Table of Contents
Foreword
Acknowledgements
Timeline
Introduction
Extinction of the Thylacine
Cultures of Natural History
Animals in Print
The Zoological Illustration
1. “In Every Respect New”
An Injured ‘Opossum’
The Ambivalence of George Prideaux Harris
Imagining the Monster
French Copies
The Mystery of Bilderbuch für Kinder
British Copies
Imperial Pressures
Transformations
Continental Impressions
British Images
2. Vermin!
The Naturalist’s Library
Lizars’ Engraving
Constructing a Sheep-Killer
Copies and Reproductions
Adaptations
Economic Zoology
3. “Mr. Gould’s Very Beautiful Work”
The Thylacine Comes to Britain
The Mammals of Australia
Colonial Networks
Joseph Wolf
Copies
Louisa Meredith
Broinowski’s Folly
More Copies
4. A Tasmanian Wolf
Wolf Mythology
Crying Wolf
More Continental Versions
Newspaper Illustrations
Reading Darwin’s Theories
Variations
The Images
Colour Plates
5. The Impact of Photography
The Open Door
In London Zoo
Tasmanian Captives
6. The Thylacine Refigured
Posing the Animal
Cropping the Image
New Backgrounds
Removing the Backdrop
Fabricating the Scene
7. Forgetting and Remembering
Moves toward Conservation
Emblems and Brands
Idols, Fetishes and Totems
Sealed with a Thylacine
List of Illustrations
Bibliography
Index