No Pretty Pictures: A Child of War

No Pretty Pictures: A Child of War

by Anita Lobel
No Pretty Pictures: A Child of War

No Pretty Pictures: A Child of War

by Anita Lobel

Paperback(Reissue)

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Overview

Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Kraków, Poland. Her life changed forever. She spent her childhood in hiding with her brother and their nanny, moving from countryside to ghetto to convent—where the Nazis finally caught up with them.

Since coming to the United States as a teenager, Anita has spent her life makingpictures. She has never gone back. She has never looked back. Until now.


Product Details

ISBN-13: 9780061565892
Publisher: HarperCollins
Publication date: 09/16/2008
Edition description: Reissue
Pages: 288
Product dimensions: 5.20(w) x 7.90(h) x 1.00(d)
Lexile: 750L (what's this?)
Age Range: 8 - 12 Years

About the Author

Anita Lobel's name is synonymous with the best in children's literature. She is the creator of such classics as Alison's Zinnia and Away from Home, and she received a Caldecott Honor for her illustrations in On Market Street. She is the creator of two books about her cat, Nini, One Lighthouse, One Moon (a New York Times Best Illustrated Book), and Nini Here and There. Her childhood memoir, No Pretty Pictures: A Child of War, was a finalist for the National Book Award. Anita Lobel lives in New York City.

Read an Excerpt

No Pretty Pictures
A Child of War

Chapter One

From our balcony on a September day a long time ago, I watched the Germans march into the city where we lived. They stepped in unison, in shiny boots, with sunlight glinting on helmets and bouncing off bayonets. They sang a marching song. I did not understand the words that echoed between the buildings. Pushing my head through the bars of our crowded balcony to see the soldiers better, I held on tightly to my niania's (nanny's) hand. "Niemcy, Niemcy" ("Germans, Germans"), she muttered and sighed. My mother and father were there, and many other people. "No! No! They are French!" I heard people say. "Surely they must be French." It was a warm, and beautiful day. There was music and promise in the air.

The back of the large apartment building where we lived faced a square courtyard. Here balconies were long walkways that extended the whole length of the building. We sometimes saw our neighbor, a Hasid, in his long black coat and round saucerlike hat edged in fur, rushing by our back windows on his way to the elevator. He turned comers, his beard flying in the wind. "Jews!" I would hear Niania mutter.

My father was the owner of a chocolate factory. He was not a Hasid. But every morning he wrapped his head in thin black leather straps that ended in a small square box that rested on his forehead. The ends of the straps were tied around his wrists. He put a white shawl with black stripes around his shoulders and faced a window that led to the back balcony.. He mumbled and rocked back and forth. Under the leather straps on his head he wore a tight hairnet clasped on the side with a buckle.After he finished his mumblings, he unwrapped the straps, kissed them, and wound them back into the box he had taken off his head. He went to another room and came out elegantly dressed in a fine gray suit with a white shirt, a tie, and a boutonniere in his lapel. His hair was beautifully slicked down. He wore shiny black shoes and often spats. He smelled nice when he kissed me good-bye.

Then, one morning, he was gone and did not come back. He had kissed me in the night, and I did not know it. I looked for his shoes. I could not find his smell, and I cried.

One afternoon that October I was standing by the window that looked out on the courtyard. Something happened. I don't know how it happened. I did not see the beginning of it. Niania cried: "Don't look! Don't look!" She tried to pull me away from the window. "Come away from there!" Six floors below an open window facing our part of the building, several people were surrounding something on the ground. I could see a dark liquid slowly appear on the cement courtyard. Without really knowing, I knew what all this was.

Whenever I ran and fell, banging my head, a black smell curled around in my head. No, even before, before the pain really began. Before I had had time to burst into my childish wail, an oily pungency flushed the inside of my head and spread through my mouth and my nostrils.

Once, before the German soldiers had even come, I had been walking with Niania in the middle of the city, near a place called the Rondel. Into this remaining part of a medieval tower surrounded by a waterless moat, two motorcyclists had crashed. The railing had been bent and broken in several places. I saw no bodies. But before Niania hurried me away, I had seen the dark, dark red pools of liquid in the moat. There had been the noise that sirens and policemen and droszki (horse-drawn carriages) and horses made. And in my head there had been the smell of it all.

The shape on the ground of our courtyard had been covered. The edges of the blanket fanned out neatly. The puddle of blackish red liquid that slowly seeped out from under the blanketed mound was growing larger. A high-heeled shoe had fallen off one foot that could just barely be seen under the covering. And that smell was in my head again.

A blue late-afternoon sky cradled the roofs of my Eastern European city when Niania closed the drapes.

A little later I sneaked back to the window. It was dark now. I could no longer see a stain. There was no blanket on the ground. The shoe was gone. The courtyard was empty. There was nothing.

No Pretty Pictures
A Child of War
. Copyright © by Anita Lobel. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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