Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600
This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry, as well as other literary sources and documents from the period between 1300 and 1600, highlights above all the practice of parlar cantando («speaking through singing» – the term found in De li contrasti, a fourteenth-century treatise on poetry) as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery, the author sheds new light on the origin and history of late Renaissance opera style, which their inventors called stile recitativo, rappresentativo or, exactly, parlar cantando. The deepest roots of the Italian tradition of parlar cantando are thus revealed, and the cultural background of the birth of opera is reinterpreted and revisited from the much broader perspective of what appears to be the most important Italian mode of music making between the age of Dante and Petrarch and the beginning of Italian opera around 1600.
1122092347
Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600
This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry, as well as other literary sources and documents from the period between 1300 and 1600, highlights above all the practice of parlar cantando («speaking through singing» – the term found in De li contrasti, a fourteenth-century treatise on poetry) as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery, the author sheds new light on the origin and history of late Renaissance opera style, which their inventors called stile recitativo, rappresentativo or, exactly, parlar cantando. The deepest roots of the Italian tradition of parlar cantando are thus revealed, and the cultural background of the birth of opera is reinterpreted and revisited from the much broader perspective of what appears to be the most important Italian mode of music making between the age of Dante and Petrarch and the beginning of Italian opera around 1600.
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Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600

Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600

by Elena Abramov van Rijk
Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600

Parlar cantando: The practice of reciting verses in Italy from 1300 to 1600

by Elena Abramov van Rijk

Overview

This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry, as well as other literary sources and documents from the period between 1300 and 1600, highlights above all the practice of parlar cantando («speaking through singing» – the term found in De li contrasti, a fourteenth-century treatise on poetry) as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery, the author sheds new light on the origin and history of late Renaissance opera style, which their inventors called stile recitativo, rappresentativo or, exactly, parlar cantando. The deepest roots of the Italian tradition of parlar cantando are thus revealed, and the cultural background of the birth of opera is reinterpreted and revisited from the much broader perspective of what appears to be the most important Italian mode of music making between the age of Dante and Petrarch and the beginning of Italian opera around 1600.

Product Details

ISBN-13: 9783039116706
Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
Publication date: 10/28/2009
Pages: 396
Product dimensions: 5.91(w) x 8.86(h) x (d)

About the Author

The Author: Elena Abramov-van Rijk received her Ph.D. in musicology from Tel Aviv University. Her main field of interest is fourteenth-century Italian music in the context of cultural history and language. In 2007 she received the Dan David Prize from Tel Aviv University for her work on the relationship between music and poetry.

Table of Contents

Contents: Poetry Recitation in the Italian Trecento – Different Types of Music for Delivering Poetry – From rudium inordinatum concinium to Professional Poetry Meant To Be Sung – Verse Reciting as Scholarly Discipline – Scansio: One Aspect of the Relation between Music and Poetic Text in Sixteenth Century Theory – Verse Structure in the Musical Setting of Selected Trecento Compositions – Text Underlay in Manuscripts of Trecento Music – Structure of Verse and musica contrafacta in the Trecento Music.

Preface

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