DECEMBER 2013 - AudioFile
Perkins’s collection of short pieces—some fiction, one poem, and some nonfiction—is aimed at young adults. Each narrator takes on the voice of one or more authors, each of whom tells a story about growing up in a mainstream culture in which he or she was different from everyone else. The cultural backgrounds of some of the storytellers are obvious from the first words of the narrators. Others are not as obvious. The narrators and their presentation styles are as diverse as the characters in the stories. The authors of the stories are listed at the end of the narration; however, the list doesn’t identify the narrators. J .E.M. © AudioFile 2013, Portland, Maine
Publishers Weekly
Ten writers and artists, including Varian Johnson, Naomi Shihab Nye, and Francisco X. Stork, offer brief works of fiction and nonfiction “about the between-cultures life.” As Perkins notes, “Humor has the power to break down barriers and draw us together across borders,” and the stories within bear that out, though few qualify as laugh-out-loud funny. Most offer a subtler, uncomfortable brand of situational humor: Olugbemisola Rhuday-Perkovich calls her high school “an oasis of suburban racial integration”; when the drama club performed The Crucible, “the drama coach was sensitive enough to ask the black members of the troupe if we’d be uncomfortable playing the role of slave Tituba.” And in “Under Berlin,” written in verse, G. Neri describes a “game” that a biracial American family plays on the German subway: seeing how quickly two elderly white women will change seats after the black father sits between them. The edgy joke-flirting between a Jewish violinist and Asian comedian in Cherry Cheva’s “Talent Show” and the hero of David Yoo’s “Becoming Henry Lee,” who comically embraces Asian stereotypes in an effort to fit in, will leave readers thinking about the ways that humor can be a survival tool in a world that tends to put people in boxes. Ages 12–up. (Sept.)
From the Publisher
[W]ill leave readers thinking about the ways that humor can be a survival tool in a world that tends to put people in boxes.
—Publishers Weekly
[A] noteworthy anthology, which robustly proves Perkins’s assertion that “funny is powerful.”
—The Horn Book
The stories are varied in format ... [b]ut all invite sometimes rueful smiles or chuckles of recognition. And all demonstrate that in the specific we find the universal, and that borders are meant to be breached.
—Booklist
Teachers will find some powerful material here about how the young can become discomfited and find solace in their multifaceted cultural communities. ... Purchase where schools seek useful pieces about YAs who identify with multiple cultures.
—School Library Journal
It’s often said that good literature for young people can act as a mirror to one’s own experiences and a window into others’ — this anthology fills the bill, providing an accessible assessment of contemporary race relations, while also being as honest, refreshing, and frank as the titular open mic suggests.
—Bulletin of the Center for Children's Books
Perkins organizes the stories wisely in this collection that hopes to put a humorous spin on a topical, deeply uncomfortable subject... These tales in particular dance between humor and heartache, ending on notes of triumph as we look toward a hopeful future.
—VOYA
School Library Journal - Audio
01/01/2014
Gr 6–10—Perkins introduces her new anthology with guidelines for telling humorous stories about life between cultures: good humor pokes fun at the powerful, builds affection for the 'other,' and is self-deprecatory. Perkins reads her own contribution, which describes the agony of teenage dating, a shared American experience that's complicated by the need for secrecy from her FOB ("fresh off the boat") parents. Nine other YA writers, from a variety of backgrounds, explore the theme in fiction, poetry, and a personal essay in graphic format. On audio, six actors competently convey the humor, which ranges from witty to funny to hilarious. Listeners, however, will miss the unspoken emotion expressed in the visual storytelling of Gene Yang's "Why I Won't Be Watching the Last Airbender Movie." The work concludes with an evocative poem by Naomi Shihab Nye, who honors her peace-loving Palestinian father and her own biracial identity: "half-baked, mix of East and West, balancing flavors…" as do many American students today.—Toby Rajput, National Louis University, Skokie, IL
School Library Journal
09/01/2013
Gr 6–10—More likely to be used with teens pedagogically than recreationally, this collection of short tales in a variety of genres explores the experiences of young people bridging cultures. Perkins's contribution is a memoir about the Guy Game she and her two older sisters played in their secret pursuit of points earned by being asked out, complimented, or kissed by boys. She tells about when a boy the color of deli turkey takes this chocolate-hued Indian girl on a church trip to an amusement park for a memorable three-point experience. Other highlights include Gene Yang's comic about why he boycotted a Hollywood version of the Avatar narratives that celebrate Asian culture in other formats but cast only white actors in this incarnation. A poem tells a wryly humorous story of unsettling white Berliners with a biracial family while another story focuses on a Korean kid who eschews Asian stereotypes until it becomes expedient to experiment with a reputation for math and martial-arts skills for a rung or two on the social ladder. Teachers will find some powerful material here about how the young can become discomfited and find solace in their multifaceted cultural communities. Francisco X. Stork relates unexpected acceptance and support for a gay Latino teen, while in other selections, characters proudly wave a Black Geek flag or grieve the loss of an Arab father who reached out with both hands to overcome prejudices. Purchase where schools seek useful pieces about YAs who identify with multiple cultures.—Suzanne Gordon, Lanier High School, Sugar Hill, GA
DECEMBER 2013 - AudioFile
Perkins’s collection of short pieces—some fiction, one poem, and some nonfiction—is aimed at young adults. Each narrator takes on the voice of one or more authors, each of whom tells a story about growing up in a mainstream culture in which he or she was different from everyone else. The cultural backgrounds of some of the storytellers are obvious from the first words of the narrators. Others are not as obvious. The narrators and their presentation styles are as diverse as the characters in the stories. The authors of the stories are listed at the end of the narration; however, the list doesn’t identify the narrators. J .E.M. © AudioFile 2013, Portland, Maine
Kirkus Reviews
2013-08-15
First the good news: Half the pieces in this uneven anthology are standouts. The Korean-American teen in David Yoo's story makes an unwanted, undeserved Asian "model minority" label work for him, acquiring unexpected life skills in the process. The sole black student at a Vermont boarding school is unsettled when black twin sisters also enroll in Varian Johnson's nuanced tale. Gene Luen Yang's graphic anecdote demonstrates how standing up for one's beliefs can yield rewards beyond self-esteem. Luis' siblings give him permission and support to transcend cultural constraints and be himself in Francisco X. Stork's gentle tale. Naomi Shihab Nye's wistful, bittersweet poem "Lexicon" looks at the power of words to unite or separate, exemplified by her Palestinian father and his fading hopes for peace. The remaining pieces are significantly weaker. Perkins salutes the value of lightening up in her introduction: "Conversations about race can be so serious, right? People get all tense or touchy." She offers ground rules: Good humor pokes fun at the powerful, not the weak; builds affection for the "other"; and is usually self-deprecatory. Yet too few pieces here reflect those rules or appear to have been conceived as humor. Undisclosed selection criteria, author bios that don't always speak to identity, and weak and dated content are problematic. The sweeping racial and cultural judgments and hostile--occasionally mean-spirited--tones of several pieces disappoint; angry venting may be justified and therapeutic, but it's seldom funny. Leaves readers with more questions than answers. (Anthology. 12 & up)
