Percussion Pedagogy

Percussion Pedagogy

by Michael Udow
Percussion Pedagogy

Percussion Pedagogy

by Michael Udow

eBook

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Overview

In Percussion Pedagogy, author Michael Udow offers a practical guide for students interested in teaching percussion as well as improving their technique. Udow first introduces the bouncing ball system, a technical analogy that teaches students to resist the effects of inertia. Throughout the book, the bouncing ball analogy develops into a core performance principle based on integrated motions resulting in refined tone quality and meaningful musicianship. The book applies this principle to several instruments including snare drum, timpani, marimba, vibraphone, multiple-percussion, tambourine and triangle, bass drum, cymbals, tam-tams, and a variety of Western concert and world percussion repertoire. In particular, Udow addresses the importance of coupling stroke types with stickings to set the foundation for precise rhythmic playing and expressive musicality. Chapters also focus on integrated rhythms, breath, and pulsed rhythms, anatomy and physiological health, psychological health, purposeful listening, and the importance of singing when practicing. Offering solutions to common performance problems, the book's many examples serve as a paradigm for future problem solving. A comprehensive companion website complements Udow's teachings with a wealth of video tutorials and listening examples.

Product Details

ISBN-13: 9780190902971
Publisher: Oxford University Press
Publication date: 07/10/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 504
File size: 61 MB
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About the Author

Michael Udow has served as Principal Percussionist (1968-2009) in The Santa Fe Opera and as Professor of Music at the University of Michigan (1982-2011). He was the 2014-15 Composer-in-Residence with the Colorado Chamber Orchestra.

Table of Contents

Dedication Foreword Gary Cook Introduction Chapter 1 Flowing Strokes, Follow the Bouncing Ball Chapter 2 The Grip, To Grip or to Gripe, that is the Question Chapter 3 Stickings and Stroke-Types, Don't Throw the Baby Out with the Bath Water Chapter 4 The Art of Phrasing, "Sing, Sing, Sing!" Chapter 5 Purposeful Listening, Listen, Listen, Listen! Chapter 6 Integrated Rhythms, The Prequel Chapter 7 Embellishments, Back to Basics Chapter 8 Teaching Duple Subdivisions, What's Up? Chapter 9 Rhythm, Who Could Ask for Anything More? Chapter 10 Integrated Rhythms , I'm All a Quiver! Chapter 11 Breath Rhythms, A Breath of Fresh Air Chapter 12 Timpani, The I's, Y's and Beyond Chapter 13 Mallet-Keyboard, Move over Elephant, there's an Octapus in the Room Chapter 14 Triangle and Tambourine, Turkish Cooking in the Kitchen Chapter 15 Bass Drum, Cymbals, Tam tams, and Gongs, Asian and Turkish Delights Chapter 16 Multiple Percussion, An Integrated System of Form and Function Chapter 17 Drumset, Oh Say, Can you See...Hear...Play! Robert Breithaupt Chapter 18 Marching Percussion, Not Just on Saturdays Dennis DeLucia Chapter 19 Language, Speech, and Notation, The Gryphan and The Mock Turtle Chapter 20 Anatomy and Physiological Health, Constant Comment Chapter 21 Psychological Health, Ohm, by Georg e < without resistance Concluding Remarks Historical Timeline Bibliography Index
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