Newbery Honor-winning children's author (for Sugaring Time) Kathryn Lasky, here adopting the pseudonym of Swann, successfully turns her hand to adult fiction with a moving tale of 60-something love. Divorced Tristan Mallory is a top-notch landscape architect imported from New Hampshire by a wealthy couple in order to make magic on the grounds of their Cambridge, Mass., estate. Tristan, however, soon finds himself making even more magic next door. Through a crack in the brick wall--and with a nod toward the children's classic The Secret Garden--he observes Maggie Welles in her own long-neglected garden. The widow of an alcoholic, Maggie has recently survived a stroke, and at first Tristan merely admires her resilient personality from afar as she bravely undertakes the grueling exercises necessary to regain her speech and motor skills. After the two dramatically meet, they conspire to revamp Maggie's garden, working nocturnally for privacy from Maggie's therapists and her pestering, alcoholic children. Having cultivated their shared passion, Maggie and Tristan awaken sensual feelings in each other, their erotic interludes a gateway to the true love that has eluded them for a lifetime. Swann seamlessly blends a Zen philosophy of gardening into her radiant tale of second chances, using her love for horticulture as a richly nuanced metaphor for the regenerative nurturing and flourishing of characters. Sentimental in the most heartfelt way, without resorting to the maudlin, Swann scripts wonderful dialogue for her principals, crafting sharply witty relationships, a believable setting and a deeply satisfying romantic plot. Line drawings throughout. Major ad/promo; movie rights to New Amsterdam Productions; audio rights to Brilliance; foreign rights sold in Germany, Spain, Italy and the Netherlands. (Apr.)
Night Gardening
Narrated by Dick Hill
E. L. SwannUnabridged — 5 hours, 30 minutes
Night Gardening
Narrated by Dick Hill
E. L. SwannUnabridged — 5 hours, 30 minutes
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Overview
Maggie is recovering from a stroke in her overgrown and neglected garden in wealthy Cambridge, Massachusetts. Tristan, a landscape architect, is rebuilding the garden next door for the new homeowners. He spies Maggie through a crack in the stone wall between the two properties, and is intrigued by her beauty and her strong will as she tries to learn how to speak and walk again.
The affair between Tristan and Maggie rejuvenates both of them, and Maggie's neglected garden thrives. Night Gardening is a story about the healing power of love, but it's also a romantic tale about passion blooming in life's later years.
Editorial Reviews
Maggie Welles is recovering from a severe stroke that has paralyzed her left side. She is at home and receiving physical and speech therapies when she crosses paths with Tristan Mallory, a well-known landscape architect. During the summer evenings Mallory spends restoring Maggie's long-neglected and once extrordinary garden, the pair find restoration for their spirits and embark upon an unusual affair that fulfills them both. The garden is described in great detail that may bore non-aficionados, and Swann seems to be reaching for a grand, tragic Love Story that somehow eludes her. Even so, with its slight literary flavor, this is an enjoyable romance that proves love isn't something that only happens to the very young or the physically perfect. Not great literature, but how refreshing! E.L. Swann is the pseudonym used by award-winning children's book author Kathryn Lasky.--Bettie Alston Shea, Charlotte-Mecklenburg P.L., Charlotte, NC
This beautifully written tale truly captivates the listener and nourishes the soul...[The main characters] have a wonderful romance that transports the listener. Narrator Dick Hill is simply superb, and his expressive, interpretive reading greatly enhances the already wonderful text, bringing out meaning and personality...The only disappointment here is the very end, which is unexpected and not as satisfying as one might wish. But up until then, it's a marvelous listening experience.
