Otomen, Volume 7

by Aya Kanno

Overview

This New York Times manga best seller series features handsome, manly men who have cute, girly hobbies!

Asuka Masamune is a guy who loves girly things—sewing, knitting, making cute stuffed animals and reading shojo comics. But in a world where boys are expected to act manly, Asuka must hide his beloved hobbies and play the part of a masculine jock instead. Can Asuka ever show his true self to anyone, much less to Ryo Miyakozuka, the girl that he's falling for?

Asuka's friend Juta needs to keep his identity as renowned shojo author Jewel Sachihana a secret, so why is he agreeing to do an autograph session?! The answer may lie in a letter from a certain fan...

Product Details

ISBN-13:	9781421532363
Publisher:	VIZ Media LLC
Publication date:	08/03/2010
Series:	Otomen Series , #7
Edition description:	Original
Pages:	200
Sales rank:	230,683
Product dimensions:	7.74(w) x 11.30(h) x 0.65(d)
Age Range:	14 - 17 Years

About the Author

Aya Kanno was born in Tokyo, Japan. She is the creator of Soul Rescue, Blank Slate and the New York Times best-selling series Otomen.

Editorial Reviews

Gr 8 Up—After Asuka's father left home to live as a transvestite, Asuka started to go overboard in the masculinity department, even becoming the captain of the school kendo team. Juta also appears to be manly because of his flirtatious track record with girls. And yet Asuka secretly likes sewing, fancy food, and reading the shojo manga Love Chick, which Juta writes under an assumed female name. It is difficult to find an American equivalent of an "otomen"; perhaps the closest equivalent would be a metrosexual, or a heterosexual man who was raised in an all-female household and thus gained extra sensitivity and insight. It seems to reveal something about Japanese culture that Asuka is the only boy who is able to appease a "man-hating" female ghost by talking to her and (more importantly) listening to her. In this volume, Asuka reevaluates his relationship with his female friend Ryo, and Juta accepts an invitation to sign autographs of his manga while disguised as a woman. Kanno's illustrations are well suited to the story, featuring a lot of dramatic closeups, pretty boys with pointy hair, and pretty girls with tiny hats. It is not necessary to have read the earlier books in this series to appreciate this one, but readers who enjoy this book will certainly ask for the entire series.—Andrea Lipinski, New York Public Library

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