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Paradise Regained by John Milton, Poetry, Classics, Literary Collections

In purely poetic value, Paradise Regained is little inferior to its predecessor. There may be nothing in the poem that can quite touch the first two books of Paradise Lost for magnificence; but there are several things that may fairly be set beside almost anything in the last ten. The splendid "stand at bay" of the discovered tempter -- "'Tis true I am that spirit unfortunate" -- in the first book; his rebuke of Belial in the second, and the picture of the magic banquet (it must be remembered that, though it is customary to extol Milton's asceticism, the story of his remark to his third wife, and the Lawrence and Skinner sonnets, go the other way); above all, the panoramas from the mountaintop in the third and fourth; the terrors of the night of storm; the crisis on the pinnacle of the temple -- are quite of the best Milton, which is equivalent to saying that they are of the best of one kind of poetry.

-- The Cambridge History of English and American Literature

"1137560759"
Paradise Regained by John Milton, Poetry, Classics, Literary Collections

In purely poetic value, Paradise Regained is little inferior to its predecessor. There may be nothing in the poem that can quite touch the first two books of Paradise Lost for magnificence; but there are several things that may fairly be set beside almost anything in the last ten. The splendid "stand at bay" of the discovered tempter -- "'Tis true I am that spirit unfortunate" -- in the first book; his rebuke of Belial in the second, and the picture of the magic banquet (it must be remembered that, though it is customary to extol Milton's asceticism, the story of his remark to his third wife, and the Lawrence and Skinner sonnets, go the other way); above all, the panoramas from the mountaintop in the third and fourth; the terrors of the night of storm; the crisis on the pinnacle of the temple -- are quite of the best Milton, which is equivalent to saying that they are of the best of one kind of poetry.

-- The Cambridge History of English and American Literature

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Paradise Regained by John Milton, Poetry, Classics, Literary Collections

Paradise Regained by John Milton, Poetry, Classics, Literary Collections

by John Milton
Paradise Regained by John Milton, Poetry, Classics, Literary Collections

Paradise Regained by John Milton, Poetry, Classics, Literary Collections

by John Milton

Overview

In purely poetic value, Paradise Regained is little inferior to its predecessor. There may be nothing in the poem that can quite touch the first two books of Paradise Lost for magnificence; but there are several things that may fairly be set beside almost anything in the last ten. The splendid "stand at bay" of the discovered tempter -- "'Tis true I am that spirit unfortunate" -- in the first book; his rebuke of Belial in the second, and the picture of the magic banquet (it must be remembered that, though it is customary to extol Milton's asceticism, the story of his remark to his third wife, and the Lawrence and Skinner sonnets, go the other way); above all, the panoramas from the mountaintop in the third and fourth; the terrors of the night of storm; the crisis on the pinnacle of the temple -- are quite of the best Milton, which is equivalent to saying that they are of the best of one kind of poetry.

-- The Cambridge History of English and American Literature

Product Details

ISBN-13: 9781603120272
Publisher: Aegypan
Publication date: 01/01/2007
Pages: 108
Product dimensions: 6.00(w) x 9.00(h) x 0.26(d)

About the Author

About The Author
John Milton (1608 - 1674) was an English poet, polemicist, man of letters and civil servant for the Commonwealth of England under Oliver Cromwell. He wrote at a time of religious flux and political upheaval and is best known for his epic poem Paradise Lost (1667), written in blank verse. Milton's poetry and prose reflect deep personal convictions, a passion for freedom and self-determination and the urgent issues and political turbulence of his day. Writing in English, Latin, Greek, and Italian, he achieved international renown within his lifetime and his celebrated Areopagitica (1644)-written in condemnation of pre-publication censorship-is among history's most influential and impassioned defenses of free speech and freedom of the press.
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