Gr 9 Up—One Jason is a poet and the other an artist. One is black and one is white. Heavy on dreams and light on cash, the aspiring young men move to Brooklyn, eating cereal and fried tuna while writing and painting wherever and whenever they can. Dancing the line between novel-in-verse and poetry collection, this autobiographical collaboration riffs on staying true to oneself, cultivating creative genius, taking risks, friendship, and becoming adults. The verse and dynamic artwork are simultaneously playful and desperate, but always expressive and fresh. The two are so tightly intertwined that one feeds off the other, adding layers of meaning for readers to peel away. Though this book will undoubtedly find broad appeal, because the Jasons set out on this journey in their early 20s, it may speak most directly to older teens starting to grapple with some of the same issues. If not for visual appeal or immediacy of tone and theme, teens will love the speed at which this unique book can be read. One thing is for certain—they will clamor for Griffin and Reynolds's next collaboration.—Jill Heritage Maza, Greenwich High School, CT
★ 05/09/2022
Two best friends and previous collaborators’ (Ain’t Burned All the Bright) diary-style accounting of their years spent living together in New York City is a moving, poetic, and visually rich homage to friendship, perseverance, and growth. “Regular guys. Survivors. Friends. Brothers”—acclaimed author Reynolds and renowned artist Griffin are all those things and more. Moving from Maryland to N.Y.C. in the early 2000s, the college roommates turned housemates work together to pursue their respective aspirations. Reynolds’s rhythmic poems speak to the duo’s adjustment to life in a new city (“a painful paradise for the unpretty”), the personal and professional sacrifices made to follow their dreams to survive by creating art (“My mom got sick.... I never should’ve left home”), and the challenges of expressing emotion and vulnerability (“Men don’t cry/or write poetry/or paint”). Griffin’s multimedia art adds a vibrant parallel perspective to Reynolds’s grounding poems. Visually, the text, formatted in myriad fonts, colors, and orientations, and the illustrations, which include ink sketches, vibrantly hued watercolors, and bold collages, astutely encompasses the duo’s varying struggles over the years. This compact, inspirational volume stands as a testament to the value of artistic expression and the power of friendship in self-discovery. Ages 12–up. Agents: (for Reynolds) Elena Giovinazzo, Pippin Properties; (for Griffin) Lydia Wills, Paradigm. (June)
An eye-opening portrait-of-the-artists archive filled with memories, ephemera, and optimism (and appended with a new afterword by Reynolds and Griffin).
Author Reynolds and artist Griffin shine as they co-narrate this poetic memoir, which riffs on friendship, courage, self-expression, and coming of age. In the early 2000s, the roommates set off for Brooklyn to pursue their creative dreams. There, they struggled to balance family concerns and self-doubt with the desire to be recognized and make a difference. As the pair look back on their past, their voices weave in and out, coming together to emphasize pivotal words—“brothers,” “survivors,” “friends.” Most importantly, they note that “men pretend,” acknowledging how difficult it is for men to admit feeling vulnerable. Those familiar with the print book’s visuals may miss the multilayered artwork, but the intimacy and authenticity of the audiobook are remarkable on their own. S.A.H. © AudioFile 2022, Portland, Maine
Author Reynolds and artist Griffin shine as they co-narrate this poetic memoir, which riffs on friendship, courage, self-expression, and coming of age. In the early 2000s, the roommates set off for Brooklyn to pursue their creative dreams. There, they struggled to balance family concerns and self-doubt with the desire to be recognized and make a difference. As the pair look back on their past, their voices weave in and out, coming together to emphasize pivotal words—“brothers,” “survivors,” “friends.” Most importantly, they note that “men pretend,” acknowledging how difficult it is for men to admit feeling vulnerable. Those familiar with the print book’s visuals may miss the multilayered artwork, but the intimacy and authenticity of the audiobook are remarkable on their own. S.A.H. © AudioFile 2022, Portland, Maine
2022-03-16
An artful collaboration; a love story.
In the early aughts, acclaimed writer Reynolds and accomplished artist Griffin shared a first name, a college dorm room, and a plan to move to New York City to pursue their overlapping dreams. This mixed-media art project and collection of poems is the result of their striving and struggles and the strength of their friendship. A number of entries focus on differences, for example, between Griffin’s red hair and Reynolds’ black curls. By way of contrast and juxtaposition, this is a story of connection between visual art and poetry, between dreams and real life in Brooklyn, and between two young men who eschewed many cultural expectations regarding what two men can mean to one another and how they should express their emotions and creativity. Their history is illustrated in bold colors, and the printed words are complemented by hand-lettered text. While the unevenness of the textual and visual presentations can at times present more as an uneasy distraction than a cohesive narrative—like when Reynolds’ well-grounded anxieties about New York or the precarious health of his mother are set against Griffin’s art-world ambitions and passions—the creative effort forces readers to constantly give attention to form, process, and relationships of all sorts.
Two Jasons share their singular experiences with all those who value art. (Poetry. 12-15)
