Publishers Weekly
06/21/2021
In this illuminating follow-up to The Long Weekend: Life in the English Country House, 1918–1939, University of Buckingham historian Tinniswood chronicles the “crisis” that engulfed England’s rural mansions in the middle of the 20th century, as rising taxes, decreasing land value, a shortage of domestic help, and class tensions led to the destruction, abandonment, or selling-off of hundreds of estates. Tinniswood draws memorable character sketches of financially troubled, prim-mannered peers who didn’t “want to be the one to let it go,” and recounts the wave of “reducing” (“an elegant phrase which disguised the inelegant demolition of those parts of a country house which were now surplus to requirements”) that swept the countryside in the 1950s. Unlikely saviors arrived in the 1960s and ’70s in the form of hard-partying celebrities “in search of rural grandeur” and investment opportunities. (When the Who’s Roger Daltrey developed gout in the toe he’d injured while rehabilitating his 17th-century mansion in East Sussex, he gave up drinking.) A 1974 exhibition titled The Destruction of the Country House at the Victoria and Albert Museum galvanized opposition to a proposed wealth tax and “gave birth to powerful conservation movement.” Vividly evoking the glamour and ruin of postimperial England, this winning survey is well-stocked with intriguing historical tidbits. (Sept.)
From the Publisher
Erudite and delightfully gossipy.”—Wall Street Journal
“‘House’ is a euphemism in this chronicle of grand British estates… Descriptions of ‘turrets and towers,’ 25 bedrooms, 17 bathrooms and ‘pleasure gardens’ read like literary Zillow surfing.”—New York Times
“Tinniswood [is] an erudite historian of country-house life in all its anecdote-worthy vagaries.”—Financial Times
“If you’re still mourning the end of ‘Downton Abbey,’ this book, charting the rise and fall of the English country house, is most definitely the book for you. A lively history of post-World War II England as told through its grandest estates and ancestral seats.” —New York Post
“Adrian Tinniswood’s rollicking study perfectly captures the combination of decadence, pathos and brazen cheek that kept the English country house alive when it faced disaster.”—John Walsh, Sunday Times
“By the time World War II began, country houses were in crisis… As this beautifully illustrated volume shows, the 1950s and the 1960s saw a renaissance as rock concerts replaced hunt balls and the doors of ancient family seats were thrown open to paying customers. Tinniswood chronicles it all in lively detail.”—Daily Mail, Best History Books of 2021
“[A] preposterously entertaining history of the postwar country house... Unnervingly and deliciously vivid.”—Rachel Cooke, The Observer
“Brilliant new history of the country house since 1945...Tinniswood tells that story superbly…”—Marcus Binney, Daily Telegraph (5/5 stars)
“Noble Ambitions paints an intriguing mosaic of people and country homes from a bygone era trying to survive in a modern world.”—The Historical Novels Review
“The English country house epitomizes so much in British social and political history… Devoted fans of Downton Abbey will appreciate that Tinniswood’s history takes the fate of these country houses past the series’ conclusion in the 1920s.”—Booklist
“Vividly evoking the glamour and ruin of post-imperial England, this winning survey is well-stocked with intriguing historical tidbits.”—Publishers Weekly
“A highly enjoyable, gossipy read with a gasp on every page; a must for the bedside tables of every guest bedroom, and every stately home gift shop.” —Mary S. Lovell, author of The Sisters
“By turns warm, sympathetic, sly, and analytical, Adrian Tinniswood examines the complex history of the postwar country house with skill, grace, clarity—and charity. A triumph.” —Judith Flanders, author of A Place for Everything
“A beautifully written book, full of engaging anecdote, that offers not just a compelling portrait of the postwar English country house and its social milieu, but an unexpected one as well.” —John Goodall, author of The English Castle
“Adrian Tinniswood’s meticulously researched and entertaining study of the dramatic changes in the status and nature of the English country house in the three decades after the Second World War provides a brilliant insight into a much overlooked period.… Few authors can combine serious social history with the sometimes sad and often hilarious narratives of country house life in the way that Tinniswood can.”—Jeremy Musson, author of English Country House Interiors
“A compelling and fascinating look at the near demise of the country house.” —Ian Murray, executive director, The Royal Oak Foundation
“Rock stars, hippies, new money, and old money collide in this thrilling new exploration of the country house’s tumultuous history after World War II, where demolition, aristocratic entrepreneurship, and the scrappy adolescence of country house tourism combined to enable the houses, if not their owners, to hold their own in contested times.”—Dr. Oliver Cox, University of Oxford
“The crisis of the country house in embattled twentieth-century Britain provides a metaphor of national decline and eventual renewal.… Nobody is better qualified to tell this tale of loss and transformation, in all its human complexity, than Adrian Tinniswood. A master of the sources, he brings the past to life through his vivid writing and seemingly bottomless fund of stories.” —Clive Aslet, author of An Exuberant Catalogue of Dreams
“By turns uproarious, scandalous, and occasionally melancholic, Noble Ambitions shows that the business of running a country house required vision and bravery, and the single-minded determination not to be ‘the one to let it go.’ From roaming lions to machine gun-toting footmen, this is a book that is full of stories much like the mansions that it so affectionately portrays.”—Ben Cowell, Historic Houses
“Delightful. Scrupulous research by Tinniswood, with telling details and poignant stories, makes this a compelling narrative of postwar Britain.” —Sandy Nairne CBE FSA, curator and writer
“Adrian Tinniswood’s highly entertaining narrative of life in the postwar English country house is a refreshing antidote to the usual gloom-ridden accounts of debt and demolition. As this meticulously researched book reveals, not only was the country house alive and kicking, but it was at times quite literally a circus.” —Dr. Martin Postle, Paul Mellon Centre for Studies in British Art
“With pithy prose, witty asides, and great breadth and depth, Adrian Tinniswood tells the tale of the downfall and glorious rebirth of the English country house in the last half of the twentieth century. This entertaining book is that rarest of creatures: scholarly, fun, and hard to put down.” —Curt DiCamillo, fellow of the Royal Society of Arts
Library Journal
07/02/2021
In this latest work (after The Long Weekend: Life in the English Country House, 1918–1939), Tinniswood (history, Univ. of Buckingham) chronicles the history of the British country house post-1945. During World War II, he writes, many country houses were requisitioned by the government and damaged; additionally, high estate taxes caused many families to struggle with upkeep of their sprawling estates. Tinniswood records the problems that estate owners faced and explores solutions, including donating the estate to a historic preservation trust, undertaking extensive renovations, and demolishing all or part of the home. Furthermore, the author explores the lavish lifestyles of some estate owners who hosted parties and sometimes became embroiled in scandal. Over the years, estates change ownership (from British aristocracy, to wealthy Americans, to businessmen, to celebrities), which Tinniswood sees as a blurring of traditional class boundaries. Other chapters are devoted to schemes for raising funds, such as charging admission, renting the estate as a film location, and establishing attractions like zoos. This book includes occasional photographs of people and places that bring the socialites and their wider circles into closer focus. Unfortunately, the lives of domestic staff are only very briefly explored here. VERDICT A gossipy look at British estate owners. Recommended for readers interested in stately homes and aristocrats.—Rebekah Kati, Univ. of North Carolina, Chapel Hill
