman in that exact situation. Many people have captured what it’s like on a college campus, but this has entered the pantheon of campus novels. Florin’s book is a frontrunner for novel of the year.”
—Debutiful
“Readers will be rapt and pierced by a young woman's uphill battle, even in all her brilliance, to believe that she can be the ultimate witness to her own life.”
—Booklist
“A brilliantly crafted campus novel for the generation before #MeToo...Florin’s prose is gorgeous and enthralling, and her imagistic portrayal of New England campus life—from divey college town bars to Winter Carnival to English department parties to skinny-dipping in the river—is pitch-perfect. She also succeeds where many stories of dubious sexual consent fail: She avoids heavy-handed moralizing in favor of ambiguity, however uncomfortable...Florin’s debut is not to be missed.”
—Kirkus
“Immersive...Florin does great work exploring the era's murky sexual politics.”
—Publishers Weekly
“My Last Innocent Year possesses an urgent timeliness—in its examination of gender, power, and class on a college campus—but Daisy Alpert Florin’s remarkable debut is, at heart, an intimate, intricately constructed coming of age tale to rival the greats of the genre, from The Great Gatsby to Catcher in the Rye. Remarkable, unputdownable, brilliant.”
—Joanna Rakoff, author of My Salinger Year
"Gripping, nuanced, and thought-provoking, My Last Innocent Year is an intimate portrait of a woman on the cusp of adulthood grappling with the thorniest of issues: agency and consent, ambition and jealousy, loyalty and betrayal. This beautifully written novel reverberated in my bones.”
—Christina Baker Kline, #1 New York Times bestselling author of Orphan Train
“Propulsive, evocative, and very hot. Every page of My Last Innocent Year bursts with insight about a young woman, shaped by time and circumstance, who is learning to tell the truth.”
—Julia May Jonas, author of Vladimir
“Florin is a magician. The salaciousness, the melodrama, and moral outrage one expects in a campus novel about a teacher/student romance are stunningly absent, and in their place Florin offers you nothing but her intoxicating clear sightedness, the kind of simplicity and weight and wisdom you very rarely see in a debut novel. Her characters feel so real it is almost indecent. Monica Lewinsky, but painted by Vermeer. The recognizable stereotypes of youth and lust so honestly accounted, it is like being offered your own youth captured in glass, not as you remember it, but as it was. Astonishing.”
—Rufi Thorpe, author of The Knockout Queen
“My Last Innocent Year is one of the best novels about life on a college campus I've ever read, and Isabel Rosen is a distinctive, necessary addition to the Jewish canon; Daisy Florin excavates her characters' journey through the end of innocence with great honesty, insight, and a singular voice.”
—Karen E. Bender, author of the National Book Award Finalist Refund
“My Last Innocent Year is a tightrope walk of a debut novel about womanhood, power, and privilege. Quietly propulsive, this is a book that asks us to reexamine the relationship between coercion and consent, a subtly crafted character study of an artist in the making—I could not put it down.”
—Ellie Eaton, author of The Divines
“An incisive, honest, and compulsively readable coming-of-age story, My Last Innocent Year offers a refreshingly nuanced perspective on contemporary conversations about consent, the power dynamics of sexual relationships and friendships, and the challenges women encounter in claiming their place as artists.”
—Karen Dukess, author of The Last Book Party
“My Last Innocent Year hits a sweet spot: great storytelling, wonderful characters, and a genuinely complex set of ethical dilemmas that cannot be reduced to simple right and wrong.”
—Susan Scarf Merrell, author of Shirley
“I tore through this sparkling and gritty coming-of-age novel, nodding the whole time. Yes, desire is messy. Sexuality can blur into violence. All the difficult, gray truths don't resolve into black-and-white clarity just because we wish they would. Yes, yes, yes. Daisy Florin is an astonishing writer and My Last Innocent Year is a remarkable book.”
—Catherine Newman, author of We All Want Impossible Things
“Daisy Florin’s debut is a beautifully written, assured exploration of a young woman’s conflicting desires for love and sex, for success and recognition, for belonging and independence, and the destabilizing, heady affair that will shape her life for decades to come. Florin has managed to give us a story that is fresh, vital, and surprising, while at the same time will have readers nodding in recognition as Isabel Rosen navigates ambition, lust, grief, and what it means to find your voice in a world that doesn’t feel like it belongs to you.”
