Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology / Edition 1

Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology / Edition 1

by Ann O Koloski-Ostrow, Claire L Lyons
ISBN-10:
0415159954
ISBN-13:
9780415159951
Pub. Date:
07/10/1997
Publisher:
Taylor & Francis
ISBN-10:
0415159954
ISBN-13:
9780415159951
Pub. Date:
07/10/1997
Publisher:
Taylor & Francis
Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology / Edition 1

Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology / Edition 1

by Ann O Koloski-Ostrow, Claire L Lyons
$180.0
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Overview

The articles in Naked Truths demonstrate the application of feminist theory to a diverse repertory of classical art: they offer topical and controversial readings on the material culture of the ancient Mediterranean. This volume presents a timely, provocative and beautifully illustrated re-evaluation of how the issues of gender, identity and sexuality reveal 'naked truths' about fundamental human values and social realities, through the compelling symbolism of the body.

Product Details

ISBN-13: 9780415159951
Publisher: Taylor & Francis
Publication date: 07/10/1997
Pages: 332
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Ann O Koloski-Ostrow, Claire L Lyons

Table of Contents

1. Naked truths about classical art: An introduction 2. 'Ways of seeing' women in antiquity: An introduction to feminism in classical archaeology and ancient art history 3. Female beauty and male violence in early Italian society 4. divesting the female breast of clothes in classical sculpture 5. When painters execute a murderess: the representation of clytemnestra on attic vases 6. Sappho in attic vase painting 7. Gender and sexuality in the Parthenon frieze 8. Naked and limbless: Learning about the feminine body in ancient Athens 9. Nursing mothers in classical art 10. Making a world of difference: Gender, Asymmetry, and the Greek nude 11. The only happy couple: Hermaphrodites and gender 12. Violent stages in two Pompeian houses: Imperial taste, aristocratic response and messages of male control 13. Epilogue: gender and desire
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