THE Parsifal of Richard Wagner was not only the last and loftiest work of his genius, but it is also one of the few great dramas of modern times,— a drama which unfolds striking and impressive spiritual teachings. Indeed, Parsifal may be called Richard Wagner's great confession of faith. He takes the legend of the Holy Grail, and uses it to portray wonderfully and thrillingly the Christian truths of the beauty, the glory, and the inspiring power of the Lord's Supper, and the infinite meaning of the redeeming love of the Cross. He reveals in this drama by poetry and music, and with a marvellous breadth and depth of spiritual conception, this theme (in his own words): "The founder of the Christian religion was not wise: He was divine. To believe in Him is to imitate Him and to seek union with Him In consequence of His atoning death, everything which lives and breathes may know itself redeemed.
...Only love rooted in sympathy and expressed in action to the point of a complete destruction of self-will, is Christian love." (Wagner's Letters, 1880, pages 270, 365, 339.) The criticism has sometimes been made that the basic religious idea of Parsifal is Buddhistic rather than Christian ; that it is taken directly from the philosophy of Schopenhauer, who was perhaps as nearly a Buddhist as was possible for an Occidental mind to be; that the dominating idea in Parsifal is compassion as the essence of sanctity, and that Wagner has merely clothed this fundamental Buddhistic idea with the externals of Christian form and symbolism.
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...Only love rooted in sympathy and expressed in action to the point of a complete destruction of self-will, is Christian love." (Wagner's Letters, 1880, pages 270, 365, 339.) The criticism has sometimes been made that the basic religious idea of Parsifal is Buddhistic rather than Christian ; that it is taken directly from the philosophy of Schopenhauer, who was perhaps as nearly a Buddhist as was possible for an Occidental mind to be; that the dominating idea in Parsifal is compassion as the essence of sanctity, and that Wagner has merely clothed this fundamental Buddhistic idea with the externals of Christian form and symbolism.
Parsifal
THE Parsifal of Richard Wagner was not only the last and loftiest work of his genius, but it is also one of the few great dramas of modern times,— a drama which unfolds striking and impressive spiritual teachings. Indeed, Parsifal may be called Richard Wagner's great confession of faith. He takes the legend of the Holy Grail, and uses it to portray wonderfully and thrillingly the Christian truths of the beauty, the glory, and the inspiring power of the Lord's Supper, and the infinite meaning of the redeeming love of the Cross. He reveals in this drama by poetry and music, and with a marvellous breadth and depth of spiritual conception, this theme (in his own words): "The founder of the Christian religion was not wise: He was divine. To believe in Him is to imitate Him and to seek union with Him In consequence of His atoning death, everything which lives and breathes may know itself redeemed.
...Only love rooted in sympathy and expressed in action to the point of a complete destruction of self-will, is Christian love." (Wagner's Letters, 1880, pages 270, 365, 339.) The criticism has sometimes been made that the basic religious idea of Parsifal is Buddhistic rather than Christian ; that it is taken directly from the philosophy of Schopenhauer, who was perhaps as nearly a Buddhist as was possible for an Occidental mind to be; that the dominating idea in Parsifal is compassion as the essence of sanctity, and that Wagner has merely clothed this fundamental Buddhistic idea with the externals of Christian form and symbolism.
...Only love rooted in sympathy and expressed in action to the point of a complete destruction of self-will, is Christian love." (Wagner's Letters, 1880, pages 270, 365, 339.) The criticism has sometimes been made that the basic religious idea of Parsifal is Buddhistic rather than Christian ; that it is taken directly from the philosophy of Schopenhauer, who was perhaps as nearly a Buddhist as was possible for an Occidental mind to be; that the dominating idea in Parsifal is compassion as the essence of sanctity, and that Wagner has merely clothed this fundamental Buddhistic idea with the externals of Christian form and symbolism.
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Parsifal
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Product Details
| BN ID: | 2940148530480 |
|---|---|
| Publisher: | OGB |
| Publication date: | 10/09/2013 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| File size: | 5 MB |
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