— Billboard
Children's writer Kathryn Lasky becomes E.L. Swann to author this adult melodrama about declining families, thankless children, and, above all, blossoming love in the golden years. Maggie Welles is 61 when, working in the multileveled but badly neglected garden of her large house just off Harvard Square, she suffers a stroke. Widowed, spunky, and well-off, Maggie at 61 still has much of the beauty she possessed as a girl in Boston, where she grew up in a lace-curtain Irish family; and it's this beauty—in her green eyes, for example, and once-red and still-abundant hair—that first attracts the eye and soon thereafter the heart of one Tristan Mallory, hyper-successful landscape artist to the very, very rich, himself 60, long divorced, and at the moment (since it's spring) creating an elaborate new landscaped garden at the house next door. In a hint of Pyramus and Thisbe, Tristan peeks at Maggie through the crack in a garden wall as, in the woebegone garden on her side, she works with her speech therapist and does walking exercises at parallel bars. The mysterious attraction that the handsome Tristan feels for Maggie is intensified quickly when it's discovered that both he and she are expert lovers of floral beauty and rarity ("‘Oh my goodness, Polymnia canadensis,' Maggie whispered"), and, under Mallory's "care" as a gardener-lover ("He wanted only to submit himself completely to her rareness"), Maggie begins making great strides in recovering from the losses of her stroke; but, even as she and Tristan fix up her garden by night (and make love in it), the legacy of Maggie's insensitive and alcoholic husband (who married her with no sense of her true rarity) intrudes in the formof her insensitive and alcoholic son, whose eager desire for his inheritance will prove itself the canker in the rose garden indeed. Many a stylistic stumble, a paper-thin male lead, and much horticulture aimed straight at the sentimental.
Product Details
| BN ID: | 2940172617584 |
|---|---|
| Publisher: | Brilliance Audio |
| Publication date: | 09/01/2008 |
| Edition description: | Unabridged |
Read an Excerpt
Chapter One
If you wish to make anything grow you must understand
it, and you must understand it in a very real sense.
RUSSELL PAGE, The Education of a Gardener
Tristan Mallory looked in the rearview mirror of his truck as he switched lanes. Good. Peter, with Roger, just two cars behind, was negotiating to get into the right lane. Hopefully he would not miss the exit for 93 as he did last time. The notion of a nineteen-year-old kid endlessly circling Boston on Route 128 with a hundred thousand dollars' worth of grading equipment in a truck was an unsettling one. Tristan himself hauled a few tons of stone, a remarkable stone that was the offspring of the geological version of a shotgun marriage, first forged in some Paleozoic cauldron when an ocean plate took a dive into a trench and came up with scraps from which the future Appalachian and Caledonian mountains would be built. When Scotland, along with the rest of Europe, decided to break off from North America and sail majestically eastward at the stately pace of a few inches per millennium, this lovely deep gray stone with slate blue markings was left on both edges of the newly formed continents.
Last night, Tristan had talked with Luigi, who had promised to have his men there to help with the unloading. Luigi would then cut the stones so that Tristan could lay them in a half-split half-saw pattern, which he felt gave alovely texture to paths in lawns that tended toward the overly manicured, as was the case with this garden.
These were nice people, the Steins. Recently moved from New York, they had seen Tristan's work in Litchfield, Connecticut, and some gardens in the Hamptons on Long Island. But Tristan always worried about women who wanted to do white gardens, renditions of Vita Sackville-West's white garden at Sissinghurst. That was what Judith Stein wanted. It wasn't that he objected to relying on someone else's original inspiration. The women were always careful to say that they did not want an exact copy and assured him that it was to have his indelible stamp. He always wondered what they thought his indelible stamp was.
