Out of the Sugar Factory

Out of the Sugar Factory

Out of the Sugar Factory

Out of the Sugar Factory

Paperback

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Overview

Elmiger’s breakout novel is a staring contest with History: an effort to map the resonances and frictions introduced to the world by the sugar industry. But can any writing project contain such devastation?

The narrator of Out of the Sugar Factory, Dorothee Elmiger, is a writer and archivist—and possibly a hoarder—of objects and stories that speak to the profound impact of the sugar industry on the world. Seated in the room where her vast collection sprawls across the floor, she obsessively connects a violent global industry to our unsettled present and her own desires. Elmiger’s deeply researched and innovative novel brings together subjects as varied as Karl Marx, Chantal Akerman, the Haitian Revolution, and the institutionalization of Ellen West to uncover the vast network of entrenched relationships lurking just below the surface. Out of the Sugar Factory, in Megan Ewing’s matchless translation from German, is a prismatic account of a writer’s overwhelming need to tell a story that is true, to follow the sugar wherever it may lead.


Product Details

ISBN-13: 9781949641400
Publisher: Two Lines Press
Publication date: 05/09/2023
Pages: 280
Product dimensions: 5.00(w) x 8.00(h) x (d)

About the Author

Dorothee Elmiger was born in 1985 and lived and works in Zurich. Her debut novel Einladung an die Waghalsigen was published in 2010, followed by the novel Schlafgänger in 2014. Her texts have been translated into different languages and adapted for the stage. Dorothee Elmiger has been awarded numerous prizes, including the Aspects Literature Prize for the best German-language prose debut, the Rauris Literature Prize, a sabbatical from the city of Zurich, the Erich Fried Prize and the Swiss Literature Prize.

Megan Ewing is a translator and Assistant Professor of German at the University of Michigan, Ann Arbor.

Read an Excerpt

Upon my arrival in Philadelphia at the house where F. then still lives with friends, I am given a bed in a small room or a kind of walk-in closet, a room that they collectively use as storage for all kinds of things. I sleep between backpacks and short dumbbells, hiking boots and the damaged parts of a hi-fi stereo system. 

After having filed my notes and copies in the “sugar” folder for a long time, thinking that I could follow the events, the persons and their desires, their lapses, without bringing myself into play, I understand in this room that this has always been a misunderstanding. 

It is my body that lies there among the scattered things of others, deeply involved in everything that happens and that which I had previously filed away as material.

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