New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyond / Edition 1

New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyond / Edition 1

by Robert Stam
ISBN-10:
041506595X
ISBN-13:
2900415065954
Pub. Date:
04/02/1992
Publisher:
Taylor & Francis
New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyond / Edition 1

New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyond / Edition 1

by Robert Stam
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Overview

New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts, defining over 500 critical terms.

The authors address key aspects of contemporary semiotic and cultural debate--for example Metz's semiotics, Genette's

narratology, the feminism of Mary Ann Doane, and Bakhtinian concepts. The book explores linguistically-oriented terminology in cinema studies; the semiotics of film narrative; the psycho-semiology of the cinema; and intertextuality, discourse, and transtextuality. References to

individual films drawn from the work of a wide range of directors including Orson Welles, D.W. Griffiths, Alain Resnais, Jean-Luc Godard, Alfred Hitchcock, Jean Cocteau, and Chantal Akerman illustrate the concepts under discussion.

Although especially geared to the needs of film

students, New Vocabularies in Film Semiotics is an impressive guide that will be useful for scholars in all areas of the arts, philosophy, and literature where an awareness of semiotic terminology and methodology has become indispensible to serious theoretical work.


Product Details

ISBN-13: 2900415065954
Publisher: Taylor & Francis
Publication date: 04/02/1992
Series: Sightlines Series
Edition description: ANN
Pages: 256
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

Robert Stam is Professor of Cinema Studies at New York University. Robert Burgoyne is Associate Professor of English at Wayne State University. Sandy Flitterman-Lewis is Associate Professor of English and Cinema Studies at Rutgers University.

Table of Contents

Preface; The Origins of Semiotics; Cine-semiology; Film-narratology; Psychoanalysis; From realism to intertextuality

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