Nom de Plume: A (Secret) History of Pseudonyms

by Carmela Ciuraru

Overview

MaryAnne Evans. Charles Dodgson. Eric Blair. William Sydney Porter. Or, as they aremore commonly remembered, George Eliot, Lewis Carroll, George Orwell, and O.Henry. For these writers and many others, from Mark Twain to Stan Lee to RobertJordan, the invocation of a nom de plume has been an essential part inthe creation of an authorial identity. Now, in a captivating series ofbiographical snapshots exploring the lives of famous authors and their pennames, author Carmela Ciuraru delivers a unique literaryhistory and a penetrating examination of identity, creativity, andself-creation, revisiting the enduring question—what’s in a name?

Product Details

ISBN-13:	9780061735271
Publisher:	HarperCollins
Publication date:	05/29/2012
Series:	P.S. Series
Pages:	343
Product dimensions:	5.20(w) x 7.90(h) x 1.10(d)

About the Author

Carmela Ciuraru is the author of Nom de Plume: A (Secret) History of Pseudonyms, and her anthologies include First Loves: Poets Introduce the Essential Poems That Captivated and Inspired Them and Solitude Poems. She is a member of PEN American and the National Book Critics Circle, and she has been interviewed on The Today Show and by newspapers and radio stations internationally. She lives in New York City.

What People are Saying About This

Elif Batuman

“Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature.”

Joyce Carol Oates

“Nom de Plume is a fascinating collection of stories—populated by individuals whose ‘doubleness’ is so distinct that they acquire secondary personalities, and, in some notable cases, multiple personalities. It’s a richly documented literary excursion into the inner, secret lives of some of our favorite writers.”

Honor Moore

“Nom de Plume is a delicious investigation of what leads the likes of the Brontës, Samuel Clemens, and Karen Blixen to ditch their names for safer, more romantic identities when they write. Whether their reasons are practical or mysterious, their lives and choices are here charmingly limned by Carmela Ciuraru.”

Jonathan Yardley

“...Ciuraru, a freelance literary journalist, writes well and has a fully functioning sense of humor, so “Nom de Plume” is a pleasure to read...”

Phillip Lopate

“What to make of the paradox that some of the boldest writers have hidden behind pen names? Carmela Ciuraru has performed a valuable service in examining the phenomenon through her charming, sprightly, and illuminating biographical essays.”

John Banville

“A fascinating book on a fascinating subject. We all have other selves, but only some of us give them a name and let them loose in the world. Carmela Ciuraru steps behind a host of shadowy facades to interrogate the originals, and the result is both enlightening and wonderfully entertaining.”

Editorial Reviews

Nom de Plume is filled with tremendous insight into the minds of these writers and their ability to create not only works of fiction within the covers of their books, but fictional lives for themselves as well....beautifully researched and deftly written-pure pleasure from cover to cover.” — New York Journal of Books

“Carmela Ciuraru’s Nom de Plume deftly tells the stories of some of literature’s most famous pen names. For anyone who creates the book will enthrall. As much a meditation on the creative process as it is a tell-all about their names and the intrigue that created them.” — Lisa Ko, author of The Leavers

“Nom de Plume is a fascinating collection of stories—populated by individuals whose ‘doubleness’ is so distinct that they acquire secondary personalities, and, in some notable cases, multiple personalities. It’s a richly documented literary excursion into the inner, secret lives of some of our favorite writers.” — Joyce Carol Oates

“Stories of self-invention are always interesting to read about, especially in Carmela Ciuraru’s Nom de Plume. Ciuraru’s book presents a persuasive argument that the generative powers of the pseudonym should persist.” — The Daily

“This survey of authors who sought anonymity and privacy is well researched. Amid informative, illuminating profiles, Ciuraru successfully ferrets out curious literary charades.” — Publishers Weekly

“Ciuraru’s treatments of her subjects sparkle with rich, well-arranged detail and the sly wit of literary hindsight. With a central focus that remains urgent and appealing for 21st century readers even as it dissects the personal lives of authors long past, Nom de Plume is surely an important book.” — Chelsea Now Magazine

“Nom De Plume is wildly entertaining, almost gossipy, but travels on the high end of the literary landscape. This book is beyond great.” — Bookazine

“Ciuraru’s writing is bright, lively, and smart, making Nom de Plume both informative and extremely enjoyable to read. I strongly recommend this read for any fans of biography, especially writers, and perhaps even more especially, women writers.” — The Best Damn Creative Writing Blog

“A fascinating book on a fascinating subject. We all have other selves, but only some of us give them a name and let them loose in the world. Carmela Ciuraru steps behind a host of shadowy facades to interrogate the originals, and the result is both enlightening and wonderfully entertaining.” — John Banville, author of The Sea, winner of the Man Booker Prize

