Neoclassicism

by David Irwin

Overview

Neoclassicism was the favourite style of both Napoleon and Thomas Jefferson, and made Josiah Wedgwood's fortune. The most pervasive style in the history of European art, it was deployed in the design of houses, churches, museums, banks, shops and items of daily use ranging from teapots to textiles. This book is the first to embrace all manifestations of the style, not only its broad territorial scope, but also its versatility in every branch of art.

Product Details

ISBN-13:	9780714833699
Publisher:	Phaidon Press
Publication date:	07/28/1997
Series:	Art & Ideas Series
Edition description:	REV
Pages:	448
Product dimensions:	6.50(w) x 8.75(h) x 1.12(d)
Age Range:	13 - 18 Years

About the Author

David Irwin, Professor Emeritus of Art History at the University of Aberdeen, is an authority on the art of the eighteenth and nineteenth centuries. His books include English Neoclassical Art, Winckelmann: Writings on Art and John Flaxman.

Editorial Reviews

"A most elegant and sophisticated summary of a complex subject, based on the most recent research."—David Watkin, Department of the History of Architecture, Cambridge University

"An excellent introduction to Neoclassicism. The text effortlessly summarises a great deal of scholarship in a clear, easily comprehensible language."—John Turpin, Department of the History of Art, National College of Art Design, Dublin

On the Art & Ideas series

"Art & Ideas has broken new ground in making accessible authoritative views on periods, movements and concepts in art. As a series it represents a real advance in publishing."—Sir Nicholas Serota, Director, Tate London

"The format is wonderful and offers what had long been missing in academic studies: usable manuals for specific themes or periods... I am definitely not alone in welcoming Art & Ideas as a precious set of teaching tools."—Joachim Pissarro, Yale University

"Phaidon's series may prove to be the pick of the crop. It boasts expert but undogmatic texts and a wealth of illustrations."—The Sunday Telegraph

From the Publisher

This study of Neoclassicism in the visual arts from 1750 to 1830 embraces all manifestations of the Neoclassical style, taking into consideration both the movement's broad territorial scope and its versatility in every branch of art from the fine to the utilitarian. A discussion of the aftermath of Neoclassicism charts the movement's influence to the 1980s. Includes a series of brief bibliographies, a lengthy list of key dates, and numerous color and black-and-white illustrations. Distributed by Chronicle Books. Annotation c. by Book News, Inc., Portland, Or.

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