No, it was not the ghosts of Sackville-West and Sissinghurst gardens that disturbed him. It was the women's own ghosts that he worried about. What was haunting these suddenly rich women who often had come from very simple backgrounds? Was he being overly romantic, or hadn't these women often grown up in places where folks had patios with whiskey tubs spilling with petunias and creeping phlox, or nice little kitchen gardens stuffed with cherry tomato plants, herbs, and lettuces; or, maybe, even farms with fields of corn, soy beans, and alfalfa, and then, too, half-acre vegetable plots crawling with melons and sprouting trellises of pole beans. All of them good honest gardens. Tristan didn't get it. Didn't they want to hang on to any of those first connections with flowers, things blooming, the earth? Where the hell did they come up with Sissinghurst? Tristan wondered if these women had any stories of their own to tell in their gardens, any real narratives. It was almost as if once these women had arrived at the lifestyles they had so rigorously sought, married the men who could buy them everything, they gave up their own stories. The gardens seem to come to the women as full-blown ideas in their heads, independent of their own personal histories or even the particular landscape or countryside where they would grow. It became a dangerous business in which gardens were not shaped by topography and soil but were inflicted upon a landscape.
The Sullivan Square exit was coming up. Peter was right behind him now. Miss this one and you're headed for the Cape. The down ramp was clear at this early hour of the morning and they were soon cutting across Somerville to Cambridge. Tristan always marveled at how quickly the entire feeling changed once one crossed the Somerville-Cambridge line. Seedy mom-and-pop shops vanished. Furniture stores with horrendously ugly bedroom sets crammed into windows gave way to discreet emporiums for buying bread or exotic coffee beans. The concrete sidewalks turned into brick ones. Students, elderly professors with berets, and stout well-shod older ladies with dogs on leashes could be spotted on every corner. Tristan made it a point, even early in the morning, to avoid Harvard Square. So he turned away from the square and went instead around the Cambridge Common. Then he turned down Mason Street which took him in one short block on to hallowed Brattle Street, Tory Row as it had once been called in its colonial days. The largest houses with the largest trees were on Brattle. No property here could be touched for under a million these days. It was the address to have in Cambridge.
Equally expensive and prestigious were homes on the two or three cul-de-sacs directly off Brattle. The Steins had gotten their hands on one of these, a real showcase. Designed by H. H. Richardson in the late 1800s, the house was a sprawling shingled behemoth with twenty-five rooms. There was a deep backyard with easy access for bulldozers, backhoes, and any of the heavy scraping equipment that Tristan wanted to use. A landscaper's dream in terms of access. Too bad that Judith Stein didn't want to do more with really big rocks—a Japanese garden. He could have brought in some five-ton granite beauties and created something worthy of a Japanese silk scroll.
There were only two other houses on the cul-de-sac, an imposing Federal-style clapboard, dating earlier than the Richardson, and then a stucco, rather elegant if slightly past its prime even though thirty years younger than the other two. The walls of the stucco were the color of cognac and they crawled with ivy that threaded through the dark green shutters, threatening to pull them off their hinges. The tarnished brass knocker on the front door appeared as if it might groan from disuse rather than actually knock. The house itself seemed to crouch in the shadows of the Richardson. Still it had character, a somewhat mysterious quality to it that always caused Tristan to pause a moment as he pulled up to the Steins.
He would hate to think of a white garden in a place like the stucco house. There were of course very few places in a city, even a small city like Cambridge, that would lend themselves to wildness, but this one, the stucco, possibly could. Even in the most formal of gardens there was, in Tristan's mind, always room for something a little unkempt, a little wild—a woodland corner, perhaps, sequestered somewhere within the shadows.
Luigi was waiting for him, as was a truck with a half ton of crushed gravel. Tristan reached over the back of his seat, fished out the cardboard tube with the site plans, and got out of the truck. He was tall, his silvery hair close cropped. His face already tan from the spring work was scored by white squint lines that flared from his eyes to his temples. He didn't wear his sunglasses as he had when he was younger because he needed his reading glasses to look at the plans. Sometimes he resorted to wearing his reading glasses under his sunglasses but that could be awkward.
"Buon giorno, Luigi."
"How ya doin', Mr. Mallory. Here, I want you to meet my nephew Al and my other nephew Gian Franco, and here's my wife's younger brother—you know Tony, he was on that job with us in Concord."
