Poetry in the Wars
In the two world wars – and throughout the Troubles in Northern Ireland – poets insisted on not serving any political or nationalist case. As the war poets were attacked for failing to write their country’s battle hymns, so the Ulster poets were victims of improper ‘expectations’. In this seminal critical study Edna Longley argues that while poets as citizens may support various causes, poets as writers cannot settle for anything less than ‘full human truths’. The price of that imaginative freedom is ‘eternal vigilance’. Edna Longley shows how Edward Thomas wrote for England, but not for its war. How Keith Douglas kept a moral eye on his subject even as he shot to kill. And yet how an unjust Ulster ‘hurt’ Seamus Heaney into poetry. Edna Longley relates contemporary Northern Irish poetry to the overall history of 20th-century poetry in English. She argues that the most important poets have stuck quite deliberately to their armoury of difficult traditional forms, adapting and extending them in response to modern wars, conflicts, oppression and injustice. In this important collection of interconnected essays, she also traces the influence of W.B. Yeats, and considers the work of Louis MacNeice, Robert Frost, Philip Larkin, Derek Mahon and Paul Muldoon.
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Poetry in the Wars
In the two world wars – and throughout the Troubles in Northern Ireland – poets insisted on not serving any political or nationalist case. As the war poets were attacked for failing to write their country’s battle hymns, so the Ulster poets were victims of improper ‘expectations’. In this seminal critical study Edna Longley argues that while poets as citizens may support various causes, poets as writers cannot settle for anything less than ‘full human truths’. The price of that imaginative freedom is ‘eternal vigilance’. Edna Longley shows how Edward Thomas wrote for England, but not for its war. How Keith Douglas kept a moral eye on his subject even as he shot to kill. And yet how an unjust Ulster ‘hurt’ Seamus Heaney into poetry. Edna Longley relates contemporary Northern Irish poetry to the overall history of 20th-century poetry in English. She argues that the most important poets have stuck quite deliberately to their armoury of difficult traditional forms, adapting and extending them in response to modern wars, conflicts, oppression and injustice. In this important collection of interconnected essays, she also traces the influence of W.B. Yeats, and considers the work of Louis MacNeice, Robert Frost, Philip Larkin, Derek Mahon and Paul Muldoon.
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Poetry in the Wars

Poetry in the Wars

by Edna Longley
Poetry in the Wars

Poetry in the Wars

by Edna Longley

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Overview

In the two world wars – and throughout the Troubles in Northern Ireland – poets insisted on not serving any political or nationalist case. As the war poets were attacked for failing to write their country’s battle hymns, so the Ulster poets were victims of improper ‘expectations’. In this seminal critical study Edna Longley argues that while poets as citizens may support various causes, poets as writers cannot settle for anything less than ‘full human truths’. The price of that imaginative freedom is ‘eternal vigilance’. Edna Longley shows how Edward Thomas wrote for England, but not for its war. How Keith Douglas kept a moral eye on his subject even as he shot to kill. And yet how an unjust Ulster ‘hurt’ Seamus Heaney into poetry. Edna Longley relates contemporary Northern Irish poetry to the overall history of 20th-century poetry in English. She argues that the most important poets have stuck quite deliberately to their armoury of difficult traditional forms, adapting and extending them in response to modern wars, conflicts, oppression and injustice. In this important collection of interconnected essays, she also traces the influence of W.B. Yeats, and considers the work of Louis MacNeice, Robert Frost, Philip Larkin, Derek Mahon and Paul Muldoon.

Product Details

ISBN-13: 9780906427996
Publisher: Bloodaxe Books
Publication date: 11/20/1986
Pages: 272
Product dimensions: 5.50(w) x 8.50(h) x (d)

About the Author

Edna Longley is a Professor Emerita in the School of English, Queen’s University Belfast. Her publications include an edition of Edward Thomas’s prose writings, A Language Not To Be Betrayed (1981) from Carcanet, and four critical books: Louis MacNeice: A Study (1988) from Faber, and Poetry in the Wars (1986), The Living Stream: Literature & Revisionism in Ireland (1994) and Poetry & Posterity (2000) from Bloodaxe. She also edited The Bloodaxe Book of 20th Century Poetry (2000) and Edward Thomas: The Annotated Collected Poems (Bloodaxe Books, 2008).

Table of Contents

Introduction 9 Edward Thomas and Robert Frost 22 'Worn New': Edward Thomas and English Tradition 47 Louis MacNeice: Autumn Journal 78 'Shit or Bust': The Importance of Keith Douglas 94 'Any-angled Light': Philip Larkin and Edward Thomas 113 'Inner Emigre' or 'Artful Voyeur'—Seamus Heaney's North 140 The Singing Line: Form in Derek Mahon's Poetry 170 Poetry and Politics in Northern Ireland 185 'Varieties of Parable': Louis MacNeice and Paul Muldoon 211 Notes 244 Acknowledgements 259 Index 261
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