Table of Contents
Table of Contents
Acknowledgments
Introduction
What can prologues and epilogues tell us about Restoration theater?
Prologues and epilogues as paratexts
Gender as a defining element
Comic Performance
Audience Taste and Influence
Betweenness, the actress, and the epilogue
Agency: Actor, Author, Audience
In print: Broadsides, Quartos, Compilations, Pictures
Chapter overview
PART I: Prologues and Epilogues: A Gendered Taxonomy
Chapter 1: Male and Female Cloaked, and Male Exposed, Paratexts
Cloaked and Exposed Paratexts: Some Definitions
The Male Cloaked Paratext: Thomas Betterton and Congreve’s The Way of the World; Charles Hart and Dryden’s The Conquest of Granada, Part I
The Female Cloaked Paratext: Elizabeth Barry’s Popish Prologues; Mary Porter and Pix’s The Different Widows
The Male Exposed Paratext: Joseph Williams and the “drunken prologue” to The Mistakes; Joseph Haines and the “Ass Epilogue” to Scott’s The Unhappy Kindness
Chapter 2: The Female Exposed Paratext, Part one: Actress as Joker and Target
Revived Epilogues: Nell Gwyn and Dryden’s Tyrannick Love; Mary Lee, Lady Slingsby and Otway’s Alcibiades
Gender Confirmation and Transformation through Breeches: Hester Santlow and D’Urfey’s Don Quixote Part II
The Virgin’s Self-Marketing: Letitia Cross and Pix’s Ibrahim, Cibber’s Love’s Last Shift, and Vanbrugh’s The Relapse
Tendentious Paratexts: Mrs Bowman and Hopkins’s Boadicea
Chapter 3: Female Exposed Paratexts, Part two: Solidarity and Social Critique
Female Solidarity: Sarah Cooke and Rochester’s Valentinian; Dryden’s The Princess of Cleve
Social Critique: Critiques of Love and Marriage: Charlotte Butler and Behn’s The City-Heiress; Mocking Male Sexuality: Mrs Knepp and Wycherley’s The Country Wife; Male Mistreatment of Women: The Constant Nymph
PART II: The Impact of Paratexts
Chapter 4: Vestal Interests: Anne Bracegirdle’s Paratexts
Credibility of the virgin actress: Satires on Bracegirdle
Bracegirdle’s self-constructed virginity
Raped heroines: The virtuous non-virgins
Rape roles with prologues or epilogues
Nonvirgin roles
The height of fame: Bracegirdle’s prologue to Congreve’s Love for Love
Chapter 5: Bawdy Language: The Reception History of Addison’s Epilogue to The Distrest Mother
The bawdy epilogue: why all the fuss?
The Epilogue in question: Addison’s contribution to Philips’s The Distrest Mother How to watch epilogues: The Spectator weighs in
Pamela as Theater Critic
Conclusion
Appendix: Female Prologues and Epilogues by type
Bibliography
Index