Picturing Religious Experience: George Herbert, Calvin, and the Scriptures

by Daniel Doerksen

Overview

Little has been said about the relationship of Herbert’s writings to those of John Calvin, yet the latter were abundant and influential in Herbert’s Church of England. Accordingly Picturing Religious Experience studies Herbert’s poetry in relation to those writings, particularly regarding “spiritual conflicts,” which the poet himself said would be found depicted in his book of poems. Much more than is generally realized, Calvin wrote about the experience of living the Christian life—which is also Herbert’s subject in many of his poems. Altogether, this study maintains that Herbert owes to his religious orientation not just themes or details, but an impulse to observe and depict the inner life, and scriptural patterns which significantly contribute to the substance and literary excellence of The Temple.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

Product Details

ISBN-13:	9781644531129
Publisher:	University of Delaware Press
Publication date:	11/10/2011
Pages:	256
Product dimensions:	6.00(w) x 9.00(h) x (d)
Age Range:	16 - 18 Years

About the Author

Daniel W. Doerksen is Honorary Research Professor at the University of New Brunswick

Table of Contents

Preface
Introduction: Herbert and Calvin
1 Interpreting Herbert’s Spiritual Conflicts
2 The Temple and a Biblical Schema for the Depiction of Experience
3 The “Descent into Self” and its Goal: “The Knowledge of God and of Ourselves”
4 Spiritual Conflicts in The Temple
5 Conflict Resolution and “Temper” in The Temple
Bibliography

Editorial Reviews

Doerksen's welcome study takes a position in the ongoing debate about the religious stance assumed by George Herbert in the poems of The Temple (1633). Some scholars take that stance to exhibit close engagement with contested doctrinal questions of the day: matters ecclesiastical, sacramental, sacerdotal. Other specialists, not least Doerksen (Univ. of New Brunswick, Fredericton, Canada) hold the opposite view, finding Herbert's position to be a welcoming centrism that avoids doctrinal disputes to focus on portraying ("picturing") the experiences common to all Christians in their dealings with God. Doerksen locates Herbert's model in representing these spiritual conflicts in the Psalms, especially as understood by Calvin in his widely read commentaries. Doerksen insists on a Calvin far more centrist, engaging, nonpolemical than generally imagined--concerned not centrally with abstract questions like predestination but with the day-to-day life of faith. The book will be required reading for participants on either side of the debate. For those on neither side, Doerksen's volume will prove especially valuable as a helpful chrestomathy or collection of choice passages from Calvin that illuminate (whether as sources or analogues) key motifs of Herbert's spirituality. Summing Up: Highly recommended.--CHOICE

The most significant publication of the year was Daniel W. Doerksen's Picturing Religious Experience: George Herbert, Calvin, and the Scriptures...Doerksen here is...correcting misconceptions about Calvin and Calvinism, focusing in particular on the often ignored experiential dimension to Calvin's writing. In the psalms Calvin found the full range of human emotions and responses to God, and his works were of significant influence on English Protestant writers of the sixteenth and seventeenth centuries, including Herbert.--The Year's Work In English Studies

Cor Tibi Offero Domine Prompte et Sincere, read John Calvin's personal motto; "My Heart I Offer to You Lord Promptly and Sincerely." In Picturing Religious Experience: George Herbert, Calvin, and the Scriptures, Daniel W. Doerksen reminds us of what Bemerton's priest-poet owed to the reformer of Geneva in his literary art: a profound sense of Psalmic form; a trained humanist's eye for textual--especially scriptural--detail; and above all a heart-deep, unsparing, but ultimately joyous devotion. Going beyond Herbert's well-established doctrinal and theological debts to Calvin, Doerksen juxtaposes Calvin's Institutes and his Commentary on the Psalms with scores of Herbert's lyrics, yielding striking and fresh insights: Herbert's likely borrowing of Calvin's phrasing in poems like "The Flower," "Man," "Miserie," and many more; and pervasive thematic parallels with Herbert's poetic sequences on human glory and depravity, on the Eucharist, on affliction and on spiritual conflict and reconciliation. In the end, what emerges is a portrait not merely of incidental allusions, but of permeating influence.--Christopher Hodgkins, University of North Carolina at Greensboro; director, George Herbert's Living Legacies Project; co-editor, The Digital Temple

With his customary grace and deep learning, Professor Doerksen addresses the close connection between George Herbert and John Calvin. Doerksen demonstrates that the outlook of both poet and religious reformer is fundamentally moderate, scripturally based, and deeply concerned with spiritual struggle and enlightenment. Calvin's great influence on the English church and on Herbert himself is convincingly portrayed, with many brilliant readings of the poetry. These explications show Herbert's often explicit yet always sensitive appropriation of Calvin's scholarship and exegetical genius. But Doerksen wisely avoids the tendentious and easy conclusions of an influence study; rather, he gives us a remarkable work of profound and lasting significance that teaches us how to read Herbert in Calvin's light.--P. G. Stanwood, University of British Columbia

Daniel Doerksen's Picturing Religious Experience is an impressive book that offers a genuinely new perspective on Herbert's devotional verse. Doerksen gives us, in Chapter 2, a powerful and compelling . . . history of the reception of Herbert's Temple. . . . . Chapter 5 . . . goes far in providing readers of Herbert with a new way of understanding the literary and spiritual paradigms that shape his lyrics. [T]his is an impressive work by a major Herbert scholar who has clearly thought as long and hard about Herbert as anyone else in the field. . . [I]t offers a rich trove of convincing new analogues for the figures and structure of George Herbert's meditative lyrics, and will prove a valuable source of information about the surprising nature of some of Herbert's biggest literary influences.--John Rogers, Yale University

From the Publisher

The most significant publication of the year was Daniel W. Doerksen’s Picturing Religious Experience: George Herbert, Calvin, and the Scriptures...Doerksen here is...correcting misconceptions about Calvin and Calvinism, focusing in particular on the often ignored experiential dimension to Calvin’s writing. In the psalms Calvin found the full range of human emotions and responses to God, and his works were of significant influence on English Protestant writers of the sixteenth and seventeenth centuries, including Herbert.

