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Overview
In Poetic Modernism in the Culture of Mass Print, Bartholomew Brinkman argues that an emerging mass print culture conditioned the production, reception, and institutionalization of poetic modernism from the latter part of the nineteenth century through the middle of the twentieth century—with lasting implications for the poetry and media landscape. Drawing upon extensive archival research in the United States and Britain, Brinkman demonstrates that a variety of print collecting practices—including the anthology, the periodical, the collage poem, volumes of selected and collected poems, and the modern poetry archive—helped structure key formal and institutional sites of poetic modernism.
Brinkman focuses on the generative role of book collecting practices and the negotiation of print ephemera in scrapbooks. He also traces the evolution of the modern poetry archive as a particular case of the mid-twentieth-century rise of literary archives and identifies parallels between the beginning of mass print culture at the end of the nineteenth century and the growth of digital culture today. Advocating for a transatlantic modernism that stretches roughly from 1880 to 1960—one that incorporates both popular and canonical poets—Brinkman successfully extends the geographical, historical, and vertical dimensions of modernist studies.
Poetic Modernism in the Culture of Mass Print will appeal not only to scholars and students of literary modernism, modern periodical studies, book history, print culture, media studies, history, art history, and museum studies but also to librarians, archivists, museum curators, and information science professionals.
Product Details
ISBN-13: | 9781421421346 |
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Publisher: | Johns Hopkins University Press |
Publication date: | 12/15/2016 |
Series: | Hopkins Studies in Modernism |
Pages: | 288 |
Product dimensions: | 6.20(w) x 9.00(h) x 1.00(d) |
Age Range: | 18 Years |
About the Author
Table of Contents
AcknowledgmentsIntroduction. Modern Poetry, Cultures ofCollecting, and the Mediation of Mass Print Chapter 1. As Good as Gold: Palgrave's Golden Treasury, Poetic Value, and the Objective AnthologyChapter 2. Making Modern Poetry: Format, Form, and Modern Poetic GenreChapter 3. Scrapping Modernism: Marianne Moore and the Making of the Modern Collage PoemChapter 4. Selecting Modernism: Eliot, Faber, and Poetic ReproductionChapter 5. Instituting Modernism: The Rise of the Modern American Poetry ArchiveCoda. Remaking Poetic Modernism after a Culture of Mass PrintNotesBibliographyIndexWhat People are Saying About This
Unifying, coherent, and compelling, Poetic Modernism in the Culture of Mass Print is thoroughly researched and original in its use of archival materials. Gracefully written and well-illustrated, it makes a significant intervention in the fields of modern American poetry, modernism, and archival theory. An important book.
Unifying, coherent, and compelling, Poetic Modernism in the Culture of Mass Print is thoroughly researched and original in its use of archival materials. Gracefully written and well-illustrated, it makes a significant intervention in the fields of modern American poetry, modernism, and archival theory. An important book.—Walter Kalaidjian, Emory University, author of The Edge of Modernism: American Poetry and the Traumatic Past