Pain Management

Burke is back, but still lurking in the shadows, unable to return home. He is prowling the unfamiliar streets of Portland, Oregon, in search of a runaway teen. By all accounts, Rosebud Carlin is a happy, well-adjusted girl. She doesn't fit the profile of the runaway kids Burke knows so well...and once was. But there's something about her father...

Burke knows the street script, but the actors are all strangers. Cut off from his family and his network of criminal contacts, Burke is forced into a dangerous alliance with a renegade group dedicated to providing relief to those in intractable pain by any means necessary. A bargain is struck, and the fuse is lit. Heart-stopping and hard-hitting, Pain Management is the latest bout in Andrew Vachss's thrilling reign as undisputed champ of brass knuckles noir.

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Pain Management

Burke is back, but still lurking in the shadows, unable to return home. He is prowling the unfamiliar streets of Portland, Oregon, in search of a runaway teen. By all accounts, Rosebud Carlin is a happy, well-adjusted girl. She doesn't fit the profile of the runaway kids Burke knows so well...and once was. But there's something about her father...

Burke knows the street script, but the actors are all strangers. Cut off from his family and his network of criminal contacts, Burke is forced into a dangerous alliance with a renegade group dedicated to providing relief to those in intractable pain by any means necessary. A bargain is struck, and the fuse is lit. Heart-stopping and hard-hitting, Pain Management is the latest bout in Andrew Vachss's thrilling reign as undisputed champ of brass knuckles noir.

14.99 In Stock
Pain Management

Pain Management

by Andrew Vachss

Narrated by Phil Gigante

Unabridged — 9 hours, 32 minutes

Pain Management

Pain Management

by Andrew Vachss

Narrated by Phil Gigante

Unabridged — 9 hours, 32 minutes

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Overview

Burke is back, but still lurking in the shadows, unable to return home. He is prowling the unfamiliar streets of Portland, Oregon, in search of a runaway teen. By all accounts, Rosebud Carlin is a happy, well-adjusted girl. She doesn't fit the profile of the runaway kids Burke knows so well...and once was. But there's something about her father...

Burke knows the street script, but the actors are all strangers. Cut off from his family and his network of criminal contacts, Burke is forced into a dangerous alliance with a renegade group dedicated to providing relief to those in intractable pain by any means necessary. A bargain is struck, and the fuse is lit. Heart-stopping and hard-hitting, Pain Management is the latest bout in Andrew Vachss's thrilling reign as undisputed champ of brass knuckles noir.


Editorial Reviews

bn.com

Following a failed assassination attempt, shadowy New York City man-for-hire Burke is laying low in the Pacific Northwest. But that all changes when the professional border-crosser who calls herself Burke's wife brings him a job tracking a runaway teen. It doesn't take long for Burke to establish his presence on the streets. And it's only a matter of days before Burke is introduced to a fanatical group of criminal Samaritans dedicated to supplying adequate drugs to those suffering from chronic pain. Now, trapped in unfamiliar territory, Burke is on his own, navigating in darkness to rescue a girl who may not want to be saved.

Publishers Weekly

Fans of the Burke series who cheered the author's sudden relocation of his surly protagonist to the Pacific Northwest in Dead and Gone (2000) will be pleased by this latest installment. Burke, the sociopath ex-con with a reputation for hunting down "freaks" with an appetite for children, lands a new job combing Portland's seamy underbelly for a runaway teenager. Cut off from the members of the outlaw New York "family" who graced his earlier adventures, Vachss's postmodern Robin Hood continues to develop his web of West Coast contacts. A tip from his new lady love, Gem (who managed to survive the previous book when Burke himself nearly did not), leads the mauled Burke into a labyrinth of prostitution, deception and murder. Besides dealing with the oddities in the runaway's family, Burke must divine the motives of a cop chasing a serial killer preying on prostitutes, a stylish pimp with a long and dangerous reach, and a crusader against pain (or is she just a drug runner?) for whose mission the book is named. Providing clues as always through stepped-on snatches of dialogue, here Vachss finally lets his secondary characters speak for themselves, as opposed to being wholly defined by Burke's inner growl. While the dark worlds through which Burke journeys are not for the squeamish (Vachss draws upon his own experiences as an attorney for abused children), the author has managed to keep his violent series alive and vigorously kicking. 40,000 first printing. (Sept.) Forecast: Vachss's ultra-loyal readers seem unfazed by Burke's retreat from New York, and can be reliably expected to flock to this latest tale of the hard-boiled semi-hero's adventures. Copyright 2001 Cahners Business Information.