—Caitlin Mullen, author of Please See Us
12/12/2022
Florin debuts with an immersive if overly polished campus novel involving a creative writing student’s affair with her professor. Isabel Rosen, a New Yorker, enrolls at Wilder College in New Hampshire at the behest of her working-class father in the late 1990s. Shortly before she leaves for college, her mother dies from cancer. Grief-stricken during her freshman year, she’s preoccupied by memories of her mother. By Isabel’s senior year, her writing talent is recognized by R.H. Connelly, a married and formerly successful poet who is subbing for famous author Joanna Maxwell, who normally runs the senior workshop but is on leave due to an impending divorce from her professor husband, Tom, which caused a bit of a scandal. Against this backdrop, which also includes the Clinton-Lewinsky episode, Isabel and Connelly have an affair. Connelly helps Isabel grow creatively, though she has qualms about their relationship and suspects Connelly has done this before. Florian does great work exploring the era’s murky sexual politics, but the prose is burnished to the point of feeling stilted, and a post-college section feels a bit rushed. While sterile, this throwback has its moments. (Feb.)
The youthful-sounding Sarah Bierstock is an excellent choice to narrate this coming-of-age novel. Isabel is in the last semester of her senior year of college, but life seems as confusing as ever. Bierstock makes Isabel's endless ruminations and dilemmas relatable, ensuring that she is a sympathetic character. Listeners will lean in to the specifics of this young Jewish woman who is grappling with quintessential 20-something questions. She does so in the late 1990s, during the Clinton-Lewinsky scandal. Bierstock creates a likable character in Isabel, and listeners will want her to find her path--even if takes an affair with a professor to eliminate the bad options. Listeners may want to be aware that this title includes depictions of sexual violence. M.R. © AudioFile 2023, Portland, Maine
The youthful-sounding Sarah Bierstock is an excellent choice to narrate this coming-of-age novel. Isabel is in the last semester of her senior year of college, but life seems as confusing as ever. Bierstock makes Isabel's endless ruminations and dilemmas relatable, ensuring that she is a sympathetic character. Listeners will lean in to the specifics of this young Jewish woman who is grappling with quintessential 20-something questions. She does so in the late 1990s, during the Clinton-Lewinsky scandal. Bierstock creates a likable character in Isabel, and listeners will want her to find her path--even if takes an affair with a professor to eliminate the bad options. Listeners may want to be aware that this title includes depictions of sexual violence. M.R. © AudioFile 2023, Portland, Maine
2022-11-16
A young woman navigates sex and power at an elite New England college in the late 1990s in Florin’s debut.
Isabel Rosen, the daughter of an artist mother and a father who owns a Lower East Side appetizing store, is hardly the typical student at New Hampshire’s Wilder College (presumably based on Dartmouth). During her senior year, as she works on a thesis on Edith Wharton and tries to enjoy her last moments at the college that—despite everything—she loves, she has sexual encounters with two different men that will forever shape her memories of the time. One is a slightly older peer, a former soldier whose Israeli bravado is thoughtfully juxtaposed against her Ashkenazi ambivalence; the other is the handsome creative writing professor who takes an interest in her work. Set against the backdrop of President Bill Clinton’s affair with Monica Lewinsky, Isabel’s experiences teach her the hard way about the complex power dynamics in sexual relationships. Isabel’s sex life is private and secretive, while the president’s was much publicized; soon enough, however, Isabel learns that privacy doesn’t last long on a small college campus. Isabel’s intoxicating affair begins to unravel when drama ensues surrounding the family of the Wilder English department chair. Florin’s prose is gorgeous and enthralling, and her imagistic portrayal of New England campus life—from divey college town bars to Winter Carnival to English department parties to skinny-dipping in the river—is pitch-perfect. She also succeeds where many stories of dubious sexual consent fail: She avoids heavy-handed moralizing in favor of ambiguity, however uncomfortable. Even an odd final section, which spans years after Isabel graduates and detracts from the momentum of what would otherwise have been the final act, cannot dim the shine of this novel. Florin’s debut is not to be missed.
A brilliantly crafted campus novel for the generation before #MeToo.
