Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature
Paying attention to the uses that Anishinaabe authors make of visual images and marks made on surfaces such as rock, bark, paper, and canvas, David Stirrup argues that such marks—whether ancient pictographs or contemporary paintings—intervene in artificial divisions like that separating precolonial/oral from postcontact/alphabetically literate societies. Examining the ways that writers including George Copway, Jane Johnston Schoolcraft, Gordon Henry, Louise Erdrich, Gerald Vizenor, and others deploy the visual establishes frameworks for continuity, resistance, and sovereignty in that space where conventional narratives of settlement read rupture. This book is a significant contribution to studies of the ways traditional forms of inscription support and amplify the oral tradition and in turn how both the method and aesthetic of inscription contribute to contemporary literary aesthetics and the politics of representation.
"1134287331"
Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature
Paying attention to the uses that Anishinaabe authors make of visual images and marks made on surfaces such as rock, bark, paper, and canvas, David Stirrup argues that such marks—whether ancient pictographs or contemporary paintings—intervene in artificial divisions like that separating precolonial/oral from postcontact/alphabetically literate societies. Examining the ways that writers including George Copway, Jane Johnston Schoolcraft, Gordon Henry, Louise Erdrich, Gerald Vizenor, and others deploy the visual establishes frameworks for continuity, resistance, and sovereignty in that space where conventional narratives of settlement read rupture. This book is a significant contribution to studies of the ways traditional forms of inscription support and amplify the oral tradition and in turn how both the method and aesthetic of inscription contribute to contemporary literary aesthetics and the politics of representation.
19.95 In Stock
Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature

Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature

by David Stirrup
Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature

Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature

by David Stirrup

Paperback(1)

$19.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

Paying attention to the uses that Anishinaabe authors make of visual images and marks made on surfaces such as rock, bark, paper, and canvas, David Stirrup argues that such marks—whether ancient pictographs or contemporary paintings—intervene in artificial divisions like that separating precolonial/oral from postcontact/alphabetically literate societies. Examining the ways that writers including George Copway, Jane Johnston Schoolcraft, Gordon Henry, Louise Erdrich, Gerald Vizenor, and others deploy the visual establishes frameworks for continuity, resistance, and sovereignty in that space where conventional narratives of settlement read rupture. This book is a significant contribution to studies of the ways traditional forms of inscription support and amplify the oral tradition and in turn how both the method and aesthetic of inscription contribute to contemporary literary aesthetics and the politics of representation.

Product Details

ISBN-13: 9781611863529
Publisher: Michigan State University Press
Publication date: 05/01/2020
Series: American Indian Studies
Edition description: 1
Pages: 376
Product dimensions: 6.00(w) x 9.00(h) x 1.00(d)

About the Author

DAVID STIRRUP is Professor of American Literature and Indigenous Studies at the University of Kent.

Table of Contents

Acknowledgments vii

Introduction 1

Chapter 1 An Indian Well Versed: (Con)Textualizing Anishinaabeakiing-George Copway and Jane Johnston Schoolcraft 37

Chapter 2 X-ing Boundaries: Transmotion, Transformation, and the Art of Engaged Resistance in Contemporary Anishinaabe Poetics 73

Chapter 3 Reckoning Beyond the Crossing/X-ing: Formal Diversity and Visual Sovereignty in Gordon Henry Jr.'s The Light People 127

Chapter 4 Picturing Absence and Postcolonial Presence: Unsettling a Colonial Grammar in Selected Works by Louise Erdrich 159

Chapter 5 So, How Can You Hear Stones and Pictures? Gerald Vizenor's Imagic Returns 193

Chapter 6 Performance, Resistance: Countering the Indian and Sovereign Aesthetics in Contemporary Anishinaabe Drama 243

Conclusion 277

Notes 291

Bibliography 311

Index 337

From the B&N Reads Blog

Customer Reviews