Our Accustomed Discourse on the Antique: Cesare Gonzaga & Gerolamo Garimberto, Two Renaissance Collectors of Greco-Roman Art

by Clifford M. Brown

Overview

First Published in 1993. Including a guide to the collecting of this historical data in the latter part of the sixteenth century, betwen 1550 and 1575 this work includes the relationship between Cesare Gonzago and Gerolamo Garimberto and their evaluations on antiquities and archaelogical advisings.

Product Details

ISBN-13:	9781135502539
Publisher:	Taylor & Francis
Publication date:	09/29/2020
Sold by:	Barnes & Noble
Format:	eBook
Pages:	336
File size:	13 MB
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About the Author

Clifford M. Brown (Author)

Table of Contents

Introduction, Section I: A Guide to the Present Publication, Section II: The Rapport between Cesare Gonzaga and Gerolamo Garimberto, Part One Chapter 1 : Cesare Gonzaga (1536 - 1575), Section I: Imperial Courtier, Soldier, Urban Planner, Civic Administrator, Academician and Collector, Section II: The Galleria di Marmo, Section III: The Origin and Evolution of the Galleria di Marmo Chapter 2 Gerolamo Garimberto (1506 - 1575), Section I: Cleric, Archaeological Adviser, Collector and Writer, Section II: The Antiquarium in the Gaddi Palace on Montecitorio, Section III: Reconstructing the Collection, Epilogue, Part Two The Correspondence Files (1562 - 1573), Part Three Cesare Gonzaga’s Collection: Supporting Documentation, Introductory Comments, Section I: Descriptions and Records of Visits to the Galleria (1566-1575), Section II: Licenses for the Export of Marbles from Rome, Section III: The 1575 Inventory of the Galleria di Marmo, Section IV: The Galleria di Marmo after 1575, Part Four Garimberto Collection: Supporting Documentation, Introductory Comments, Section I: Printed References to the Garimberto Collection, Section II: Published and Manuscript Inventories of the Garimberto Collection, Section III: Engravings after Pieces owned by Garimberto, Part Five Biographical Dictionary, Section I: Index of Objects, Section II: Index of Names

Editorial Reviews

The documentation for the Garimberto and the Gonzaga collections consists of inventories, printed and manuscript descriptions, and a corpus of some 100 letters. This publication explores the documentation of these personal collections. More broadly, it places the men and their respective holdings in the context of their forerunners and contemporaries, and deals with the questions of art collection during the third quarter of the 16th century. Annotation c. Book News, Inc., Portland, OR (booknews.com)

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