Proustiennes
Proustiennes follows Erik Satie's Gnossiennes—brief, deft explorations of a theme. Jean Frémon traces Marcel Proust's influence through hawthorns, soirées, and clairvoyance to attitudes on closure, bringing the fin-de-siècle world of Paris's belle époque into conversation with today.

From "Other and Same":

"Was it because, having already seen white hawthorn, the sight of a pink hawthorn with blossoms that were multiple rather than singular gave him the simultaneous sense of analogy and difference, both of which have so much power over our minds?" wonders Jean Santeuil, looking for a reason for why he prefers the pink hawthorn to every other flower.

. . .

Between these two poles, stretched tight, is fiction. Musil's narrative framework is a net under the feet of that aerialist of thought who successively lets go and grabs hold of the notions which, like heaven-sent trapezes, present themselves to him one after the other, while he measures with irony the gulf that separates the past moment from the future one.

census of eventualities general examination of possibilities

Jean Frémon is the author of over twenty works of poetry, fiction, and essay. The Island of the Dead won the 2004 PEN USA Award in Literary Translation. He lives and works in Paris.

A three-time winner of the O. Henry Prize, Brian Evenson is the author of Last Days, which won the ALA award for Best Horror Novel of 2009. He teaches at Cal Arts.

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Proustiennes
Proustiennes follows Erik Satie's Gnossiennes—brief, deft explorations of a theme. Jean Frémon traces Marcel Proust's influence through hawthorns, soirées, and clairvoyance to attitudes on closure, bringing the fin-de-siècle world of Paris's belle époque into conversation with today.

From "Other and Same":

"Was it because, having already seen white hawthorn, the sight of a pink hawthorn with blossoms that were multiple rather than singular gave him the simultaneous sense of analogy and difference, both of which have so much power over our minds?" wonders Jean Santeuil, looking for a reason for why he prefers the pink hawthorn to every other flower.

. . .

Between these two poles, stretched tight, is fiction. Musil's narrative framework is a net under the feet of that aerialist of thought who successively lets go and grabs hold of the notions which, like heaven-sent trapezes, present themselves to him one after the other, while he measures with irony the gulf that separates the past moment from the future one.

census of eventualities general examination of possibilities

Jean Frémon is the author of over twenty works of poetry, fiction, and essay. The Island of the Dead won the 2004 PEN USA Award in Literary Translation. He lives and works in Paris.

A three-time winner of the O. Henry Prize, Brian Evenson is the author of Last Days, which won the ALA award for Best Horror Novel of 2009. He teaches at Cal Arts.

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Overview

Proustiennes follows Erik Satie's Gnossiennes—brief, deft explorations of a theme. Jean Frémon traces Marcel Proust's influence through hawthorns, soirées, and clairvoyance to attitudes on closure, bringing the fin-de-siècle world of Paris's belle époque into conversation with today.

From "Other and Same":

"Was it because, having already seen white hawthorn, the sight of a pink hawthorn with blossoms that were multiple rather than singular gave him the simultaneous sense of analogy and difference, both of which have so much power over our minds?" wonders Jean Santeuil, looking for a reason for why he prefers the pink hawthorn to every other flower.

. . .

Between these two poles, stretched tight, is fiction. Musil's narrative framework is a net under the feet of that aerialist of thought who successively lets go and grabs hold of the notions which, like heaven-sent trapezes, present themselves to him one after the other, while he measures with irony the gulf that separates the past moment from the future one.

census of eventualities general examination of possibilities

Jean Frémon is the author of over twenty works of poetry, fiction, and essay. The Island of the Dead won the 2004 PEN USA Award in Literary Translation. He lives and works in Paris.

A three-time winner of the O. Henry Prize, Brian Evenson is the author of Last Days, which won the ALA award for Best Horror Novel of 2009. He teaches at Cal Arts.


Product Details

ISBN-13: 9780986437380
Publisher: Fence Magazine, Incorporated
Publication date: 06/21/2016
Edition description: Translatio
Pages: 80
Product dimensions: 5.80(w) x 7.80(h) x 0.30(d)

About the Author

Jean Fremon: Jean Frémon is the author of over twenty works of poetry, fiction, and essay. Director of a gallery of contemporary art, he frequently writes on ekphrastic themes, exploring the links between visual art and writing. His work has been translated into many languages, with six works available in English, including The Island of the Dead, which won the 2004 PEN USA Award in Literary Translation. He lives and works in Paris.
Brian Evenson: A three-time winner of the O. Henry Prize, Brian Evenson is the author of twelve works of fiction, including Last Days, which won the American Library Association's award for Best Horror Novel of 2009 and The Wavering Knife, which won the IHG Award for best story collection. He has translated numerous works from French, including Jean Frémon’s The Botanical Garden. He teaches at Cal Arts in Southern California.

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