Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation

Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation

by Victor Anand Coelho (Editor)
Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation

Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation

by Victor Anand Coelho (Editor)

Paperback(Revised ed.)

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Overview

This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Written by specialists of this music, it is intended for players, teachers, and scholars who are interested both in the history of performance, as well as in the specific interpretation of lute, guitar and vihuela music from the end of the fifteenth century to approximately 1850. It brings to light various new ideas about performance and technique for a wide range of instruments, including the fifteenth-, sixteenth- and seventeenth-century Italian lute, archlute, theorbo, French baroque lute, vihuela, and baroque and classical guitar, as well as for lute-accompanied English and Italian song.

Product Details

ISBN-13: 9780521019439
Publisher: Cambridge University Press
Publication date: 10/13/2005
Series: Cambridge Studies in Performance Practice , #6
Edition description: Revised ed.
Pages: 252
Product dimensions: 6.65(w) x 9.57(h) x 0.51(d)

Table of Contents

1. An invitation to the fifteenth-century plectrum lute: the Pesaro manuscript Vladimir Ivanoff; 2. Lute tablature instructions in Italy: a survey of the Regole from 1507 to 1759 Dinko Fabris; 3. The performance context of the English lute song, 1596 to 1622 Daniel Fischlin; 4. Per cantare e sonare: lute song at the end of the sixteenth century Kevin Mason; 5. Authority, autonomy, and interpretation in performing seventeenth-century Italian lute music Victor Coelho; 6. The soul of the lute: performance in the style brisé Wallace Rave; 7. The vihuela: performance practice, style, and context John Griffiths; 8. Performing seventeenth-century Italian guitar music: the question of an appropriate stringing Gary Boye; 9. Essential issues in performance practices of the Classical guitar, 1779–1840 Richard Savino.
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