"Oh sure, Tony. How ya doin'?" Tristan shook hands. Luigi had an endless supply of nephews and brothers and brothers-in-law and cousins. They came in various sizes and shapes and all were adept with stone—wrestling, lifting, cutting, and shaping it. "So where you got your shop set up?"
"Out back," Luigi said, pointing, "where the lower terrace will be. Good water source. Don't even have to use the longest extensions. Terrific access. Place like this—I would have never believed it—not in Cambridge."
"Well, for what they paid for this place they should have good access," Tristan replied.
"What'd ya say the guy does, Mr. Mallory?"
"Investment banking."
"Ah, that explains it. How come he's not living in Wellesley? That's where the bankers all live—Wellesley and Dover."
"Don't ask me." Tristan shrugged.
The men walked around to the backyard. It was just 7:30 in the morning and Tristan was pleased to see that the tracked bulldozer he had rented from Perrelli Construction was already there. It crouched like a sleeping beast in the middle of the leveled space awaiting its first command. The grade stakes were all still in place but Tristan would check them again. On a huge mound of stripped-off topsoil a woman in her early forties stood in a raincoat. The hem of her nightgown showed. She held a mug of coffee in her hand as she surveyed her domain, now scraped bare. The featureless expanse was interrupted only by the tracked bulldozer and then the scoring of trenches for utilities—pipes and electrical cables.
"Hello, Mrs. Stein."
"Judith please, Tristan, call me Judith."
"Okay, Judith. Well, today it begins." And as if on cue a tinkety staccato cough of the Alden grader starting up fractured the stillness of the morning. From the rear access lane behind the property the yellow claws appeared. Then underneath the claws there was a set of adjustable blades.
"What's that?" Judith Stein asked.
"Kind of cute, isn't it? Like a baby dinosaur. It's our favorite high-wheeled grader. Your boys up yet?"
"Oh yeah."
"Well, get them out here. This is their day. You should let them skip school. It's a Tonka toy dream come true today."
Judith Stein smiled. Tristan was looking out at the machinery that Peter and Roger were driving into the yard. Tanned already, with deep vertical lines scoring his cheeks and that silvery gray hair, Tristan Mallory wasn't hard to look at. She wondered how old he was. At least sixty. "Do you have children?" she asked.
"I've got grandchildren," he replied.
"They must love having a grandfather like you."
"Don't get to see them enough. They live out in California. I go holidays, but it's not the same." Tristan wasn't sure what he meant by "the same." He figured that people do not precisely imagine their lives as grandparents, but having raised his daughters by himself since they were fairly young he had, he supposed, thought of the grandchildren just being nearby, constantly around. He had made how many thousands of foldover jelly sandwiches for the girls? And now it occurred to him that he had never made any for little Tristan, or Timmy, or Mary. There was a small twinge someplace deep inside, and then suddenly he felt ridiculous. He turned abruptly to Judith Stein. "Have you talked to the people next door about the wall yet?"
"Bill has a date tonight to talk with her children. She hasn't been well. Actually it's the son he's going to talk to. The woman, Mrs. Welles, is a widow. We haven't met her since we moved in."
"The wall hasn't been well for a long time. We've reinforced it as best we can from this side," Tristan said. "I mean it's a pretty wall, the faded brick, the coping on top. You don't want to take it down entirely. Seems like they should share the costs of doing a really nice job on it."
It seemed like an unimportant issue to Judith Stein whether they shared in the costs or not. "If they don't want to it's no problem. We'll take care of the whole thing."
He knew they would. These were the kind of people who just did not consider that money should ever be an obstacle to anything.
"Well, got to get to work." He sidestepped nimbly down the steep slope of topsoil and walked in long graceful strides across the bare ground toward the two young men who stood by the scraper and the Bobcat. Judith Stein watched as he unfurled a set of plans and began pointing at grading sticks that marked the property. She closed her eyes a moment and willed a vision of the central arbor at Sissinghurst laden with alabaster Rosa mulliganii.
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