Cleverly crafted chapters form a glittery, boisterous month-by-month calendar of the ‘annus mirabilis…the busiest, most creative, most innovative, most interesting, and longest-resounding year’ of an era that produced music we are still listening to.”
-Elle Magazine
“Wonderful storytelling.”
-Forbes
"A revelatory account of the bombshell 365 days that gave birth to what the author dubs 'the rock era.'"
-O: The Oprah Magazine
"[An] expansive overview of the high-water mark of rock's album-oriented maturity....[Hepworth is] sharp and zingy....his mix of garrulousness and dry wit makes Never a Dull Moment a zip to read."
-NPR
“Fascinating cultural history… Vivid, irreverent prose and analytic insight distinguish the book from the legion of Boomer nostalgia titles. Alongside the requisite gossip, Hepworth's magisterial overview notes the exploitation of nostalgia, the rise of the singer/songwriter, the elevation of rock stars into louche aristocrats, and the transformation of FM radio to an album-oriented rock format. Hepworth also details the openness of record labels to new talent and experimental recording techniques that laid the groundwork for punk, indie, and electronica.”
-Publishers Weekly
“[Never a Dull Moment is] laced with a wisdom gathered over many years as a journalist and industry insider, and with an enthusiasm for the music and an understanding of the economics driving the evolution of popular culture…a highly readable reassessment and a convincing argument for the importance of a year in which the culture of rock began to be aware that it was living out its good old days."
-New Statesman
“[An] entertaining exploration of the year in music that was 1971… [Hepworth] painstakingly recounts the album releases, Top of the Pops performances, and endless touring dates that defined the year… [His] chronicle of the year is loaded with gossipy anecdotes, adroit criticism, and earnest affection for the musicians, record executives, and technicians who defined it. An exuberant tour through a pivotal year in the development of popular music and culture.”
-Kirkus Reviews
“Hepworth brings rare perspicacity into the business machinations of the era, whose movers and shakers were, as he points out, often from a previous, less starry-eyed generation…Never a Dull Moment lives up to its title.”
-The Guardian
“One of the many strengths of Hepworth’s book is that it combines both perspectives: emphasising how much a part of 21st-century life these albums remain, while also reminding us that, back when they were made, what most people took for granted was pop’s lack of a shelf life… Near the beginning of this richly enjoyable book, Hepworth argues that 1971 saw the pop era giving way to rock. Even so, his own approach is much more like the best pop: never taking itself too seriously, essentially out to entertain but also an awful lot smarter than its absence of solemnity might lead you to think.”
-The Spectator
“An engaging and thought-provoking read… Hepworth points out more than once that at the time he had no idea how lucky he was. He knows now – and so do we."
-Daily Mail
“With its apt title, Never a Dull Moment makes you want to be 25 in the '70s again.”
-Associated Press
“A fast ride through that year proving that the hot pants sensation was not the only thing making news.”
-The Charlotte Observer
"Soon every post-war year will have its own tombstone book, but this is already one of the best."
-GQ, Editor’s Hit List
"A clever and entertaining book...Hepworth proves a refreshingly independent thinker. His style is pithy and his eye for anecdotal detail sharp...a thoroughly provoking delight."
-Daily Telegraph
“If you haven’t listened to the albums discussed in this book in a while (or never have), reading Never a Dull Moment will make you pull them up on your device and give them a listen. That is how good this book is.”
-Counterpunch
03/14/2016
Music writer and broadcaster Hepworth prefaces his fascinating cultural history with a brash declaration: in 1971, "a huge proportion of the most memorable albums ever made were released." This extravagant claim underscores the scope of Hepworth's ambition; and he's so entertaining and erudite that one almost believes him. Hepworth opens with Paul McCartney initiating Beatles "divorce" proceedings on New Year's Eve and ends the following December with the first rock star, Elvis Presley, considered old at 36 and facing an actual divorce, blazing a nostalgia trail that other rock gods would follow. Between these two monuments, a parade of iconic figures—David Bowie, Led Zeppelin, Sly Stone, Big Star, Marvin Gaye—display the creative ferment of the moment. Hepworth's subtitle is a misnomer, as he addresses many genres of popular music. Vivid, irreverent prose and analytic insight distinguish the book from the legion of Boomer nostalgia titles. Alongside the requisite gossip, Hepworth's magisterial overview notes the exploitation of nostalgia, the rise of the singer/songwriter, the elevation of rock stars into louche aristocrats, and the transformation of FM radio to an album-oriented rock format. Hepworth also details the openness of record labels to new talent and experimental recording techniques that laid the groundwork for punk, indie, and electronica. (June)
05/01/2016
Journalist and author Hepworth's (The Secret History of Entertainment) entertaining and enlightening book illustrates his theory that the year was one of the most substantial and influential in rock, and that it also marked the true beginning of the Seventies, a decade renowned for blockbuster albums, expanding genres, and rock glamour and excess. The year saw the release of such classics as Carole King's Tapestry, the Rolling Stones's Sticky Fingers, Who's Next from the Who, and albums from Marvin Gaye, Sly Stone, and Joni Mitchell, among others. Moving chronologically, Hepworth documents the creation of many of these seminal works while examining the times and mood in popular culture, along with the trajectory and lives of the artists responsible for the shifts, concluding with a discussion of rock nostalgia. The author's thought-provoking and diligently researched synthesis of criticism, pop culture, history, and commentary will appeal to rock music fans of all ages, whether they lived through 1971 or are discovering its musical riches and influences 45 years later. VERDICT Recommended for all public libraries with pop culture and rock music collections.—James Collins, Morristown-Morris Twp. P.L., NJ
2016-03-31
The longtime music journalist and founder of Mojo and Q delivers a month-by-month breakdown of the year that changed pop music history.On New Year's Eve 1970, Paul McCartney issued a writ of dissolution for the Beatles in Britain's High Court. The anecdote, recalled by Hepworth (The Secret History of Entertainment, 2004) in the opening of his entertaining exploration of the year in music that was 1971, is a tidy reference to the changing moods in popular music and culture. "The sixties ended that day," he writes. "You might say this was the last day of the pop era." As a new era dawned, the potential for artists seemed limitless. Album-oriented rock was replacing the single-driven pop machine, allowing a wider range of artists to express themselves in unique and creative ways. In retrospect, it might seem easy to gloss over just how radical the musical landscape of 1971 was and how many disparate artists were releasing music and becoming superstars, which itself was a new phenomenon that was turning singers into de facto royalty—a fact epitomized by the wedding of Mick and Bianca Jagger. Hepworth tracks the changes that created this new environment, including a changing industry marketplace, new technological developments such as the synthesizer, and a rising generation of new listeners. The author painstakingly recounts the album releases, Top of the Pops performances, and endless touring dates that defined the year. Attempting to list the artists who dominated album charts, media, and collective consciousness of the year only proves the embarrassment of riches at Hepworth's disposal: the Rolling Stones, Rod Stewart, Led Zeppelin, Carly Simon, Marvin Gaye, the Who, Sly Stone, and Carole King, to name just a few. The author's chronicle of the year is loaded with gossipy anecdotes, adroit criticism, and earnest affection for the musicians, record executives, and technicians who defined it. An exuberant tour through a pivotal year in the development of popular music and culture.