“Engaging without being breezy, informative without being pedantic, these essays offer insightful, fascinating literary portraits without the solemness and heft of so many literary biographies. Ciuraru gets to the essence of their lives efficiently and evocatively, which makes for pleasant and piquant summer literary non-fiction.” — The Reading Ape Blog

“What to make of the paradox that some of the boldest writers have hidden behind pen names? Carmela Ciuraru has performed a valuable service in examining the phenomenon through her charming, sprightly, and illuminating biographical essays.” — Phillip Lopate

“Nom de Plume is a delicious investigation of what leads the likes of the Brontës, Samuel Clemens, and Karen Blixen to ditch their names for safer, more romantic identities when they write. Whether their reasons are practical or mysterious, their lives and choices are here charmingly limned by Carmela Ciuraru.” — Honor Moore, author of The Bishop's Daughter

“Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature.” — Elif Batuman, author of The Possessed: Adventures with Russian Books and the People Who Read Them

“...Ciuraru, a freelance literary journalist, writes well and has a fully functioning sense of humor, so “Nom de Plume” is a pleasure to read...” — Jonathan Yardley, Washington Post Book World

“An engrossing, well-paced literary history…biography on the quick, and done well.” — BookForum

“Ms. Ciuraru…writes with clarity and confidence, and her research is impressive.” — Wall Street Journal

“You are on the second-to-last page of Carmela Ciuraru’s NOM DE PLUME and wishing you weren’t because this book is such great fun...Intelligent, confident, and trustworthy.” — San Francisco Chronicle

“Our curator is always having fun in ‘Nom De Plume,’ and, as a result, so are we.” — Jewish Daily Forward

“Fascinating, lively, and fun - you can’t do much better than to read about George Sand, born Amandine-Aurore-Lucile Dupin, who adopted a swaggering male persona to go along with the name.” — Boston Globe

“With description that captures the imagination, Nom de Plume is what nonfiction should be - accessible, thought-provoking, and highly entertaining.” — Christian Science Monitor

“…‘Nom de Plume’ is part detective story, part exposé, part literary history, and an absorbing psychological meditation on identity and creativity. It’s a delightful book.” — Huntington News

“Ciuraru builds each history as its own personal story, then builds the literary charm and genius behind the pathos, … a tale of literary genius all its own.” — Los Angeles Times

From the Publisher

Ciuraru’s treatments of her subjects sparkle with rich, well-arranged detail and the sly wit of literary hindsight. With a central focus that remains urgent and appealing for 21st century readers even as it dissects the personal lives of authors long past, Nom de Plume is surely an important book.

Chelsea Now Magazine

Nom De Plume is wildly entertaining, almost gossipy, but travels on the high end of the literary landscape. This book is beyond great.

Bookazine

A fascinating book on a fascinating subject. We all have other selves, but only some of us give them a name and let them loose in the world. Carmela Ciuraru steps behind a host of shadowy facades to interrogate the originals, and the result is both enlightening and wonderfully entertaining.

John Banville

Nom de Plume is filled with tremendous insight into the minds of these writers and their ability to create not only works of fiction within the covers of their books, but fictional lives for themselves as well....beautifully researched and deftly written-pure pleasure from cover to cover.

New York Journal of Books

Carmela Ciuraru’s Nom de Plume deftly tells the stories of some of literature’s most famous pen names. For anyone who creates the book will enthrall. As much a meditation on the creative process as it is a tell-all about their names and the intrigue that created them.

Lisa Ko

Nom de Plume is a fascinating collection of stories—populated by individuals whose ‘doubleness’ is so distinct that they acquire secondary personalities, and, in some notable cases, multiple personalities. It’s a richly documented literary excursion into the inner, secret lives of some of our favorite writers.

Joyce Carol Oates

Stories of self-invention are always interesting to read about, especially in Carmela Ciuraru’s Nom de Plume. Ciuraru’s book presents a persuasive argument that the generative powers of the pseudonym should persist.

The Daily

Engaging without being breezy, informative without being pedantic, these essays offer insightful, fascinating literary portraits without the solemness and heft of so many literary biographies. Ciuraru gets to the essence of their lives efficiently and evocatively, which makes for pleasant and piquant summer literary non-fiction.

The Reading Ape Blog

Ciuraru’s writing is bright, lively, and smart, making Nom de Plume both informative and extremely enjoyable to read. I strongly recommend this read for any fans of biography, especially writers, and perhaps even more especially, women writers.

The Best Damn Creative Writing Blog

Each page affords sparkling facts and valuable insights onto the manufacturing of books and reputations, the keeping and revealing of secrets, the vagaries of private life and public opinion, and the eternally mysterious, often tormented interface between life and literature.

Elif Batuman

With description that captures the imagination, Nom de Plume is what nonfiction should be - accessible, thought-provoking, and highly entertaining.

Christian Science Monitor

You are on the second-to-last page of Carmela Ciuraru’s NOM DE PLUME and wishing you weren’t because this book is such great fun...Intelligent, confident, and trustworthy.

