Peter Carl
From Ancient Rome to the present, a broad range of examples are marshaled for the purpose of illuminating contemporary practice and understanding. The most profound examples (Palazzo Zuccari, Brion Cemetery) transform the practical necessities into rich metaphor, whereby stains become the basis of light, aging of metamorphosis and renewal. This, finally, is seen to exemplify an approach not only to the processes and meanings of nature, but even more, of history, that is more genuinely creative than the strident calls for wholesale renewal to which we have been periodically subjected.
Alan J. Plattus
This is a delightful and even brilliant essay on a largely neglected theme in architecture. Outside of technical literature, few architectural historians, theorists, or critics have considered the material consequences of the temporal dimension with respect to either the making or the experience of architecture. Leatherbarrow and Mostafavi make this theme a theoretical investigation, in the very best sense of that increasingly problematic enterprise.
Endorsement
From Ancient Rome to the present, a broad range of examples are marshaled for the purpose of illuminating contemporary practice and understanding. The most profound examples (Palazzo Zuccari, Brion Cemetery) transform the practical necessities into rich metaphor, whereby stains become the basis of light, aging of metamorphosis and renewal. This, finally, is seen to exemplify an approach not only to the processes and meanings of nature, but even more, of history, that is more genuinely creative than the strident calls for wholesale renewal to which we have been periodically subjected.
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Peter Carl, University of Cambridge
From the Publisher
This is a delightful and even brilliant essay on a largely neglected theme in architecture. Outside of technical literature, few architectural historians, theorists, or critics have considered the material consequences of the temporal dimension with respect to either the making or the experience of architecture. Leatherbarrow and Mostafavi make this theme a theoretical investigation, in the very best sense of that increasingly problematic enterprise.
—
Alan J. Plattus, Associate Dean, School of Architecture, Yale University
From Ancient Rome to the present, a broad range of examples are marshaled for the purpose of illuminating contemporary practice and understanding. The most profound examples (Palazzo Zuccari, Brion Cemetery) transform the practical necessities into rich metaphor, whereby stains become the basis of light, aging of metamorphosis and renewal. This, finally, is seen to exemplify an approach not only to the processes and meanings of nature, but even more, of history, that is more genuinely creative than the strident calls for wholesale renewal to which we have been periodically subjected.
—
Peter Carl, University of Cambridge
