Rock & roll would probably not survive if it weren't for the passion and enthusiasm of enlightened amateurs who stepped in where professionals would keep their distance.
Terry Ork is an excellent case in point;
Ork was an aspiring artist and filmmaker who moved to New York City in the late '60s hoping to become part of
Andy Warhol's retinue. In the '70s,
Ork worked at Cinemabilia, a Greenwich Village bookshop that specialized in film-related books and memorabilia, where he met two guys who were forming a band. Those guys were
Tom Verlaine and
Richard Hell, and the band was
Television;
Ork loved their music enough that be became their first manager, and in 1975 he teamed with
Charles Ball to form
Ork Records, whose first release was
Television's debut single, "Little Johnny Jewel."
Ork and his cohorts had more ideas and ambition than money, but the label struggled along until 1980, and by being in the right place at the right time,
Ork ended up recording some seminal performances by acts on the CBGB and Max's Kansas City scene like
Richard Hell & the Voidoids,
Alex Chilton,
the dB's,
Cheetah Chrome,
the Erasers, and
the Student Teachers. Respected reissue label
the Numero Group acquired the
Ork Records archives after the death of
Charles Ball in 2012 (
Ork succumbed to colon cancer in 2004), and
Ork Records: New York, New York features 49 songs either released by
Ork or recorded for projected releases that the label lacked the funds to press.
Ork Records has been described as America's first punk label, though one should keep in mind that many of
Ork's acts were punk in the way
Television,
Talking Heads, and
Blondie were considered punk in 1976; a lot of this material plays more like new wave (
the Revelons,
the Erasers) or power pop (
Prix,
the Marbles) from a distance of a few decades. But
Ork and
Ball clearly had excellent taste and a good sense of what would work in the studio, and these rare tracks by
the Feelies,
Richard Hell,
Alex Chilton,
Kenneth Higney,
the Student Teachers, and
Richard Lloyd are fun, exciting, and a splendid reflection of the "anything goes" spirit of the early New York punk scene before stylistic codification set it. (And
Ork or
Ball must have been fascinated by the notion of rock critics singing, with
Lester Bangs,
Mick Farren, and
Lenny Kaye all represented here, the latter under the stage name
Link Cromwell.)
Ork Records: New York, New York is a superb evocation of a vitally important time and place in American rock & roll, and it's fun, eclectic listening to boot. ~ Mark Deming
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