![Pierre; or, The Ambiguities](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.9.4)
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Overview
Pierre; or, The Ambiguities is the seventh book by American writer Herman Melville, first published in New York in 1852. The novel, which uses many conventions of Gothic fiction, develops the psychological, sexual, and family tensions between Pierre Glendinning; his widowed mother; Glendinning Stanley, his cousin; Lucy Tartan, his fiancée; and Isabel Banford, who is revealed to be his half-sister. According to scholar Henry A. Murray, in writing Pierre Melville "purposed to write his spiritual autobiography in the form of a novel" rather than to experiment and incidentally work some personal experience into the novel.
Published after the lukewarm reaction to Moby-Dick, Pierre was a critical and financial disaster. Reviewers universally condemned its morals and its style. More recent critics have shown greater sympathy toward the book, seeing it as a "psychological novel - a study of the moods, thought processes, and perceptions of his hero".
The characteristics of the style, described by Murray as a "miscellany of grammatical eccentricities, convoluted sentences, neologisms, and verbal fetishisms", are by themselves enough to set Pierre off as "a curiosity of literature." The chapter arrangement, by contrast, with each chapter called "Book" and sub-divided into short numbered sections, seems to aim for a clear structure that for critic Warner Berthoff helps "to salvage some degree of organization and pace from the chaos of Melville's purposes."
Walter Leyden Brown directed a theatrical adaptation of the book at La MaMa Experimental Theatre Club in Manhattan's East Village in 1974.
The book was the source for the 1999 French film Pola X (Pierre ou les ambiguïtés) directed by Leos Carax.
The Denver Center Theatre Company developed and produced the world premiere of Pierre in 2002, a stage play written by Jeffrey Hatcher, and directed by Bruce K. Sevy. The cast included Christopher Kelly as Pierre Glendinning and Morgan Hallett as Isabel Banford.
American composer Richard Beaudoin wrote an opera based on the book; Act I was staged in August 2007 at London's Arcola Theatre. (wikipedia.org)
Product Details
ISBN-13: | 9781636377629 |
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Publisher: | Bibliotech Press |
Publication date: | 03/02/2022 |
Pages: | 308 |
Product dimensions: | 6.00(w) x 9.00(h) x 0.77(d) |
About the Author
Herman Melville (1819–1891) found early success with stories inspired by his adventures in the South Seas. His fortunes declined with the 1851 publication of Moby-Dick, now recognized as a masterpiece but scorned by Melville's contemporaries. The author was obliged to work as a New York City customs inspector and died in obscurity, three decades before the critical reassessment of his work.
Date of Birth:
August 1, 1819Date of Death:
September 28, 1891Place of Birth:
New York, New YorkPlace of Death:
New York, New YorkEducation:
Attended the Albany Academy in Albany, New York, until age 15Table of Contents
I.PIERRE JUST EMERGING FROM HIS TEENS II. LOVE, DELIGHT, AND ALARM III. THE PRESENTIMENT AND THE VERIFICATION IV. RETROSPECTIVE V. MISGIVINGS AND PREPARATIVES VI. ISABEL, AND THE FIRST PART OF THE STORY OF ISABEL VII. INTERMEDIATE BETWEEN PIERRE'S TWO INTERVIEWS WITH ISABEL AT THE FARM-HOUSE VIII. THE SECOND INTERVIEW, AND THE SECOND PART OF THE STORY OF ISABEL. THEIR IMMEDIATE IMPULSIVE EFFECT UPON PIERRE IX. MORE LIGHT, AND THE GLOOM OF THAT LIGHT. MORE GLOOM, AND THE LIGHT OF THAT GLOOM X. THE UNPRECEDENTED FINAL RESOLUTION OF PIERRE XI. HE CROSSES THE RUBICON XII. ISABEL, MRS. GLENDINNING, THE PORTRAIT, AND LUCY XIII. THEY DEPART THE MEADOWS XIV.THE JOURNEY AND THE PAMPHLET XV. THE COUSINS XVI. FIRST NIGHT OF THEIR ARRIVAL IN THE CITY XVII. YOUNG AMERICA IN LITERATURE XVIII. PIERRE, AS A JUVENILE AUTHOR, RECONSIDERED XIX. THE CHURCH OF THE APOSTLES XX. CHARLIE MILLTHORPE XXI. PIERRE IMMATURELY ATTEMPTS A MATURE BOOK. TIDINGS FROM THE MEADOWS. PLINLIMMON XXII. THE FLOWER-CURTAIN LIFTED FROM BEFORE A TROPICAL AUTHOR; WITH SOME REMARKS ON THE TRANSCENDENTAL FLESH-BRUSH PHILOSOPHY XXIII. LETTER FOR PIERRE. ISABEL. ARRIVAL OF LUCY'S EASEL AND TRUNKS AT THE APOSTLES' XXIV. LUCY AT THE APOSTLES' XXV. LUCY, ISABEL, AND PIERRE. PIERRE AT HIS BOOK. ENCELADUS XXVI. A WALK; A FOREIGN PORTRAIT; A SAIL. AND THE END