Library Journal

Fans of Vachss will be thrilled to see that Burke is back in action. Presumed dead after an assassination attempt in Dead and Gone, Burke has gone into hiding in Oregon with his partner, Gem, who calls herself his wife. Biding his time in the hope of eventually making it back to New York, he takes on the task of tracking down a runaway teenage girl. As he scours the streets of New YorkBurke stumbles upon a clandestine society that illegally obtains prescription drugs for people suffering from extreme pain. Believing that they may ultimately hold the key to finding the runaway, he reluctantly agrees to help them obtain a stash of a revolutionary new drug. As Burke becomes drawn into the society's cause, what he finds instead is that he must deal with his own "pain management." Even though he has taken Burke out of his usual surroundings, Vachss has written another winner. For larger fiction collections. Jeff Ayers, Seattle P.L. Copyright 2001 Cahners Business Information.

Kirkus Reviews

In a weirdly unexpected spin on the saga of ultra-tough Burke, Vachss drops his freelance avenger onto the mean streets of Portland, and produces his most conventional case to date. Burke's left the Big Apple behind, along with his Gotham menagerie-Max the Silent, Clarence, the Mole, Mama, Wolfe-and most recently his stint in prison. Rest and rebuild, comes the word from his regulars back home. So while he's thieving and shacking up with Gem, the woman who calls herself his wife, Burke decides to take the most old-fashioned kind of case a private eye ever gets: a vanished daughter. Rosebud Carpin, 16, has packed her guitar and knapsack, left a note for her parents, arranged to keep in touch surreptitiously with her girlfriend, and quietly disappeared. Her moneyed father, a one-time political activist turned architect, is worried about what she might be up to and with whom, but Burke's nightly patrols of Portland's red-light district don't turn up Rosebud, or any reassuring news about her. What they do turn up is one Ann O. Dyne, a flamboyant pain-management guru who's devoted herself to stealing pharmaceuticals and dispensing them to near-death patients whose access to painkillers is limited by their wallets or HMO's or various laws. Ann insists that she can get a line on Rosebud for a price Burke is in a unique position to pay: some professional help in heisting a truckload of drugs that would do her network of clients a lot more good than their official addressees. The result is the usual elaborate series of no-trust trades, many of them even more muffled by testosterone than usual, before a nifty climactic surprise worthy of the retro whodunits Burke wouldn't look at twice. Bettergrab this round of the usual Burke pleasures fast before the hardcase settles down in a suburban tract house with a white picket fence. First printing of 40,000

Product Details

BN ID: 2940173464798
Publisher: Brilliance Audio
Publication date: 12/29/2010
Series: Burke Series , #13
Edition description: Unabridged

Read an Excerpt

The first time you end up Inside, you think serving your sentence is going to take forever. But soon you learn: no matter how much time you have to do, some parts of it never take long. The Aryan clenched his fists, glancing down at his cartoon-huge forearms as if to reassure himself all that cable-tendoned muscle was real. He was on the downside of steroid burnout, dazed and dangerous.

The Latino wouldn't know a kata from the Koran, but he was an idiot savant of violence, with the kinetic intelligence of a pit bull.

They faced each other in a far corner of the prison yard, screened off from the ground-level guards by the never-intersecting streams of cons flowing around them.

Any experienced gun-tower hack could read the swirls below him, see something was up. But the convicts knew the duty roster better than the warden. They knew the tower closest to the action was manned by a tired old guy with thirty years on the job and a good supply of gash magazines. All they had to do was keep the noise down.

"Only play is to stay away." The Prof spoke low to me.

"Yeah," I said. "Larsen's not built for distance. If Jester gets him tired, he can—"

"Our play, fool!" the Prof hissed at me. "The fuse is lit; it's time to split."

We faded, working our way back through the crowd sneaking glances at the duel. By the time the whistle blew and the first shots sounded from the tower, we were standing on either side of the sally port as the Goon Squad rushed through, hammering wildly at every con within reach.

Larsen didn't run. He was facedown on the filthy asphalt, Jester's shank protruding fromthe back of his neck. The matador had gone in over the horns.

They locked the whole joint down, tore up everyone's house looking for weapons. But all that did was simmer the pot more, as plots and counterplots festered into a Big House brew of pus and poison. Usually it was black against white, with brown trying to stay out of the crossfire. But this one had rolled out different.

Larsen rode with a motorcycle gang; there were a lot of bikers Inside then. And Jester had been flying colors at sixteen, when he'd taken the life that had bought him a life sentence. The kid he'd killed was another PR, from a rival club, but that didn't matter anymore.

Back then, when it came to prison war, race trumped tribe every time.

You never got a choice about that. The cons had all kinds of names for areas of the prison—Times Square, Blues Alley, D Street—but I never heard of one named Switzerland.

"On the bricks, niggers do the paper-bag trick," the Prof told me. "But Inside, you can't hide."

"What's the paper-bag trick?" I asked him. The Prof had been schooling me for a while, so I didn't even blink at a black man saying "nigger." I knew words were clay—they took their real meaning from the sculptor.

"I ain't talking about passing, now," the Prof cautioned me. "It's a class thing. Motherfuckers'll hold a paper bag next to they faces and look in the mirror, okay? If they darker than the bag, there ain't but so far up the ladder they can climb, understand?"

