Personal History: A Memoir

Personal History: A Memoir

by Katharine Graham

Narrated by Carrington MacDuffie

Unabridged — 30 hours, 30 minutes

Personal History: A Memoir

Personal History: A Memoir

by Katharine Graham

Narrated by Carrington MacDuffie

Unabridged — 30 hours, 30 minutes

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Overview

#1 NATIONAL BESTSELLER ¿ PULTIZER PRIZE WINNER ¿ The captivating inside story of the woman who helmed the Washington Post during one of the most turbulent periods in the history of American media:*the scandals of the Pentagon Papers and Watergate

In this widely acclaimed memoir ("Riveting, moving...a wonderful book" The New York Times Book Review), Katharine Graham*tells her story-one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling.
*
Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband-a confidant to John F. Kennedy and Lyndon Johnson-plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman's union as she entered the profane boys' club of the newspaper business.
*
As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted-and mastered-the personal and professional crises of her fascinating life.

Editorial Reviews

Barnesandnoble.com

Personal History was the winner of the 1998 Pulitzer Prize for biography. Katharine Graham died on July 17th, 2001.

Library Journal

Not just the story of Graham's stewardship of The Washington Post, this 'personal history' ranges from her favorite tennis partner (George Schultz) to her husband's fall into madness and suicide.

Brills Content

Graham will forever be remembered as the publisher who never said no to Woodward and Bernstein during the Watergate scandal. Her Pulitzer Prize-winning memoir is just as riveting; highly readable prose turns her life into a story as complex and surprising as the one that started at the Watergate.

Nora Ephron

Nothing that has been printed about Graham is as compelling as the story she herself tells.
-- The New York Times Book Review

Kirkus Reviews

Gracious, often touchingly ingenuous, at once panoramic and particular, Graham's autobiography absorbingly reconstructs her life of worldly privilege and affective deprivation as the daughter of one formidable man and the wife and widow of another, then chronicles her own rise to the challenges of captaining The Washington Post. Katharine Meyer—her blue blood diluted only slightly by her father's Jewish roots, her development stunted severely by a self-aggrandizing mother—survived the conventions and emotional isolation of a richly endowed girlhood to marry the irreverent Phil Graham, whom she celebrates for liberating her from her un-spontaneous self and the weight of her family mythology. It was he who 'put the fix in our lives' . . . and, shatteringly, put a gun to his head after escalating manic-depression climaxed in his running off with the latest of his unsuspected paramours, leaving Katharine to abject devastation. That she was utterly bereft of social confidence by middle age seems to have been both cause and effect of Phil's defection; nonetheless, she determined to go to work to preserve for her children the Post, which Phil had taken over from her father. (With characteristic modesty and felicity, she extols the 'originality' of the friend who planted the idea that she could run it.) But also, she quite fell in love with the paper and the burgeoning corporate enterprise. It was an excruciating coming-of-age, because of her constant self-doubt and frankly poor management and because of the magnitude of the events played out on her watch—each revisited in reflective, defensive, parochial detail: the Pentagon Papers, Watergate, the pressmen'sstrike, the company's going public, major acquisition and personnel decisions. Graham's book, like her life, is harnessed to history, political and journalistic (even her best friends were famous). Her myriad stories—discreet to a fault—humanize a whole pantheon of personalities. Her personal drama, however, upstages the rest.

From the Publisher

"Riveting, moving . . . a wonderful book." —Nora Ephron, The New York Times Book Review

"Disarmingly candid and immensely readable." —Time

"Captivating . . . distinguished by a level of 
introspection that ought to be, but rarely is, the touchstone of autobiography." —Newsday

Product Details

BN ID: 2940169151411
Publisher: Penguin Random House
Publication date: 10/17/2017
Edition description: Unabridged

Read an Excerpt

When my parents returned from their honeymoon and settled back into New York, my mother was pregnant. My father went back to Wall Street, and she had to begin making the necessary adjustments to being a married woman. Overnight she found herself living a wealthy life and running households. She once told me of thinking, as she rode in a chauffeurdriven car, "Can this really be me?" As she herself acknowledged, she had a difficult time, especially in the first years, long before I was born, the fourth child of five. She had rarely thought about what marriage entailed m the way of relationships to spouse and children. I'm not sure she was ever really able to.

She seemed to regard her marriage as a contract she would always keep, and in her way she did. Her duty, as she saw it, lay in having and rearing children, running the houses, and being there when needed to fulfill her obligations as a hostess. After that, like so many of today's women but way ahead of her time, she was determined to maintain her own identity and intellectual life. In her own world, she went her own way. Later, in a memoir, she explained how she felt at the time:

I ... rebelled inwardly and outwardly against the suddenly imposed responsibilities of marriage. During the first few
years . . . I behaved as if the whole world were in a conspiracy to flatten out my personality and cast me into a universal
mold called "woman." So many of my married college friends had renounced their intellectual interests and lost
themselves in a routine of diapers, dmners, and smug contentment with life, that I was determined this should not
happen to me. I wanted a big family but I also wanted tocontinue my life as an individual.

