Prze-pisac taneczny modernizm: sieci. Re-writing Dance Modernism: Networks

by Julia Hoczyk (Editor), Wojciech Klimczyk (Editor)

Overview

Dance modernism is not only a part of cultural history. It is also, perhaps above all, a multicolored reference for thinking about the dancing body’s past and presence as well as its many practices. Finally, dance modernism is a story of modern longings and anxieties. The story has been constantly re-written, with a growing awareness of its global and collective character. An outcome of a meeting between dance historians and practitioners, this book is an example of said awareness.

Product Details

ISBN-13:	9788323374572
Publisher:	Jagiellonian University Press
Publication date:	10/06/2023
Sold by:	Barnes & Noble
Format:	eBook
File size:	6 MB

About the Author

Julia Hoczyk is a theater scholar, dance critic and theorist, and editor. A graduate of the Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw, she has published critical texts for Didaskalia, Teatr, Opcje, Dwutygodnik.com and nowytaniec.pl; her academic papers have been included in several post-conference publications. She works in the Publishing and Documentation Department of the National Institute of Music and Dance.

Prof. dr hab. Wojciech Klimczyk is a dance scholar whose research centers around the social and political role of dance. He works at the Centre for Comparative Studies of Civilizations at the Jagiellonian University. He spent nearly a decade as a member of the Harakiri Farmers artistic collective working at the intersection of contemporary dance and theater. His collaborations as a dance dramaturge include Andre Gingras, Kirstine Ilum Soerensen, Marta Wolowiec and Poernim Gobardhan.

Table of Contents

Wojciech Klimczyk, Prze-pisać taneczny modernizm: sieci 9


Metodologie: usieciowianie tanecznego modernizmu

Wojciech Klimczyk, Palimpsesty: taneczny modernizm 33

Marion Kant, Historie elastyczne i nieelastyczne. Analiza wczesnodwudziestowiecznych kategorii niemieckiego tańca modern 61

Susanne Franco, Ausdruckstanz w obliczu historii i pamięci. Rekonstrukcje przeszłości 85

Lucia Ruprecht, Seksualność i queerowa uczuciowość w Karnawale Michaiła Fokina 101


Transmisje: transnarodowe trajektorie tanecznego modernizmu

Claudia Fleischle-Braun, Miejsca i transnarodowe linie tańca wyzwolonego i ekspresjonistycznego w Europie 121

Susan Manning, Mary Wigman i Azja: między orientalizmem i transnacjonalizmem 143

Matthew Isaac Cohen, W drodze doAzji: egzotyczność, wędrówka i autokreacja a początki środkowoeuropejskiego tańca modern 163

Hana Umeda, Sada Yakko – rekonstrukcja w działaniu 187

Agata Chałupnik, Żydowskie tango i pytanie o tożsamość 203


Poszerzenia: taneczny modernizm w słowiańskiej Europie Środkowej

Małgorzata Leyko, Taniec polski w sieci transkulturowych powiązań (1918–1939) 229

Andreja Jeličić, Prze-pisać taneczny modernizm – perspektywa chorwacka 243

Jitka Pavlišová, Wybrane aspekty czeskiego modernizmu tanecznego w kontekście tanecznej (r)ewolucji z początku XX wieku 265

Hanna Raszewska-Kursa, Polskie – nasze / zagraniczne – cudzoziemskie – obce. Międzynarodowy Konkurs Tańca Artystycznego z 1933 roku w warszawskiej prasie 277

Wojciech Klimczyk, Re-writing Dance Modernism: Networks 297


Methodologies: Networking Dance Modernism

Wojciech Klimczyk, Palimpsests: Dance Modernism 321

Marion Kant, Flexible and Inflexible Histories: An Examination of Early 20th Century Categories of Modern German Dance 349

Susanne Franco, Ausdruckstanz Facing History and Memory: Reenacting the Past 371

Lucia Ruprecht, Sexuality and Queer Sentiment in Mikhail Fokine’s Le Carnaval 387


Transmissions: Transnational Trajectories of Dance Modernism

Claudia Fleischle-Braun, Places and Transnational Lines of Free Dance and Expressionist Dance in Europe 407

Susan Manning, Mary Wigman and Asia: Between Orientalism and Transnationalism 427

Matthew Isaac Cohen, On the Way to Asia: Exoticism, Itinerancy and Self-Fashioning in the Making of Central European Modern Dance 447

Hana Umeda, Sada Yakko: Reconstruction in Action 469

Agata Chałupnik, Jewish Tango and the Question of Identity 485


Expansions: Dance Modernism in Slavic Central Europe

Małgorzata Leyko, Transcultural Cross-over: Polish Dance (1918–1939) 511

Andreja Jeličić, Re-writing Dance Modernism: A Croatian Perspective 525

Jitka Pavlišová, Selected Aspects of Czech Dance Modernism(s) in the Context of the Dance (R)evolution at the Beginning of the 20th Century 545

Hanna Raszewska-Kursa, Polish – Ours / Foreign – Alien – Stranger. The 1933 International Artistic Dance Competition in Warsaw’s Press 557



Biogramy autorów 579

Author’s Biographies 585

Indeks / Index 591