San Francisco Chronicle

An engrossing, well-paced literary history…biography on the quick, and done well.

BookForum

Our curator is always having fun in ‘Nom De Plume,’ and, as a result, so are we.

Jewish Daily Forward

Ms. Ciuraru…writes with clarity and confidence, and her research is impressive.

Wall Street Journal

Ciuraru builds each history as its own personal story, then builds the literary charm and genius behind the pathos, … a tale of literary genius all its own.

|Los Angeles Times

Nom de Plume is a delicious investigation of what leads the likes of the Brontës, Samuel Clemens, and Karen Blixen to ditch their names for safer, more romantic identities when they write. Whether their reasons are practical or mysterious, their lives and choices are here charmingly limned by Carmela Ciuraru.

Honor Moore

What to make of the paradox that some of the boldest writers have hidden behind pen names? Carmela Ciuraru has performed a valuable service in examining the phenomenon through her charming, sprightly, and illuminating biographical essays.

Phillip Lopate

...Ciuraru, a freelance literary journalist, writes well and has a fully functioning sense of humor, so “Nom de Plume” is a pleasure to read...

Jonathan Yardley

Fascinating, lively, and fun - you can’t do much better than to read about George Sand, born Amandine-Aurore-Lucile Dupin, who adopted a swaggering male persona to go along with the name.

Boston Globe

…‘Nom de Plume’ is part detective story, part exposé, part literary history, and an absorbing psychological meditation on identity and creativity. It’s a delightful book.

Huntington News

Ciuraru builds each history as its own personal story, then builds the literary charm and genius behind the pathos, … a tale of literary genius all its own.

Los Angeles Times

Ms. Ciuraru…writes with clarity and confidence, and her research is impressive.

Wall Street Journal

You are on the second-to-last page of Carmela Ciuraru’s NOM DE PLUME and wishing you weren’t because this book is such great fun...Intelligent, confident, and trustworthy.

San Francisco Chronicle

Ciuraru (Solitude Poems) includes 18 writers—from George Sand to George Orwell—in her lively literati masquerade party, recounting events that led to their pen names along with intriguing peeks behind their masks. In 1899, William Sydney Porter began writing as O. Henry: "Because he used an intermediary in New Orleans to submit his stories to editors, no one knew they were by a convicted felon." Eric Blair became George Orwell with his first book, Down and Out in Paris and London, telling his publisher, "I am not proud of it." An outstanding chapter details how Alice Sheldon spotted "Tiptree" on a marmalade jar and then fooled the science fiction community for years as James Tiptree Jr. When the ruse was revealed, "She was crushed to find that some of the male writers she'd considered friends... turned their backs on her." Patricia Highsmith used another name on her lesbian novel and wrote for comic books, but since she gave her credits to The Who's Who of American Comic Books, it's quite a stretch to call that a "secret life." Otherwise, this survey of authors who sought anonymity and privacy is well researched. Amid informative, illuminating profiles, Ciuraru successfully ferrets out curious literary charades. (June 14)

Publishers Weekly

Carmela Ciuraru’s Nom de Plume deftly tells the stories of some of literature’s most famous pen names. For anyone who creates the book will enthrall. As much a meditation on the creative process as it is a tell-all about their names and the intrigue that created them.

Associated Press Staff

In her nonfiction debut, anthologist Ciuraru (editor: Poems About Horses, 2009, etc.) presents brief biographies of a handful of pseudonymous authors from George Sand to the late 20th century.

What motivates a writer to publish under another name? Ciuraru offers quite a few reasons in these biographical sketches of writers whose works of fiction appearedunder a pseudonym and one, Portugal's Fernando Pessoa, who wrote under more than 70 heteronyms, separate personalities each with its own style and extensive imaginary biography.Most of the Ciuraru's choices are familiar figures—Mark Twain, George Orwell, Lewis Carroll, Sylvia Plath—and each section begins with a single introductory sentence that may be intended as intriguing but often serves instead to suggest an unsettling contempt for her subjects. If there is a consistent lesson to be taken from these lives, it is that a successful author will find it nearly impossible to hide behind a pseudonym for long. Otherwise, these authors have little in common; their reasons for publishing pseudonymously and their attitudes toward their alter egos are as varied as their life stories. Ciuraru does not attempt to find a pattern among them or impose one upon them, nor does she explain how her subjects' struggles with identity issues might differ from those of other authors. Written in a breezy style that occasionally lapses into the vernacular, the biographies are lively and entertaining, but they provide no real secrets or startling revelations. The omission of endnotes will disappoint readers attempting to determine whether an assertion is the author's own or reflects a scholarly consensus, or those seeking the sources of delicious factual tidbits like the width of Emily Brontë's coffin (17 inches).

A collection of original literary biographies connected by a single circumstance that does not by itself suffice to pull them together.

Kirkus Reviews