I believe she was often desperately unhappy in her marriage, especially at first. She went to a psychiatrist, on whom she leaned heavily. She tried to escape any problems with her marriage and motherhood by studying Chinese art and language and by maintaining her connections to "291" and developing an interest in collecting modern art. She had already met a man who was to be one of the great influences in her life, the industrialist and pioneer collector Charles Lang Freer. They met at an exhibit of Chinese art, and he, having heard of her interest, invited her to Detroit to see his collection. She responded, "Next week I am going to have a baby, but I'll come as soon after that as I can." My father went along as chaperone and he, too, became a friend of Freer's.

From January 1913 until his death, my mother studied under and collected with Freer. Often they would divide up the shipments from his personal representatives in China. She had already studied the Chinese language at Columbia from 1911 to 1913, and for the next five years, with the aid of a Chinese scholar whom she often had in residence at Mount Kisco, she amassed research materials for an analysis of the contributions of Confucianism, Taoism, and Buddhism to the development of the T'ang and Sung dynasties. This resulted in the publication, in 1923, of her book Chinese Painting as Reflected in the Thought and Art of Li Lung-Mien. Unfortunately, Freer, to whom it was dedicated, had died in 1919. She visited him constantly throughout his long, agonizing illness. At his death, Freer designated five trustees for his gallery in Washington, of whom my parents were two.

As another outlet for her mind, she enrolled in postgraduate study in biology, economics, and history at Columbia University, where she met and became involved with the historians Charles and Mary Beard. When the Beards, John Dewey, and others founded the free and liberal New School for Social Research, she helped modestly to fund it and also helped in psychology classes when it opened in 1919.

At the same time, she grew even more involved with "291" and with Steichen in promoting modern art, especially that of John Marin, who sent over his watercolors from Paris. She was instrumental in founding the periodical named for the gallery, "291," and became an editor of this first avant-garde journal in America. My mother was already caught up in these activities by the time the first baby, my oldest sister, Florence, was born. She later told stories of deciding to nurse the baby but forgetting to come home from her "extramural activities" and racing home to find a screaming baby being pacified by poor Powelly.

During these first years of my mother's struggles with marriage, my father had some business setbacks. He had entered the budding automobile business in a big way, investing heavily in a company called the United States Motor Company, which produced the Maxwell. This company had run into trouble, and my father had helped reorganize it into the Maxwell Motor Company, which was still in trouble. His heavy investments in copper had not begun to pay off, and, for the first time, he felt financially squeezed. My parents had moved into a large, elegant house at 70th Street and Park Avenue. In an effort to retrench, they sold the house and moved into an entire floor at the St. Regis Hotel -- not exactly poverty row, but enough to set off rumors that Wall Street's boy wonder had gotten into trouble.

He eventually emerged from the tumultuous experience with Maxwell with a substantial profit and went on believing in the automobile business. A little later he made a brilliantly successful investment in the Fisher Body Company, run by seven able brothers. When Fisher sold to General Motors, however, he chose cash rather than stock, passing up the chance to become one of G.M.'s largest stockholders.

Around the same time, my father made another -- less important -- mistake. With his friend Bernard Baruch he invested in a gold mine, Alaska Juneau. The value of the mine went up and down, but at some point water, not gold, was found in it. For some reason, my father had invested in the mine for all of us children and told us about it. The price of Alaska Juneau was the subject of dinner-table merriment for many years, along with discussion of whether each child had profited or not. Eventually, it dropped farther and farther and finally disappeared altogether. Phil and I later named our golden retriever Juneau in honor of the mine -- a much better investment.

My father's investments in copper, cars, and, later, chemicals were all indicative of his desire not only to make money but to participate in creating new frontiers. He very much admired E.H. Harriman for creating a railroad when railroads were new. That was the kind of thing he aspired to do, being in on the birth of an industry. He once asked James Russell Wiggins, when Russ was editor of the Post, what he would do if he could do exactly what he wanted. Russ replied that he supposed he'd write history, to which my father responded, "I wouldn't. I'd sooner make it."

In addition to his business problems, the first years following his marriage brought a number of personal troubles and tragedies. The worst was the loss of the youngest Meyer, Edgar, his partner and much-loved sibling, who went down on the Titanic after putting his wife and baby daughter in the last lifeboat. He was only twenty-eight. My father had been his much older brother -- almost a father figure, and certainly a mentor -- and he was painfully bereft. He was not close to many people; Edgar had been one of the very few.

He had my mother, of course, who always stood behind him staunchly when he needed it, but who seemed increasingly to resent running the big houses, who disliked social obligations, and who was shocked and discouraged by the pains of childbirth. She asked her obstetrician during Florence's birth why anyone had a second baby. As she herself wrote, "I became a conscientious but scarcely a loving mother."

By 1914, she had had my second sister, Elizabeth -- or Bis, as she was always known -- and was chafing so over what she felt as the "crushing" of her personality that my father encouraged her to go abroad. They initially thought of going together, but the gathering war clouds concerned him and he decided to stay home to look after his, by now, very large business. In addition, given her frustrations in acclimating to marriage and a family, they both saw the need for some distance between them, so they agreed that she would take the trip to Europe alone and they would correspond often. Indeed, all her life my mother found it easier to communicate from a distance, and she conversed with us children at least as much through letters as she did in person. I took this form of communication for granted.

