Perv--a Love Story

Perv--a Love Story

by Jerry Stahl
Perv--a Love Story

Perv--a Love Story

by Jerry Stahl

Paperback(Reprint)

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Overview

Set in 1970, in the last, dark days of hippiedom, Perv — A Love Story is the saga of Bobby Stark, a sixteen-year-old batch of desire and angst struggling to stay sane in a world gone Day-Glo.

As the novel opens, Bobby loses his virginity in a drug-addled tryst with a one-armed barber's daughter.  For his sins he's thrown out of school and dispatched to live with his mom, a festive electro shock aficionado, whose condo he flees to track down Michelle, the gorgeously damaged, lasped Hare Krishna-ette he's adored since kindergarten.

Like the rest of their generation, the couple hit the road for California, only to be picked up in a hell-fueled Lincoln by a pair of Bad Hippies — Meat and Varnish — smacked-out spiritual cousins to Charles Manson.  From here the trip gets vicious....

Already an underground classic, Perv-A Love Story is relentlessly twisted, sexy, and savagely funny literary excursion, a novel of doomed youth in the era when Flower Power had begun to wilt.


Product Details

ISBN-13: 9780688177874
Publisher: HarperCollins
Publication date: 01/09/2001
Edition description: Reprint
Pages: 352
Product dimensions: 5.31(w) x 8.00(h) x 0.79(d)

About the Author

Jerry Stahl is the author of the narcotic memoir Permanent Midnight and Perv—a Love Story, both Los Angeles Times bestsellers, as well as the acclaimed novels Pain Killers, Plainclothes Naked, and I, Fatty. He has written extensively for film and television.

Read an Excerpt

little trophy

I was third in line the first time I ever actually "did it." This was 1970. I was fifteen. The girl involved was a plump, freckled nursing student named Sharon Schmidlap. a ponytailed barber's daughter who lived with her parents three blocks from the small-town boarding school to which I'd been shipped and who had, apparently, been of special service to a select few of my schoolmates for a season or two. before my own arrival in eleventh grade. "Who's the Nervous Nellie?" young Sharon giggled, gaping up at me through gapped teeth while Number Two in line, a carbuncled southern boy named Tennie Toad-- on account of his Tennessee roots and his bumpy epidermis-- humped away and turned his sizable head to wink repeatedly in my direction.

Number one was a boy named Farwell whose father'd been ambassador to Turkey until his mother found him hanging from a chandelier in the embassy banquet room. Rumor had it Daddy Farwell checked out in stockings and heels, and his mother'd slapped the body in a tux before the guards came. His son hadn't said one way or another.

On account of he'd only just come back from Ankara, where he met his bereaved Mom and waggled smelling salts at her nose on a State Department jet, Farwell got the leadoff slot with freckled Sharon. This seemed like the least we could do. It took no more than a minute for him to do his job, and he didn't take his khakis off.

As it happens, we were all of us fatherless sons. My father had stepped in front of a streetcar the previous spring, and Tennie died in a boating mishap when he was nine and a half. "Before we could grab him, the sharks ate his calves," the toothy Memphis boyliked to say. "He was six-three in life, and five-two in the coffin. The bastard thought he was John Wayne, but we buried him like Mickey Rooney...."

When Tennie was done, or when I thought he was done, he hopped onto his knees, reached under Sharon's ample hips and kind of flipped her onto her stomach on the wall-to-wall shag that covered the rec room floor (a shade of purple, incidentally, that matched the nubby aureoles around her nipples, and the much chewed-upon, fruity gloss of her lips). This is what she laks," he giggled, in that half-screechy, half-cackling way he had, like Alfalfa from the Little Rascals, but grown up and nasty. "My gal laks a bit of spanking, donchu honeybutt?"

Before I knew what to make of that, Sharon gave a little coo. She adjusted her pillow-sized nether-globes upward for maximum impact, and Tennie let rip with a meaty thwack to her left buttock. I was amazed, horrified, nervous, and sort of in love. Sharon kept whipping her head from side to side. Her chocolate brown eyes rolled back, so that the whites showed down to the bottom, reminding me of pictures I'd seen of horses in barn fires. She looked scared. She looked like she liked it. I thought my brain would leak out of my ears. Even Farwell, sullen and bummed while the three of us slipped past the Schmidlaps chained-up schnauzer and down the outside steps to their basement, perked up and raised his brows from his spot on the green-and-pink plaid sofa.

By the time Tennie rolled off of Sharon and onto the shag, her whole body had sprung a sheen, a glistening coat of sweat that made me think of supermarket chickens. Skinless and boneless.

Id become so transfixed, when it was my turn I all but forgot I had to mount the girl myself.

Sharon wrapped a strand of mousy hair around her finger and ran it between her incisors, teasing. "Whatsa matter, Hercules, your pants glued on?"

I never even liked undressing in gym class, and now I had to de-pants in front of two older guys and a girl who looked like she could eat me on toast. But I had to do it. I had to!

Copyright ) 1999 by Jerry Stahl

What People are Saying About This

Nick Tosches

It is one thing, fine and rare, to write from the heart. It is another thing, finer and rarer, to write from the secret unutterable chambers of the heart. Jerry Stahl, whose words are as cool and deadly striking as a cottonmouth in the moonless dark night of the soul, does just that. No one who reads him will remain quite the same, for in that dangerous night, amid its horror and wicked laughter, lie the powers of a writer as brave as he is gifted. Jerry Stahl is the real thing.

Matt Pinfield

Jerry Stahl is brutally cool! He brings on the end of the peace and love youth optimism the same way Altamont and the Manson murders did. Fast, furious and in your face. -- (Matt Pinfield, MTV veejay)

Eric Bogosian

Jerry Stahl's Perv is Phillip Roth in a head-on collision with Harry Crews. Naked, ugly and funny. Hard to swallow, hard to put down.

Rosanna Arquette

Jerry Stahl writes like the bastard lovechild of Terry Southern and Flannery O'Connor. Perv: A Love Story is sexy, heartbreaking and painfully funny.

Lydia Lunch

Stahl does it again....Perv: A Love Story is to adolescent angst what Permanent Midnight was to drug addled stupor...a biting and hilarious expose which reveals the American Family for what it really is, a horrifying monstrosity whose poisoned tentacles attempt to snuff the life out of you....I laughed so hard I wet the bed.

Ben Stiller

Imagine Holden Caulfield on bad acid....Perv is the definitive young outsider story, told only as Stahl can tell it. It'll make you laugh at everything your parents told you not to laugh at.

Mark Mothersbaugh

Jerry Stahl is a dangerous man. His predilection for burrowing deep beneath the blistered pigskin surface of the American mind, his ability to puncture the distended bladder of the American libido, make him the kind of writer who speaks truths other writers wouldn't go near. Perv is nothing short of pure genius. It lays bare the sick-f*ck underbelly of the peace-and-love era like no novel before it. Hysterical, disturbing, insanely funny, Perv blows the rest of American fiction out of the water. -- (Mark Mothersbaugh, composer and founder of Devo)

Karen Finley

Perv is the Catcher in the Rye for the New Millennium.

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