My World

My World

by Cyndi Thomson
My World

My World

by Cyndi Thomson

CD(Enhanced)

$14.49 
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Overview

At 24, Cyndi Thomson's deepest country music influence is current diva Trisha Yearwood, who herself was only a third-generation pop-country singer who transcended the genre's limitations with a rich voice and killer songs. But Thomson's youth shouldn't be held against her. For in the field of curtain-shirted rock & roll wannabes and Brooks & Dunn clones and Shania Twain-esque glamor queens who couldn't sing a lick if there weren't pitch levelers in recording studios, Thomson is a rarity. As a singer she posses a genuine slippery, smoky alto that reaches deep inside the heart for the lyric rather than in the trembling upper registers of her instrument. She has the songs too, given that her producer and co-writer is none other than Tommy James. Lastly, she's a country singer first and a pop singer second. My World will, hopefully, lay claim to a slot on the country chart near the top, which would mean there was hope for Nash Vegas (not a lot, but a smidge anyway -- which is more than there is now). Sure, there are the requisite fiddles on her record, but there are also banjos and flat-picked guitars, as well as recorders, Hammond B-3s (as on the single "What I Really Meant to Say"). The single is clearly meant to put the album in the hands and minds (not like they really have them, but we'll give them the benefit of the doubt on this set) of country music radio station programmers. Once said single charts, the label digs into the disc for further material, hopefully to the title track or "Hope You're Doing Fine," with its ringing mandolin and pedal steel whine. Ultimately, My World has some concessions to the pop market: it's slickly produced; there are some taut, pop sheeny arrangements and a few drum machines here and there. But compared to the absolute crap being cranked out of Nash Vegas, this is a bona fide country record in the same tradition as Thomson's mentor Yearwood. And there are a lot lower sights (especially now) to set your eyes on. ~ Thom Jurek

Product Details

Release Date: 07/31/2001
Label: Capitol Nashville / Capitol
UPC: 0724352601004
Rank: 141243

Tracks

  1. My World
  2. I Always Liked That Best
  3. What I Really Meant to Say
  4. Things I Would Do
  5. If You Could Only See
  6. I'm Gone
  7. If You Were Mine
  8. Hope You're Doing Fine
  9. There Goes the Boy
  10. But I Want To
  11. I'll Be Seeing You

Album Credits

Performance Credits

Cyndi Thomson   Primary Artist,Vocals (Background)
Steve Nathan   Piano,Keyboards,Wurlitzer
David Lyndon Huff   Percussion
The Nashville String Machine   Orchestra
Randy Scruggs   Banjo,Mandolin,Guitar (Acoustic)
Tommy Lee James   Vocals (Background)
Dan Dugmore   Dobro,Mandolin,Guitar (Steel),Guitar (Acoustic),Guitar (Electric),Guitar (12 String Electric)
Paul Worley   Guitar,Guitar (Acoustic),Guitar (Electric),Guitar (12 String)
Jonathan Yudkin   Cello,Viola,Fiddle
Stuart Duncan   Fiddle
John Mock   Penny Whistle
Tim Lauer   Accordion
Greg Morrow   Guitar (12 String Electric)

Technical Credits

Clarke Schleicher   Engineer
Kim Richey   Composer
Eric Conn   Digital Editing
David Lyndon Huff   Drum Programming
Liz Hengber   Composer
Rob Mathes   String Arrangements
Robin Lerner   Composer
Jennifer Kimball   Composer
Tommy Lee James   Composer,Producer
Denny Purcell   Mastering
Arnie Roman   Composer
Paul Worley   Producer
James LeBlanc   Composer
Richard Hanson   Assistant,Mixing Assistant
Rev. T.L. James   Composer
Mike Poole   Engineer
Jay Knowles   Composer
Carlos Grier   Digital Editing
Paige Conners   Production Coordination
Odie Blackmon   Composer
Chad Brown   Assistant
Erik Hellerman   Assistant,Digital Engineer
Charles "Prophet" Bush   Composer
Chris Waters   Composer
Chuck Prophet   Composer
Cyndi Thomson   Composer
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