Oh, by the Way

Oh, by the Way

by Chico Freeman
Oh, by the Way

Oh, by the Way

by Chico Freeman

CD

$13.99 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

When people speak of Latin jazz, they're usually referring to a blend of bop and Afro-Cuban rhythms -- Cal Tjader, Dizzy Gillespie, Poncho Sanchez, and Mongo Santamaria are some of the names that immediately come to mind when one hears the term Latin jazz. But Latin music is vast; the cultural contributions of Latinos range from Mexican ranchera to Brazilian samba to Spanish flamenco to Argentinean tango. So technically, Latin jazz could be anything from bossa nova to Miles Davis' Sketches of Spain. Although everything on Chico Freeman's Oh, by the Way has some type of Latin influence, not all of the selections are Afro-Cuban-minded. Afro-Cuban rhythms are a high priority on this post-bop CD; the post-bop/Afro-Cuban fusion is especially appealing on "El Mensaje," "541," and "Old San Juan." But other times, saxophonist/pianist Freeman favors more of a post-bop/Spanish blend -- on "La Luna" and "Guitar," the saxman/pianist and his Guataca band demonstrate that post-bop and flamenco are an attractive, perfectly logical combination. Although most of selections are instrumental, Freeman features rapper Akil Dassan on "Mambo Rap" and "Business as Usual" (which almost sounds like Eminem hooking up with an Afro-Cuban band). The interesting thing is that Freeman uses Dassan in much the same way that saxophonist Bill Evans featured KC Flightt and Ahmed Best in the '90s; instead of being totally electronic, Freeman gives Dassan some honest to God musicians to interact with. Much to his credit, Freeman provides an album that is unpredictable and broad-minded but doesn't sound disjointed or confused -- Oh, by the Way, for all its diversity, has a certainly continuity. When a Spanish-influenced piece follows an Afro-Cuban-influenced piece -- or when a rap offering follows an instrumental -- Freeman is obviously on top of things. This excellent CD is as focused as it is diverse. ~ Alex Henderson

Product Details

Release Date: 08/06/2002
Label: Challenge Records
UPC: 0608917102727
Rank: 155503

Tracks

  1. Rhythm of the Cane
  2. New African Village
  3. Mambo Rap
  4. Guitar
  5. La Luna
  6. El Mensaje
  7. Business as Usual
  8. Once Again
  9. 541
  10. La Marqueta
  11. Viejo San Juan
  12. Business as Usual

Album Credits

Performance Credits

Chico Freeman   Primary Artist,Piano,Keyboards,Sax (Tenor),Sax (Soprano)
Avery Sharpe   Bass (Electric),Bass (Acoustic)
Romero   Flamenco Guitar
Akil Dasan   Vocals (Rhythm)
Hilton Ruiz   Piano

Technical Credits

Ernesto Santos   Assistant Engineer
Jason Candler   Mastering
Chico Freeman   Arranger,Composer,Producer,Programming
Lou Holtzman   Engineer
Jeff Jones   Photography
Marc Urselli   Assistant Engineer
Akil Dasan   Composer
Rich Tozzoli   Producer,Digital Editing
Knut Schotteldreier   Cover Art
Ed Maguire   Composer
Paul Antonell   Mixing
From the B&N Reads Blog

Customer Reviews