The Year's Work In English Studies

Daniel Doerksen's Picturing Religious Experience is an impressive book that offers a genuinely new perspective on Herbert's devotional verse.
Doerksen gives us, in Chapter 2, a powerful and compelling . . . history of the reception of Herbert's Temple. . . . . Chapter 5 . . . goes far in providing readers of Herbert with a new way of understanding the literary and spiritual paradigms that shape his lyrics.
[T]his is an impressive work by a major Herbert scholar who has clearly thought as long and hard about Herbert as anyone else in the field. . . [I]t offers a rich trove of convincing new analogues for the figures and structure of George Herbert's meditative lyrics, and will prove a valuable source of information about the surprising nature of some of Herbert's biggest literary influences.

John Rogers

Cor Tibi Offero Domine Prompte et Sincere, read John Calvin’s personal motto; “My Heart I Offer to You Lord Promptly and Sincerely.” In Picturing Religious Experience: George Herbert, Calvin, and the Scriptures, Daniel W. Doerksen reminds us of what Bemerton’s priest-poet owed to the reformer of Geneva in his literary art: a profound sense of Psalmic form; a trained humanist’s eye for textual—especially scriptural—detail; and above all a heart-deep, unsparing, but ultimately joyous devotion. Going beyond Herbert’s well-established doctrinal and theological debts to Calvin, Doerksen juxtaposes Calvin’s Institutes and his Commentary on the Psalms with scores of Herbert’s lyrics, yielding striking and fresh insights: Herbert’s likely borrowing of Calvin’s phrasing in poems like “The Flower,” “Man,” “Miserie,” and many more; and pervasive thematic parallels with Herbert’s poetic sequences on human glory and depravity, on the Eucharist, on affliction and on spiritual conflict and reconciliation. In the end, what emerges is a portrait not merely of incidental allusions, but of permeating influence.

Christopher Hodgkins

With his customary grace and deep learning, Professor Doerksen addresses the close connection between George Herbert and John Calvin. Doerksen demonstrates that the outlook of both poet and religious reformer is fundamentally moderate, scripturally based, and deeply concerned with spiritual struggle and enlightenment. Calvin’s great influence on the English church and on Herbert himself is convincingly portrayed, with many brilliant readings of the poetry. These explications show Herbert’s often explicit yet always sensitive appropriation of Calvin’s scholarship and exegetical genius. But Doerksen wisely avoids the tendentious and easy conclusions of an influence study; rather, he gives us a remarkable work of profound and lasting significance that teaches us how to read Herbert in Calvin’s light.

P. G. Stanwood

Doerksen's welcome study takes a position in the ongoing debate about the religious stance assumed by George Herbert in the poems of The Temple (1633). Some scholars take that stance to exhibit close engagement with contested doctrinal questions of the day: matters ecclesiastical, sacramental, sacerdotal. Other specialists, not least Doerksen (Univ. of New Brunswick, Fredericton, Canada) hold the opposite view, finding Herbert's position to be a welcoming centrism that avoids doctrinal disputes to focus on portraying ("picturing") the experiences common to all Christians in their dealings with God. Doerksen locates Herbert's model in representing these spiritual conflicts in the Psalms, especially as understood by Calvin in his widely read commentaries. Doerksen insists on a Calvin far more centrist, engaging, nonpolemical than generally imagined—concerned not centrally with abstract questions like predestination but with the day-to-day life of faith. The book will be required reading for participants on either side of the debate. For those on neither side, Doerksen's volume will prove especially valuable as a helpful chrestomathy or collection of choice passages from Calvin that illuminate (whether as sources or analogues) key motifs of Herbert's spirituality. Summing Up: Highly recommended.

Choice

Doerksen's welcome study takes a position in the ongoing debate about the religious stance assumed by George Herbert in the poems of The Temple (1633). Some scholars take that stance to exhibit close engagement with contested doctrinal questions of the day: matters ecclesiastical, sacramental, sacerdotal. Other specialists, not least Doerksen (Univ. of New Brunswick, Fredericton, Canada) hold the opposite view, finding Herbert's position to be a welcoming centrism that avoids doctrinal disputes to focus on portraying ("picturing") the experiences common to all Christians in their dealings with God. Doerksen locates Herbert's model in representing these spiritual conflicts in the Psalms, especially as understood by Calvin in his widely read commentaries. Doerksen insists on a Calvin far more centrist, engaging, nonpolemical than generally imagined—concerned not centrally with abstract questions like predestination but with the day-to-day life of faith. The book will be required reading for participants on either side of the debate. For those on neither side, Doerksen's volume will prove especially valuable as a helpful chrestomathy or collection of choice passages from Calvin that illuminate (whether as sources or analogues) key motifs of Herbert's spirituality. Summing Up: Highly recommended.

CHOICE