"I . . . guess."

"Nah, you don't get it, son. I'm talking about the colored ladder, see? Mothers want they daughters to marry light. They know high-society niggers don't want no darkies at their parties."

I just nodded, waiting for mine, knowing it was coming.

"Yeah," he said, softly. "It's different with white folks. Color ain't the thing. Boy like you, you was born trash. You could be light as one of them albinos; wouldn't make no difference."

I knew it was true.

By the time they ended the lockdown and we could mix again, the clay had hardened. Larsen's crew called it for personal, put out the word. They weren't going race-hunting. They only wanted Jester.

I guess the hacks wanted him, too. They never bing-ed him for the killing, and they knew Jester would never take a voluntary PC. That section of solitary was marked "Protective Custody," but the road sign was just there to fool the tourists. Cons called it Punk City. Jester, he'd rather swan-dive into hell wearing gasoline swim trunks.

For a lot of the Latin gang kids I knew coming up, it wasn't whether you died that counted, it was how you died.

When Jester hit the yard, he wasn't alone. There was a fan of Latinos behind him, unfurling from his shoulders like a cape in the wind.

"Jester don't mind dying, but he sure mind motherfuckers trying," the Prof said out of the side of his mouth.

The motorcycle guys stood off to one side, watching. Everyone gave the two crews room, measuring the odds. There were a few more of the Latins, but they all looked like they'd come from the same cookie-cutter—short and slim to the point of being feline. The motorcycle guys were carrying a lot more beef. Question was: What else were they carrying?

"Only steel is real," the Prof said, summing it up.

The yard buzzed with its life-force: rumor. Was it true that the hacks had looked the other way, let the whites re-arm? Had the search squad really found a few live .22 rounds during the shakedown? What about the word that they were going to transfer a new bunch of bikers in from Attica and Dannemora to swell the ranks?

Jester turned and faced his crew, deliberately offering his back to the whites. One of them started forward; stopped when their leader held up his hand.

It wasn't going to be today.

And the next three weeks went by quiet.

The motorcycle guys trapped me in a corridor near the license plate shop. My fault—I should have been race-war alert, but I'd let the quiet lull me.

"How much?" their leader, a guy named Vestry, asked me.

"How much for what?" I said, stalling, but honestly puzzled, too.

"For the piece, man. Don't be playing dumb with us. You're all alone here."

"I don't know what you're—"

"Your boy, Oz, he's the guy what makes all the best shanks. So we figure he's got—"

"The Man shut him down. You know that. Oz don't keep a stash. Makes them to order and hands them over soon as they're done."

"We're not talking about no fucking pig-stickers, Burke. We want the piece. If the hacks found bullets, there's got to be a gun. And, word is, it's yours."

"The word is bullshit."

"Look, man, we're willing to pay. Or did the spics get to you first?"

"I'm not in this," I told him. "If I had a piece, I'd sell it to you. You know I'm short—you think I'd bag my go-home behind getting caught with a fucking gun?"

"We know you got it," Vestry said, stubborn-stupid, stepping closer. A sound came from the men behind him—the trilling of a pod of orcas who'd spotted a sea-lion pup far from the herd.

One of them said "Oh!" just as I heard a sound like a popgun and saw his hands go to his face. He stumbled to one knee, said, "I'm . . . ," and fell over.

Another popgun sound. Vestry grabbed at his neck like a bee stung him. But blood spurted out between his fingers.

Everybody ran. Everybody that could.

"It just came out of the shadows," I told them. "Like it was a ghost or something."

"At least two ghosts, then," Oz said. "Vestry made it to the hospital in time; the other guy didn't. But there were two shots."

"So—not a zip," the Prof said, thoughtfully. "Ain't no way to reload one of those suckers that fast."

"Or two zips. And two shooters," Darryl said.

Everyone went quiet for a while. Then the Prof said, "I think Schoolboy nailed it the first time."

We all looked at him.

"It was a ghost," the little man said. "And we all know his name."

The Prof was on the money. So, by the time Vestry came up to me on the yard—alone, with his hands held away from his body—to ask his question, I had the answer ready.

"Five hundred dollars?" he said, stunned. He patted the yellowing tape around his neck that held the stitches in place, as if that would make his ears work better.

"Soft money," I told him. "No smokes, no trades, no favors. Folding cash."

"There ain't that much soft in this whole—"

"You got chapters on the bricks," I said quietly. "Take up a collection."

I guess they raised the money. When they racked the bars for the morning count a couple of weeks later, Jester didn't move. Died in his sleep, word was. Maybe something he ate.

"I already paid half," Vestry said the next day. "In front. How do I know he did that spic? I heard the docs don't know what killed him."

"You know who you're dealing with," I told him. "You don't come up with the other half, that's what they'll be saying about you."


From the Trade Paperback edition.

Copyright 2001 by Andrew Vachss

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