For some reason, when she was in her old age and during my middle years, she suddenly gave me the letters that she and my father had exchanged while she was abroad in 1914. I'm not sure why. The strains between them were ill-concealed in these letters, which freely expressed their differences, his fairly unreasonable anger and jealousy, and her conflicting emotions.

Her first letters to him were written in May 1914, while she was still on the German steamship the Vaterland, headed for Bremen. Her very first letter asked why he had left the boat so long before it sailed. She was quite crushed, and ended the letter with "Kiss my babies. I have left my heart with you and them." She seems to have quickly got over any sadness at leaving them, however, since the next letter was full of details about her active social life on board -- she had been taken up by the very distinguished Mrs. Stotesbury of Philadelphia. She alternated these social details with more intimate comments. At one point she asks,

Are you thinking of me lovingly in spite of the fact that I have temporarily deserted you? This is a revolutionary age
even for the marital relationship and I hope that you will not cease having confidence in me and loving me when I have
a period of thinking things out. It only means that my feelings for you will be clearer and therefore finer.

Much of the European trip was a reconstruction of the artistic life she had created as a student there. She looked at and bought books and art in Berlin, Vienna, and Paris. She went with de Zayas to see what she called the "ultra-moderns." She "expected to be horrified" -- particularly by Picasso's work, since she had heard he used "pieces of wallpaper, newspaper and other actual things with which to construct his pictures" -- but she found his work "large as life and fascinating" and bought a small still life of "a pipe, a glass, a bottle and some grapes," the grapes having been set in sawdust. She called it a "real work of art," and paid $140 for it.

Fairly early on, she committed an almost fatal error from the point of view of her relationship with my father. She went for tea to the apartment of an old friend, Alfred von Heymel, whom she had met in Berlin through her onetime beau Otto Merkel the summer of her student year.

Instead of making things better, as she thought her writing from this distance would, her letter about this unchaperoned visit prompted a wonderfully old-fashioned row. She had told my father quite casually about going to von Heymel's apartment alone, but added that he should not be shocked, since the place was "full of domestics." There followed from my father -- all carefully preserved -- two letters of uncontrolled and repetitive rage at her having "gone alone to a man's apartment."

She cabled and wrote back that there was a misunderstanding and tried to give her side of the incident, but it was no use. The details didn't matter to him; what did matter was that he had to have confidence in her. He enumerated other occasions when he felt she hadn't used good sense. He felt that the liberty he wanted her always to feel was hers was being abused, and that if she really cared she would understand the serious consequences of her thoughtlessness. Incredibly, after saying all this, he said he hoped "nothing in this sounds like lecturing and preaching," signing the letter "with fondest love."

Despite the misunderstandings on both sides about this ill-fated von Heymel visit, she carried on with her trip and her letters. She wrote my father that she recognized that her whole existence had been devoted to life, whereas his had been devoted to work. She also said she hadn't been giving to him, which she concluded was not entirely her fault: "We have often scarcely seen each other. We have lived in the market place instead of building up a shrine of our own." She thought even their town house reflected this distance between them: "We have no room where one feels you and I actually live." She admitted to him that in the last year she had been terribly restless and dissatisfied and could feel his uneasiness: "I do not blame you. Only a blind man could have failed to be uneasy about the woman who left you but I do not think you will be uneasy about the woman who returns."

Indeed, in the letters she wrote during this interlude she tried to be supportive of him and analytical about herself, but to little avail. He wrote a final letter complaining that she hadn't written as often as she had promised, that she was always in a hurry, and that she would be coming home tired instead of rested. This letter ended with:

You say "Be happy and know that I shall work for you always in any and every way." This is a smart expression and I
am sure you would do so -- if you happened to think of it. Thinking after all is what counts.

Her last full week of what turned out to be more than two months in Europe she spent with the Steichens in their simple house in Voulangis, where he was growing and breeding delphiniums, a lifelong passion. With little to do, she wrote my father that she had grown "uneasy about you, the kids, the cook, the strawberries that weren't being preserved...."

She sailed for home on a Dutch steamer on July 31, as promised, and luckily, too, since it was one of the last boats to leave Europe before World War I erupted two weeks later. Steichen's house was near to what became the front as the Germans threatened to break through at the first Battle of the Marne. Ignorant of his extreme danger, Steichen cabled my father asking what he ought to do. "Suggest immediate orderly retreat," was my father's firm reply. The Steichens were just able to leave for America and took refuge at Mount Kisco with my parents.

On her way home, my mother had a nightmare in which she saw herself as her father, irresponsible and self-absorbed to the extent of ruining his family's life and hers. She made up her mind not to be like that. And, in fact, the time away, despite the stormy exchanges, seems to have helped. She returned with a new commitment to this difficult relationship, determined to make it work. In a letter she had mentioned resting up before enduring more of "the baby business." I suppose her assumption was that she would have one every two years -- and, indeed, she had my brother Bill a year later. And two years after that, on June 16, 1917, I was born.

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