Notwithstanding

Notwithstanding

by Mary Cholmondeley
Notwithstanding

Notwithstanding

by Mary Cholmondeley

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Overview

“Annette leaned against the low parapet and looked steadfastly at the water, so steadfastly that all the brilliant, newly-washed, tree-besprinkled city of Paris, lying spread before her, cleft by the wide river with its many bridges, was invisible to her. She saw nothing but the Seine, so tranquil yesterday, and to-day chafing beneath its bridges and licking ominously round their great stone supports - because there had been rain the day before.
The Seine was the only angry, sinister element in the suave September sunshine, and perhaps that was why Annette's eyes had been first drawn to it. She also was angry, with the deep, still anger which invades once or twice in a lifetime placid, gentle-tempered people…”

Product Details

ISBN-13: 9788822846204
Publisher: Mary Cholmondeley
Publication date: 09/18/2016
Sold by: StreetLib SRL
Format: eBook
File size: 250 KB

About the Author

Mary Cholmondeley (1859 - 1925) was an English novelist. She began writing with serious intent in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties." She succeeded in publishing some stories in The Graphic and elsewhere. Her first novel was The Danvers Jewels (1887), a detective story that won her a small following. It appeared in the Temple Bar magazine published by Richard Bentley, after fellow novelist Rhoda Broughton had introduced her to George Bentley. It was followed by Sir Charles Danvers (1889), Diana Tempest (1893) and A Devotee (1897).

The satirical Red Pottage (1899) was a best-seller on both sides of the Atlantic and is reprinted occasionally. It satirizes religious hypocrisy and the narrowness of country life and was denounced from a London pulpit as immoral. It was equally sensational because it "explored the issues of female sexuality and vocation, recurring topics in late-Victorian debates about the New Women." Despite the book's great success, however, the author received little money for it because she had sold the copyright.

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